Sharpening the Edge—Writing Chapter 18: When Characters Take Control

SHARPENING THE EDGE - MONDAYS
Welcome to Sharpening the Edge, my Monday focus on real-time novel writing. Here you'll find insights from my current work-in-progress, sharing challenges, breakthroughs, and solutions as they happen. Whether you're in the midst of your novel or planning to start, these posts offer practical experience from the writing desk.

This morning, working on Chapter 18, my protagonist proved yet again that characters often know their story better than we do.

I had the scene perfectly planned. Sarah would follow protocol, file her report, and wait for official channels. That’s what an experienced detective would do, right?

Wrong.

Instead, my character stopped typing mid-report, grabbed her keys, and headed for her informant’s apartment. No backup. No protocol. Just pure character truth.

## What I Learned Today:

1. Character Authenticity

When a character resists your plot, listen. Sarah wasn’t being difficult—she was being true to herself. Her need for justice has always outweighed her respect for rules.

2. Scene Momentum

The moment Sarah veered from my plan, the scene crackled with energy. Her decision created immediate tension, raised stakes, and opened new story possibilities.

3. Story Truth

Sometimes our carefully plotted scenes don’t serve the deeper story. Today’s “detour” revealed more about Sarah’s character than my original plan ever could.

## Writing Insight:

Trust your characters. They live in the story world you’ve created. They understand its rules, its pressures, its consequences. Sometimes they’ll see paths you haven’t considered.

Today’s Writing Tip:

Next time your character balks at your scene plan:

– Pause your plotting

– Write the scene they want

– Follow their lead

– See what emerges

Remember: The best stories often come from characters who refuse to behave.

“The moment comes when a character does or says something you hadn’t thought about. At that moment he’s alive and you leave it to him.”

– Graham Greene

Let your characters surprise you today.

Tags: SharpeningEdge, NovelWriting, CharacterDevelopment, WritingCraft, AmWriting

Note: If this is your first appointment, you do not have to pay. I offer a FREE—initial consultation.

Welcome to Creation Edge—Getting Started with Scrivener

CREATION EDGE - SUNDAYS
Welcome to Creation Edge, my Sunday focus on writing technology. Here you'll learn how to use Scrivener to organize, write, and revise your novel. Whether you're setting up your first project or managing your manuscript, Creation Edge helps you make technology serve your creativity.

Getting Started with Scrivener

First Steps in Scrivener

Creating Your Project

  1. Open Scrivener
  2. Select “New Project”
  3. Choose “Fiction” template
  4. Name your project
  5. Select save location

Unlike traditional word processors, Scrivener creates a complete project environment for your novel. The Fiction template provides pre-built organization specifically designed for novelists, saving you setup time and keeping your work organized from day one.

Understanding the Interface

The Binder (Left Panel)

Think of the Binder as your digital filing cabinet. Here you’ll organize everything related to your novel: chapters, scenes, character notes, research, and more. The beauty of the Binder is its flexibility—you can restructure your novel by simply dragging and dropping elements.

The Editor (Center Panel)

Your primary writing space. The Editor can display single documents or multiple documents at once, perfect for referencing character notes while writing a scene. Format your text using familiar word processing tools while enjoying Scrivener’s distraction-free writing environment.

The Inspector (Right Panel)

Your story’s metadata lives here. Track scene status, add document notes, create character sketches, and maintain version history. The Inspector helps you manage the countless details that make your novel rich and consistent.

Essential Views

Document View

Your standard writing interface. Here you’ll spend most of your time crafting scenes and chapters. Scrivener remembers where you left off, maintaining your focus when you return.

Corkboard View

Visualize your story using virtual index cards. Each card represents a scene or chapter, allowing you to plan and rearrange your narrative visually. Perfect for plotting and restructuring.

Outline View

See your entire story structure at once. Add custom metadata columns to track viewpoint characters, locations, or any other story elements you need to monitor.

