Novel Excerpts–The Boaz Schoolteacher, Chapter 42

The primary aim of the "Novel Excerpts" blog category is to showcase my creative writing, specifically from the novels I've written. Hopefully, these posts will provide a glimpse into my storytelling style, themes, and narrative skills. It's an opportunity to share my artistic expressions and the worlds I've created through my novels.
The Boaz Schoolteacher, written in 2018, is my fifth novel. I'll post a chapter a day over the next few weeks.

Book Blurb

In the summer of 2017, Katie Sims and her daughter Cullie, moved from New York City to Katie’s hometown of Boaz, Alabama for her to teach English and for Cullie to attend Boaz High School .  Fifteen years earlier, during the Christmas holidays, five men from prominent local families sexually assaulted Katie.  Nine months later, Katie’s only daughter was born.

Almost from the beginning of the new school year, as Katie and fellow-teacher Cindy Barker shared English, Literature, and Creative Writing duties for more than 300 students, they became lifelong friends.  

For weeks, Katie and Cindy endured the almost constant sexual harassment at the hands of the assistant principal.  In mid-October, after Cindy suffered an attack similar to Katie’s from fifteen years earlier, the two teachers designed a unique method to teach the six predators a lesson they would never forget.  Katie and Cindy dubbed their plan, Six Red Apples.

Read this mystery-thriller to experience the dilemma the two teachers created for themselves, and to learn the true meaning of real justice.  And, eternal friendship. 

Chapter 42

After returning home from Cindy’s I had gone straight to bed but after nearly an hour rearranging my pillows, I had committed the cardinal sin.  I opened Facebook on my iPad swearing I would stop leaving it on the nightstand.

My first group to visit was my tenth grade English class.  I reviewed tonight’s comments related to my earlier vocabulary word post.  The word was divination.  It meant “prediction; prophecy; forecast.”  Everyone seemed to be equating my sample sentence, “Possessing the gift of divination, she warned her husband of the evils that would result from his journey to Greece,” with their outlier version of Real Justice.  Ben Gilbert wrote, “Pastor Walker’s divination powers were unique; they also worked in reverse.”  Four comments later, Joanie Kittle wrote, “Stella’s past venture down vengeance lane would haunt her in Ellijay.”

For the next hour I read every comment in every Facebook group, those officially sanctioned by me and the two unofficial groups created by my tenth and eleventh grade English classes.  The common buzz was that Stella Gibson had moved to Ellijay from Alma, a small town in Arkansas.  There, the story was, she had been accused of murdering five people, all who allegedly had raped her daughter.  I knew none of this had been mentioned in any of the outlines from any of my five Creative Writing teams.  But, I had given them the liberty to modify and adapt their story’s plot.  Each of the five outlines were maintained online at the official group’s site.  I entered the password and noted that Teams 2 and 3 had made recent updates to the back-story section of their outlines.  I read them both two times.  It seemed that Pastor Aiden Walker discovered Stella Gibson’s past and had shared it with his four friends.  Their intent was to use this as leverage to persuade the gorgeous newspaper editor to become the first female member of the Jaybirds.

Throughout Monday at school, my mind’s go-to thought dealt with my growing confusion and concern that my own life was somehow infiltrating the Real Justice project.  My internal dialog always ended with the question, “how is this happening?”

I had never been so happy that a school day was over.  The 2:40 bell rang after my Creative Writing students and I ended a thirty-minute brainstorming session on what information Pastor Aiden Walker might discover from an investigation into Stella Gibson’s Arkansas past.  As the last student walked out into the hallway I retired to my little office and dialed Wayne.  He had left a voice-mail message at noon, just as my AP American Literature class had begun.  He said it wasn’t urgent but to call him when I could.

“Wayne, I’m sorry I’m just now returning your call.”  I said as he answered on the first ring.

“No problem.  How’s Katie?  Are you better?  I felt so bad you got sick on my account.  Next time no seafood.”

“Thanks.  Yes, I feel much better.  And, I wanted you to know I had a wonderful time Saturday night and hated it so bad that I had to end our date when I did.”  I said, not wanting to sound desperate but also wanting him to know the night had not ended like I had intended.

“I’m sorry but I’m in a hurry.  My trip to Leesburg has gotten me behind schedule.”  I didn’t know what he meant.

“Okay.  Leesburg.  That’s over towards Centre.  Right?”  I said, knowing more about Leesburg than I could ever divulge.

“I called to give you an update.  It’s a potential break in the disappearance of Patrick Wilkins.”  Wayne said.

I didn’t respond.  I just waited for him to continue.  My stomach reminded me how I had felt Saturday night.

