Edge Coach—First Pages: What Story Coaches Look For

As a Fictionary Certified StoryCoach Editor, I often see beginning novelists struggle with their opening pages. Today, let’s explore what makes those crucial first pages work—and what might be holding yours back.

Let’s start with an example:

Weak Opening: “Sarah Jones had always loved the ocean. Growing up in coastal Maine, she spent summers watching waves crash against rocky shores while dreaming of adventure.” Why it doesn’t work: Background instead of story

Strong Opening: “Sarah’s hand trembled as she gripped the ship’s radio. Three hours into her first solo sailing trip, and the storm warnings changed everything.” Why it works: Character in action, immediate tension

Key Elements Story Coaches Evaluate:

  1. Opening Hook
  • Does your first sentence create curiosity?
  • Are readers immediately engaged?
  • Does something happen or change? Common Issue: Starting with background instead of story momentum
  1. Point of View (POV)
  • Is your viewpoint character clear?
  • Are we grounded in their perspective?
  • Do we experience the scene through their senses? Common Issue: Shifting perspectives or distant narration
  1. Character Introduction
  • Do we meet your protagonist in action?
  • Are they facing a challenge or decision?
  • Do readers have a reason to care? Common Issue: Character descriptions without purpose
  1. Story Question
  • What makes readers wonder what happens next?
  • Which story questions emerge naturally?
  • Is there clear tension or conflict? Common Issue: No compelling reason to turn the page

FICTIONARY KEY ELEMENTS: Using Fictionary’s storytelling elements, I evaluate:

  1. Opening Scene Function
  • Introduces main character
  • Establishes tone
  • Sets story in motion
  • Creates story questions
  1. Scene Entry Point
  • Character doing something
  • Clear setting anchors
  • Immediate conflict
  • Sensory details
  1. Scene Tension
  • External pressure
  • Internal conflict
  • Time constraints
  • Stakes matter
  1. Character Goal
  • Clear motivation
  • Visible actions
  • Specific obstacle
  • Meaningful outcome

EVALUATION EXERCISE:

  1. Read your first page aloud
  2. Mark with different colors:
    • Character actions (blue)
    • Background info (red)
    • Dialogue (green)
    • Setting details (yellow)
    • Internal thoughts (purple)

Analysis Questions:

  • Which color dominates?
  • Where does true story action begin?
  • When do readers first care?
  • What makes them want more?

Coming Soon: Watch for more professional editing insights in future Edge Coach posts, where we’ll explore:

  • Transforming weak openings
  • Layering in background naturally
  • Building organic tension
  • Creating compelling hooks

Need help evaluating your first pages now? Schedule a First Chapter Focus session to get professional guidance on starting your novel strong.

You’re invited to schedule a consultation.

Note: If this is your first appointment, you do not have to pay. I offer a FREE—initial consultation.

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Author: Richard L. Fricks

Richard L. Fricks is a novelist, former attorney and CPA, Fictionary Certified StoryCoach Editor, and creator of The Pencil-Driven Life. He lives in rural North Alabama near Boaz, where much of his fiction and reflection remain rooted. His work explores story, inherited purpose, faith and doubt, family pressure, moral contradiction, consciousness, ordinary life, and the practice of beginning again with a pencil.

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