Basic Organization

Create these essential folders:

  • Manuscript: Your actual novel
  • Characters: Character profiles and development
  • Settings: World-building and location details
  • Research: Background information and references

Each folder can contain unlimited documents and sub-folders. This structure grows with your story while keeping everything accessible.

Today’s Exercise

  1. Create a new project using the Fiction template
  2. Set up your four basic folders
  3. Write a test scene in the Manuscript folder
  4. Try switching between Document, Corkboard, and Outline views

Next Steps

Explore each view as you work. There’s no “wrong” way to use Scrivener—find what works for your writing style.

Next Sunday: Project Organization Basics – we’ll dive deeper into Scrivener’s folder system and learn advanced organization techniques.

Remember: Your writing environment should support creativity, not hinder it. Take time to make Scrivener yours.

Schedule a consultation for personalized Scrivener guidance.

Note: If this is your first appointment, you do not have to pay. I offer a FREE—initial consultation.

Craft Edge—Unlocking the Novelist Within: A Journey from Thought to Page

CRAFT EDGE - SATURDAYS
Welcome to Craft Edge, my Saturday focus on fiction writing craft. Here you'll find deep dives into writing techniques using One Stop for Writers and Fictionary resources. Whether you're developing characters or structuring scenes, Craft Edge helps you master the tools of storytelling.

Disclaimer: I know the following doesn’t directly reconcile with our Craft Edge Saturdays post. I simply felt like someone might need some encouragement about writing.


Hello, I’m Richard L. Fricks. At 70, I stand as proof that it’s never too late to pursue a dream. Since retiring from my legal career in 2015, I’ve written 11 novels. What might surprise you is that I embarked on this journey without any formal training in creative writing. If I can do it, so can you. This is an invitation to unleash the novelist within you – whether you’ve been nurturing the idea for years or have never considered it until now.

Let’s address the first group – you’ve always wanted to write a novel. You’ve carried stories in your heart and played with plots in your mind, but life’s incessant demands have pushed this dream to the back burner. I understand. Between career, family, and the myriad responsibilities life throws at us, nurturing a seed of personal ambition like novel writing seems like a luxury you can’t afford. But here’s what I’ve learned: writing isn’t a departure from your daily life; it’s a rich, rewarding enhancement of it.

Writing a novel is not about finding extra time; it’s about making the time. It’s about prioritizing a part of yourself that longs for expression. It’s about committing to your creative journey, even if it means writing in the quiet hours of the morning or during the stolen moments of your day. The fulfillment you derive from bringing your story to life is worth every minute you invest in it.

To those who’ve never considered writing a novel, let me plant a seed of possibility. Writing a novel isn’t just for those with a literary background or a lifetime of stories bubbling under the surface. It’s for anyone who desires to explore the depths of their imagination, to challenge themselves, to embark on a journey of self-discovery and creative expression. You might be astonished at the stories lying dormant within you, waiting to unfold on paper.

Writing a novel is an exploration. It’s about discovering new worlds, delving into the complexities of characters that you create, and narrating a story that’s uniquely yours. It’s an art form where you’re the artist, and the canvas is as vast as your imagination. The beauty of novel writing is that there are no boundaries – no idea is too far-fetched, no plot too outlandish. It’s a space where freedom meets creativity.

Now, let’s address the elephant in the room – the lack of formal training. I am a testament to the fact that formal education in creative writing is not a prerequisite to becoming an author. While such education can be valuable, it’s your passion, commitment, and imagination that are the real drivers of successful writing. The intricacies of the craft can be learned and honed over time, but the spark of storytelling comes from within.

If you’re holding back because you fear your writing isn’t good enough, remember that every author starts with a rough first draft. Writing is a process of constant evolution. Your first draft is just the beginning. With each revision, your story gets sharper, your characters more vivid, and your narrative more compelling. The key is to start – your skills will develop with practice.

To help you on this journey, I offer coaching services that cater specifically to your needs, whether you’re a beginner needing guidance on where to start or an aspiring writer seeking to refine your manuscript. My approach is rooted in practical, real-world experience, tailored to help you bring your novel from concept to completion.