“Jeff Chandler called our Hotline yesterday afternoon.  He has a car lot in Leesburg.  He had heard our WQSB radio ad seeking information about a tan-colored van.  I knew it was a long shot but after Terri Logan reported her boys seeing this vehicle I thought it was worth a try.”

“What did this Chandler man say?”  I needed to sound interested in Wayne’s news.

“Said a few weeks ago he sold a 2005 Nissan Quest van, tan-colored, to two women from Atlanta.  He was sure they were hookers or wanted him to think that.  He said they certainly dressed the part.  Said he couldn’t figure out why they both had on blond wigs but wasn’t really concerned since they paid full freight for the van without trying to chew down his price.”

“To me, and I’m sure no detective, but that doesn’t sound like much of a break in Wilkins’ disappearance.  I don’t see the connection.”  I said, ignoring a long list of obvious connections that I would keep to myself.

“I’d agree if that was all.  I’m still amazed how things work out.  Sometimes, you go months on a case without a single clue and then suddenly, the dam breaks.  The dam broke this morning.  My dispatcher called me during my drive this morning to Leesburg saying Sheriff Harris from Dekalb County had called and reported finding a tan-colored van.  Apparently, two deer-hunters found a matching van abandoned down an old logging road just south of DeSoto State Park.”

“This is sounding like a puzzle of sorts.  Are you going to tell me the van the hunters found is the same one sold by Jeff in Leesburg?”  I shouldn’t have said Jeff.  Had Wayne said Jeff’s Car Sales?  I was confusing what I had experienced with what Wayne had just told me. 

“Katie, you may be more of a detective than you admit.  Perfect deduction.  Now, here’s the key link.  Jimmie, my friend Sheriff Harris, said a search of the van turned up a dog tag.  It was pretty much hidden under a seat railing.  The two rear seats of the van had been removed.  Since I called and left you a message around lunchtime, I’ve confirmed with Paula that the dog tag belonged to Patrick.  She said that he always wore it.  She gave it to him a couple of years ago.  Harris later confirmed that it is exactly what Paula described.  It is an Armor of God Dog Tag Necklace.  It’s inscribed with Ephesians 6:11: ‘Put on the armor of God, that you may be able to stand firm against the schemes of the Devil.’  I’ve always liked that verse.”  If Wayne said anything else, I didn’t hear a word of it.

Several seconds must have gone by.  I was nearly in shock.  Cindy and I thought we had conducted a thorough inspection of the van before we left it parked in Nanny’s barn.  When we transferred it to Dekalb County I didn’t even think to scour it one more time.  I doubt if Cindy had thought about it either.

“Katie.  Katie.  Are you there?”  Wayne said, finally gaining my attention.

“Uh, I’m sorry.  I was just thinking, just speculating, what must have happened.  My thoughts are horrible.  I assume you haven’t seen the van?”  I asked.

“No, that’s why I’m kind of in a hurry.  I’m about to drive to Fort Payne.  Harris had it transported to the County’s impound lot.”

“Has he said if he found anything else?”  I asked, now convinced that Cindy and I probably had left a few photos of ourselves kidnapping Wilkins, maybe one or two of us pushing him into his grave.  It sure seemed Cindy and I had been that stupid.

“Nothing visible.  But, I’m hoping the Alabama’s Forensic team will be able to discover and extract some fingerprints, maybe even some DNA.”

“That would be helpful.”  I said, contemplating whether I should just go ahead and confess.  Cindy and I were in some deep shit and it was getting deeper.

“Sorry, but I have to run.  I just wanted to keep you updated.  Take care and I’ll call you later.”

Just as the call ended, Cindy walked in.  Apparently, by just looking at my face she could tell something was horribly wrong.  We spent the next thirty minutes half whispering as Cullie and Alysa raided my fridge and sat in my classroom talking about how they would like to poison Riley Radford.  I ignored their conversation, chalking their trash talk to innocent teenage rivalries ignoring the fact Cullie was dealing with the recent discovery that Riley was her stepsister.  But, I didn’t ignore Cindy, who was trying to explain why she hadn’t fully confessed to Steve.  I only half-listened to her describe how she convinced Steve she was pregnant, and it was his.

Driving home, Cullie asked me, “have you ever thought seriously about killing someone?”  As the good mother that I am, I told her, “sure baby, it’s only natural.”

Novel Excerpts–The Boaz Schoolteacher, Chapter 41

The primary aim of the "Novel Excerpts" blog category is to showcase my creative writing, specifically from the novels I've written. Hopefully, these posts will provide a glimpse into my storytelling style, themes, and narrative skills. It's an opportunity to share my artistic expressions and the worlds I've created through my novels.
The Boaz Schoolteacher, written in 2018, is my fifth novel. I'll post a chapter a day over the next few weeks.