Writing a novel is not just about crafting a story; it’s about leaving a legacy. It’s a way to share a part of yourself with the world, to connect with readers most profoundly. And when you see your name on the cover of your published work, the sense of accomplishment is unparalleled.

So, if you’ve dreamed of writing a novel, let this be your starting point. If you’ve never considered it, let this be your invitation to explore. Schedule your free 30-minute initial consultation with me. Together, we’ll chart the course of your novel-writing journey. It’s never too late to start, and there’s no better time than now. Your story matters. Let’s begin the adventure of telling it.

Book your FREE initial consultation appointment below and take the first step towards becoming the author you’ve always wanted to be or discovering the author you never knew you could be.


Use the Contact form to schedule a phone call or a Zoom meeting. Remember, the first thirty-minute appointment is FREE.

Edge of Reality–Finding Story in Local News: A Writer’s Guide

EDGE OF REALITY - FIRST FRIDAY
Welcome to Edge of Reality, my monthly feature examining current events through a writer's lens. Here you'll discover how real-world stories can inform and enhance your fiction. Whether you're mining life for story ideas or deepening your narrative, Edge of Reality helps you transform truth into compelling fiction.

Today, let’s discover how local stories can spark our novels while maintaining respect for real events and people.

TRANSFORMING NEWS INTO NARRATIVE

Consider this recent local headline: “Community Rallies Around Family After Storm Destroys Historic Farm”

A news story tells us what happened. But as novelists, we ask:

  • What led to this moment?
  • How do people react under sudden pressure?
  • What happens after the cameras leave?
  • Which conflicts emerge from crisis?

FROM FACT TO FICTION:

News Element: “Historic farm, four generations” Story Potential:

  • Family legacy tensions
  • Modern versus traditional values
  • Preservation versus progress
  • Hidden family secrets

News Element: “Community rallies” Story Potential:

  • Unexpected alliances
  • Past conflicts resolved
  • New conflicts emerge
  • Individual versus community needs

WRITING EXERCISE: Choose a local news story and:

  1. List the factual elements
  2. Identify emotional touchpoints
  3. Explore “what if” scenarios
  4. Create fictional characters inspired by (not copied from) real situations

Remember: We’re not reporting news—we’re exploring human nature through story.

ETHICAL CONSIDERATIONS:

  • Maintain a respectful distance from real events
  • Change significant details
  • Focus on universal themes
  • Consider timing and sensitivity

Join me next month when we’ll explore another local story through a novelist’s lens. Meanwhile, try the exercise with your local news. What stories are waiting to be discovered?

“No story lives unless someone wants to listen.”

  • J.K. Rowling

Remember: Every great story begins with someone paying attention.

Note: If this is your first appointment, you do not have to pay. I offer a FREE—initial consultation.

The Pencil’s Philosophy—From Questions to Stories: A Writer’s Journey

THE PENCIL'S PHILOSOPHY - THURSDAYS
Welcome to The Pencil's Philosophy, my Thursday focus on writing as transformation. Here you'll explore how writing connects to deeper understanding, how questioning leads to growth, and how stories transform both writer and reader. Whether you're seeking truth or finding your voice, these posts guide your journey of discovery.

My journey from certain answers to courageous questions began with a pencil and a blank page. After sixty years of accepting inherited truths, I discovered that writing fiction opened doors to deeper understanding.

Writing demands honesty. When crafting characters, we can’t hide behind comfortable assumptions. Our characters must face hard truths, make difficult choices, and question everything—just as we must do in our own journey of growth.

Today, working on my twelfth novel, I’ve learned that authentic stories emerge from authentic questioning. Each time my characters face a crisis of belief, confront uncomfortable truths, or challenge accepted wisdom, they’re exploring the same territory I navigated in my transformation from CPA and attorney to novelist and story coach.