Book Blurb

In the summer of 2017, Katie Sims and her daughter Cullie, moved from New York City to Katie’s hometown of Boaz, Alabama for her to teach English and for Cullie to attend Boaz High School .  Fifteen years earlier, during the Christmas holidays, five men from prominent local families sexually assaulted Katie.  Nine months later, Katie’s only daughter was born.

Almost from the beginning of the new school year, as Katie and fellow-teacher Cindy Barker shared English, Literature, and Creative Writing duties for more than 300 students, they became lifelong friends.  

For weeks, Katie and Cindy endured the almost constant sexual harassment at the hands of the assistant principal.  In mid-October, after Cindy suffered an attack similar to Katie’s from fifteen years earlier, the two teachers designed a unique method to teach the six predators a lesson they would never forget.  Katie and Cindy dubbed their plan, Six Red Apples.

Read this mystery-thriller to experience the dilemma the two teachers created for themselves, and to learn the true meaning of real justice.  And, eternal friendship. 

Chapter 41

“She’s the queen of all bitches.”  Cindy said, literally tossing her book bag onto the credenza across from my desk.  She didn’t turn to look at me but just stood and looked out the lone window in the tiny office behind my classroom.

“Can I assume you are referring to cat-faced Paula?”  I knew there was no one else in Cindy’s world who could come close to winning this honorable title.

“Please shoot me if I don’t find a way to quit the Young-But-Maturing club.  Once again, after Sunday School, she was in the Ladies restroom and virtually attacked me.  Said she knew I was pregnant with Patrick’s baby.  Katie, I know she knows.  She’s been spying on me.”  Cindy had calmed from explosive to volatile which was about like saying she was no longer a carrot-top; she had transformed into a redhead.

“Did she say how she knows this?”  I feared what was coming.  Spying can’t be good.

“Out of the blue she asked me how Dr. Ireland was doing.  How the hell does she know I’ve been seeing an obstetrician?”  Cindy asked, finally calming.  In a way I wished I had been more faithful.  She had asked me to go to Sunday School with her.  I hadn’t. 

I really didn’t know how to answer but I tried.  “Maybe she’s been following you.  Maybe she has a friend who saw you, or one who works at Dr. Ireland’s office.  It could be a lot of different things.”

“What do you think she is going to do?  Now, she knows I’m pregnant.”  Cindy asked, leaning back in her chair and reaching for her book bag.

“Legally, I’m not sure she has any rights.  She’s not like a grandparent.  I’m not a lawyer but the only two people with custody rights would be you and Wilkins, and he’s dead.”  I said realizing this wasn’t exactly what Cindy feared.

“I’m sure as hell not worried about custody and visitation issues.  I’m worried that the bitch is going to broadcast this all over town and you know who will find out.”  I had never seen Cindy more worried.  Her blood-shot eyes, normally light-green, seemed widened apart, revealing both surprise and fear.

“Maybe it’s time you had that talk with Steve.  Cindy, he loves you.  Hearing this awful news from you will be a world better than him stumbling into it at work.  Even worse at church.”  I said, wishing I had demanded that Cindy be fully open with Steve when the rape first happened.

“I know you’re right, but I just can’t seem to take that first step.  How do you push the most important person in your life off a cliff?  That’s what it would be like.  His world would never be the same.  I’m afraid he will crash into a million pieces.”  Cindy said reaching into the pocket of her matching navy-blue jacket.

“Oh, I forgot.  Pastor Warren gave me this after church.  You know, as Steve and I walked through the firing line.”  Shaking hands with the pastor was now nearly as painful for Cindy as it was for me.  She handed me a folded canary-colored envelope with my name handwritten above his own name, one familiarly printed.  His was crossed out.  No doubt, the same envelope Cindy and I had taped to his basement door last Wednesday night during Prayer Meeting.

“Oh my God.  This can’t be good.  It’s a response to our demand.”  I said, lowering my head and shoulders readying myself for surrender.

“That’s what I figured.  I started to open it but obviously it’s intended for you.”

I had to use scissors to slide through the tape Warren had layered across the envelope’s seal.  I unfolded the single sheet of white paper.  The message was short.  Three lines:

“We can work this out.

We will pay but need your promise, and all recordings.

Call me to discuss.  256-390-3053.”

The note was unsigned.  I read it twice and handed it over to Cindy.

After a ten second pause she said, “Funny, he didn’t request an in-person meeting.”