Three Truths About Writing and Growth:

1. Questions Lead to Stories

Every powerful story starts with “What if?” When we dare to question our assumptions, we find characters doing the same. Their journeys mirror our own search for truth.

2. Stories Lead to Understanding

Through fiction, we explore different perspectives, challenge our beliefs, and discover new ways of seeing the world. Our characters teach us as much as we teach them.

3. Understanding Leads to Growth

As our characters evolve through their stories, we evolve through our writing. Each draft becomes a step in our own transformation.

Your Story Journey:

Whether you’re writing your first novel or your twelfth, embrace the questions that arise. Let your characters challenge comfortable beliefs. Trust that your story will lead you to deeper understanding.

“We write to taste life twice, in the moment and in retrospect.”

– Anaïs Nin

Remember: The truest stories come from the courage to question everything.

Note: If this is your first appointment, you do not have to pay. I offer a FREE—initial consultation.

First Edge—Starting Your Novel: Three Simple Scenes

Think you can’t write a novel? Let’s start with three manageable scenes. No pressure, no rules – just writing.

Scene One: The Mirror Moment

Write a character looking in a mirror, but they’ve just made a decision that will change their life. It could be small (cutting their hair) or significant (leaving their job).

Example:

“Emma traced the new wrinkles around her eyes, wondering if anyone at work had noticed. The resignation letter in her purse felt heavier than two pages should.”

Scene Two: The Coffee Scene

Two people share coffee. Something needs to be said, but neither wants to say it.

Example:

“David stirred his coffee for the third time, watching the cream swirl. Across the table, Sarah shredded her napkin into neat squares, not looking up.”

Scene Three: The Small Decision

Your character makes a seemingly minor choice that feels enormous to them.

Example:

“The red shoes gleamed in the display window. Lisa checked her watch – already late for the meeting. The sensible black pumps sat in her shopping bag, receipt neatly folded. She hadn’t worn red shoes since…”

Writing Tips:

– Set a timer: 15 minutes per scene

– Don’t edit while writing

– Focus on character feelings

– Trust your instincts

Share your scenes in the comments, or schedule a Story Discovery Session to discuss your writing journey.

“The scariest moment is always just before you start.”

– Stephen King

Remember: Every novelist started with a single scene. Today, it’s your turn.

Note: If this is your first appointment, you do not have to pay. I offer a FREE—initial consultation.

Edge Coach—First Pages: What Story Coaches Look For

As a Fictionary Certified StoryCoach Editor, I often see beginning novelists struggle with their opening pages. Today, let’s explore what makes those crucial first pages work—and what might be holding yours back.

Let’s start with an example:

Weak Opening: “Sarah Jones had always loved the ocean. Growing up in coastal Maine, she spent summers watching waves crash against rocky shores while dreaming of adventure.” Why it doesn’t work: Background instead of story

Strong Opening: “Sarah’s hand trembled as she gripped the ship’s radio. Three hours into her first solo sailing trip, and the storm warnings changed everything.” Why it works: Character in action, immediate tension

Key Elements Story Coaches Evaluate:

  1. Opening Hook
  • Does your first sentence create curiosity?
  • Are readers immediately engaged?
  • Does something happen or change? Common Issue: Starting with background instead of story momentum
  1. Point of View (POV)
  • Is your viewpoint character clear?
  • Are we grounded in their perspective?
  • Do we experience the scene through their senses? Common Issue: Shifting perspectives or distant narration
  1. Character Introduction
  • Do we meet your protagonist in action?
  • Are they facing a challenge or decision?
  • Do readers have a reason to care? Common Issue: Character descriptions without purpose
  1. Story Question
  • What makes readers wonder what happens next?
  • Which story questions emerge naturally?
  • Is there clear tension or conflict? Common Issue: No compelling reason to turn the page

FICTIONARY KEY ELEMENTS: Using Fictionary’s storytelling elements, I evaluate:

  1. Opening Scene Function
  • Introduces main character
  • Establishes tone
  • Sets story in motion
  • Creates story questions
  1. Scene Entry Point
  • Character doing something
  • Clear setting anchors
  • Immediate conflict
  • Sensory details
  1. Scene Tension
  • External pressure
  • Internal conflict
  • Time constraints
  • Stakes matter
  1. Character Goal
  • Clear motivation
  • Visible actions
  • Specific obstacle
  • Meaningful outcome

EVALUATION EXERCISE:

  1. Read your first page aloud
  2. Mark with different colors:
    • Character actions (blue)
    • Background info (red)
    • Dialogue (green)
    • Setting details (yellow)
    • Internal thoughts (purple)

Analysis Questions:

  • Which color dominates?
  • Where does true story action begin?
  • When do readers first care?
  • What makes them want more?

Coming Soon: Watch for more professional editing insights in future Edge Coach posts, where we’ll explore:

  • Transforming weak openings
  • Layering in background naturally
  • Building organic tension
  • Creating compelling hooks

Need help evaluating your first pages now? Schedule a First Chapter Focus session to get professional guidance on starting your novel strong.

You’re invited to schedule a consultation.

Note: If this is your first appointment, you do not have to pay. I offer a FREE—initial consultation.

Sharpening the Edge—Layering Character Backstory: Scene 13A Revelations

Current progress:

Deep in phase one edits of Novel 12, today I tackled Scene 13A: Doubts in Action. My goal? Adding crucial layers to Alexis’s backstory that drive her current decisions.

Craft Challenge:

Adding backstory without disrupting the scene momentum presents a common writer’s dilemma. Too much explanation kills pacing; too little leaves readers disconnected. The key lies in weaving past details through present action.

Writing Insight:

This morning’s breakthrough came through action-reaction sequencing. Instead of explaining Alexis’s history, I let her reactions to current events reveal her past. Each choice she makes hints at previous experiences, layering her character while maintaining scene tension.

Try this technique:

1. Identify a character decision

2. Link it to past experience

3. Show the connection through reaction, not explanation

4. Keep the story moving forward

For example, when Alexis questioned Pastor Josh and he gave her the standard “God works in mysterious ways” response, her hesitation revealed more about her history than a full paragraph of explanation could.

Remember: Strong characters aren’t built through exposition—they’re revealed through action.

You’re invited to schedule a consultation to discuss your character development challenges.

Note: If this is your first appointment, you do not have to pay. I offer a FREE—initial consultation.

Preparing for Tomorrow’s Journey

As we transition from sharing my novels to helping you write yours, I’m taking this moment to prepare for tomorrow’s first post under our new format. The Pencil’s Edge will now focus on practical guidance, professional insights, and encouragement for beginning novelists.

Tomorrow, we’ll explore what it means to start your writing journey, drawing from my experience of writing that first novel at age 60. Whether you have just an idea or a partially written manuscript, I look forward to sharing both the craft and courage needed to write your story.

Join me tomorrow as we begin this new chapter together. After all, every writer’s journey begins with a single mark on the page.

Novel Excerpts—The Boaz Scholar, Chapter 2

The primary aim of the "Novel Excerpts" blog category is to showcase my creative writing, specifically from the novels I've written. Hopefully, these posts will provide a glimpse into my storytelling style, themes, and narrative skills. It's an opportunity to share my artistic expressions and the worlds I've created through my novels.  
The Boaz Scholar, written in 2019, is my eighth novel. I'll post a chapter a day over the next few weeks. 

Book Blurb

Precocious Chicago teenager Mia Hudson is growing up to love the marvels of science.  But, a one-year move to Boaz, Alabama reveals a world trapped in another age, one filled with Christian fundamentalists and female jealousy.  
After agreeing to tutor star football player Adam Brown, Mia is brutally assaulted.  The attack in the girls’ P.E. dressing room leaves Mia with nightmares of dying and a steeled determination to bring her five female attackers to justice.

This is before she started falling for the stunningly handsome Adam Brown, and before chief instigator and preacher’s kid Jessica Miller is kidnapped by a rapist/murdering parolee.

Read this story to learn how Mia uses her love for humanity and her scholarly mind to solve a thousand-piece puzzle while local law enforcement is just opening the box.  

And to experience a once-in-life teenage love story.

Chapter 2

It was nearly midnight before we arrived in Boaz.  After bringing in my two heavy suitcases, Uncle Larry went to bed.  Aunt Mary helped me unpack.  My room was small but comfortable.  It was also amenable to my reading and study habits.  Uncle Larry had built me a desk across the interior wall right next to the door from the hallway.  Above the long wood counter, there were plenty of shelves.  It was nice to see the books I had shipped.  I imagined each of them calling to me, reaching out a hand and saying, “Choose me.”  I slowly slid my right hand across the spine of each book and silently told them how excited I was they were here to share our one-year adventure.

I had forgotten this bedroom had a private bath.  Last night as I was brushing my teeth, I opened the shower door and realized I could barely squeeze inside.  There certainly was no way to bend over and wash my feet without bumping my head against the wall.  But this was better than having to share Uncle Larry’s and Aunt Mary’s bath down the hall in the center of the house.  It was odd the small clothes closet was inside the bathroom.

The room’s furniture was minimalist but enough: a half-bed, a nightstand, and a chest of drawers.  The stout but aged items looked like they could have been what Mother and Aunt Mary shared when they were growing up in the country outside Boaz.  There was also a small rocking chair by the lone back window.  The thing I disliked the most was the carpet.  It was the contrast with the wood floors throughout our two-story home in Hyde Park that kept me awake for hours after undressing and crawling into my bed.  It was nearly three o’clock the last time I looked at my iPhone.  I couldn’t survive thinking about Chicago.  I had to resolve to live in the here and now, no matter how much I already hated the sad and scary turn my life had taken.

“Mia.”  Aunt Mary said, tapping on my door.  It was 6:30 according to the giant, old-time clock hanging above my chest of drawers.  I hadn’t noticed it last night.

“Yes.”  I stayed vertical under the covers realizing my habit of sleeping naked might have to change.

“Your Mom and Dad are on the phone.  They asked me to fetch you.”

“Okay, I’ll be right there, give me a minute.”  I quickly pulled on a tee shirt and a pair of baggy shorts.  I was confused as to why they hadn’t called me on my iPhone.  I walked down the short hallway and into the small den by the kitchen.

“There, sit in my chair.”  Aunt Mary said motioning me towards a chair next to a sliding glass door leading out onto a small deck.  The giant phone sat on a table between two matching Lazy-Boy recliners.  “Your mother called to thank me and your Uncle Larry.”

“Mom?”  I said.

“Honey, are you okay?  Did everything go well yesterday?”

“No problems.  We got here around midnight.  I didn’t sleep very well.  New surroundings, I guess.  Are you and Dad still in London?”  For some reason I was confused.  Was today Saturday or Sunday?  I also couldn’t remember when the final leg of Mom and Dad’s flight would be.

“We’re here until tomorrow,”  Dad said.  I assumed they had their phone on Speaker.

“Hey, Dad.  I miss you guys.  Also, I’m afraid I made a mistake.  I wish I were with you right now and was headed to Johannesburg tomorrow.”  I had heard Aunt Mary go out the door to the carport.  Without any sign of Uncle Larry, I suspected he had already left to meet his teaching buddy for golf.

“We miss you too.”  Mother and Dad said in unison.  I was blessed with great parents.  I had enough friends whose parents were just as smart as mine but appeared incapable of truly connecting with their kids like it was not intellectual or something.  But mine were special.  I liked that they didn’t coddle me.  They had taught me since I was a baby to think for myself.  Both Mother and Dad were professors at the University of Chicago.  Dad, a professor of evolutionary genetics in the Department of Ecology & Evolution.  Mother, a professor of New Testament and Early Christian Literature in the Divinity School.

“What time is it in London?”  I knew they would be several hours ahead of my time.

“Right now, it’s a little after noon,”  Dad said.

“What are you guys up to?”  I said, remembering our trip to London in 2015. 

 Mom spoke.  I could sense she was excited by her tone and rate of speech.  “We’re headed to the Shard for lunch.  We have reservations at 1:00.” 

“Thanks for inviting me.”  More memories.  We visited this beautiful skyscraper during our trip.  It’s on the south bank of the River Thames and is the tallest building in Western Europe.

“Oh honey.  This is no doubt the hardest thing your Dad and I have ever done.  We miss you so much.”

“We have to stay focused,”  Dad said.

“Discipline Dad.  You can do it.  It’s just a year.  We’ll be stronger and smarter for sticking with the plan.”  I repeated his words, what he had said for months, each night the three of us were planning this adventure.

“Honey, you remember The Shanghai Bar at Hutong?”  Mother interrupted.

“I do.  The thirty-third floor of the Shard.  I also remember eating chilled and roasted baby pigeon.  It was a starter we shared when we ate there.  I think that was the final straw that made me become a vegan.”

Dad changed the subject.  He and Mother had different opinions on my decision to give up meat and dairy.  I guess he didn’t want to re-plow that ground.  At least not today.

“We spoke with Lee this morning.  Neil arrived yesterday.  They seem anxious for us to arrive.  Tuesday, we head to the caves.”  Dad seemed more excited than ever. 

“Reckon you and Mom will become as famous as Mr. Berger and Neil?”  I asked.   I had recently become infatuated with both men and had read extensively on their backgrounds and accomplishments.

Lee Berger is an American-born South African paleoanthropologist, a professor at the University of the Witwatersrand in Johannesburg, South Africa, and a National Geographic Explorer-in-Residence.  He is best known for his discovery in 2015 of Homo Naledi at Rising Star Cave just thirty miles north of the school.  Berger determined that Homo Naledi is an extinct species of hominin.

Neil Shubin is also a professor at the University of Chicago and a good friend of Mom and Dad’s.  Neil is a paleontologist, evolutionary biologist, and popular science writer who is best known for co-discovering Tiktaalik roseae, a transitional fossil, in the Arctic of Canada.  This fossil reveals a combination of features that show the evolutionary transition between swimming fish and their descendants, the four-legged vertebrates which include amphibians, dinosaurs, birds, mammals, and humans. 

When I was in the right frame of mind, I knew this was a once-in-a-lifetime opportunity for Mom and Dad.  They were joining Berger and Shubin as they returned to the Rising Star Cave system for the second exploration.  From what Berger had written, he expected more exciting discoveries to be made, possibly as important as the Homo Naledi find.

“Baby, we are content to be in the background and support the team any way we can.  It’ll be an honor just to serve water to these extraordinary men.”

Mom and Dad talked and walked until they arrived at the Shard.  Dad ended our conversation by saying, “Mia, take it one day at a time and realize the world is home to all types of people.  Don’t get discouraged when you hear someone boldly proclaiming his ignorance.  We all have lots to learn.”

After the three of us shared an “I love you,” I sat in Aunt Mary’s chair feeling sorry for myself.  I couldn’t help but stare at her Bible sitting on the end table.  I picked it up and turned to the page where she had inserted a First Baptist Church of Christ bulletin.  Underlined in pencil was Philippians 4:13: “I can do all things through Christ which strengtheneth me.”  At first, I chuckled to myself as I thought how silly it was for anyone to believe in God, or His purported son, Jesus Christ, for that matter.  Then, I realized the important thing wasn’t whether God’s existence was true, but what Aunt Mary and Uncle Larry believed.  No doubt, they believed Jesus lived in their hearts and helped them day by day to do their work and live their lives.

“Your mom and dad seem excited.”  Aunt Mary said, coming in the sliding glass door with a basket full of the prettiest tomatoes I had ever seen.