“Do I just call him up?  Right now?  You know he and his four buddies have something up their sleeve.  They definitely want the videotapes.”  I said.

“Funny.  Did you hear yourself?  Tapes?  Remember, there’s only one.”  Cindy said, holding the letter up toward the fluorescent light overhead as though it would reveal a secret watermark, one that would guide us.

“I hear you.  Why not make a copy of my videotape and arrange to give it to them in exchange for say, half the money?”  I said.

“That might get us half the money.  I doubt if it will get the other half since we don’t have another tape to bargain with.” 

It came over me like a tsunami.  I hadn’t had this feeling in nearly fifteen years.  It was anger so fierce I could bite through a steel rod.  As Cindy was repeatedly asking me, “What’s wrong?  Are you having a heart attack?” the thought kept rolling around in my head, ‘I’m the one who was fucking raped.  Why am I even considering how to negotiate with these bastards?  They will fucking do what I tell them to do.’  And then, I reached for my iPhone and dialed 256-390-3053.

Cindy stood as I was dialing, to see who I was calling.  She shouldn’t have had to wonder.  I selected ‘speaker.’

After three rings, “hello, this is Pastor Warren.”  The bastard answered his fucking phone with pastor?  My next call I will answer, ‘hello, this is Virgin Mary.’

“This is Katie Sims.  You asked me to call and discuss.  Let me be clear, there will be no discussion.  Here’s the deal.  You and the other four criminals will deposit the money, one million, two hundred fifty thousand dollars into a bank account of my choosing.  Once the deposit is made and verified I will give you the one and only videotape of you five bastards raping me.  I will also give you my written promise to maintain complete confidentiality.  I will retain the arson videotape as my insurance.  You give me or Cindy Baker any trouble at all and that tape goes to Sheriff Waldrup.  Do I make myself clear?”  Sweat was rolling down my face as I ended my demand.

“Katie, you didn’t address one issue.  In your letter to Ryan you demanded he pay two thousand dollars per month until Cullie is twenty-one.”

Warren started another sentence, but I stopped him.  “That demand remains.  I will promise to not divulge the circumstances of my pregnancy.  Ryan Radford is Cullie’s father and I’m her mother, these roles carry a heavy lifetime responsibility.”  I said anxious to end the call.

“I understand.  I suggest you and Ryan talk this out.  Now, when do you want your money?”  Warren said as though we were closing on a real estate transaction.

“Tomorrow wouldn’t be too soon.”  I said.  And then it dawned on me.  Pastor Warren was responsible himself, responsible for Cindy’s problem, nearly as much as Wilkins was.  “I have one other demand and it too is non-negotiable.”

“What is it now?  You’re beginning to wear out my patience.” 

“You bastard, you could have helped my friend Cindy when Patrick Wilkins was abducting her.  But you didn’t.  Now, you will deal with his wife.  She’s abusing Cindy, thinking she’s pregnant, by her late husband.”   I said wishing I could recall what I had just said. 

“Katie, I know, as well as Paula knows, that Cindy is pregnant.  One thing I don’t know is that her husband is dead.  Why don’t you share what you obviously know?” 

Does the whole world know that Cindy is pregnant?

Warren continued, “If he’s not dead then where is he?  He’s been missing going on a month.”  I had to change the subject.  This was the one thing I didn’t want to be discussing.  Hell, now I was in a discussion with the phony pastor.

“I’m not asking again.  Deal with Paula.  Do what you need to do, but my deal is contingent on her staying the hell away from Cindy.  Do you understand?”  I was surprising myself.  I had never been so controlling.

“I’ll do my best.  Now, back to the money.  A million plus dollars is quite a sum.  We need a month.”

Again, I interrupted.  “You have a week.  I’ll call you the account number.  Meet me at Wells Fargo Bank on Billy Dyar Blvd., at 10:45, Monday morning the 13th.  That gives you one week.  When I arrive, the money better be in my account.”

“I’ll do my best.”  Pastor Warren said, repeating himself.

“And, if you’re best fails to timely deposit the money, my best won’t fail to release your little videotape.”  I said, impressed with the fire and the results hellfire anger can cause.

“I’ll be there with the money.  November 13th.”

I ended the call.

For the next hour Cindy and I failed to escape the tangled web curling our lives.  After our argument over whether we had asked for enough money and whether money pain was real justice, we ignored my faint call for us to engage in lesson-planning.  As we walked across the parking lot towards our cars, Cindy promised she was headed home to have a heart-to-heart talk with Steve.  “It’s time.  I have to tell him the truth.”  I was proud of her.  I knew it was the right thing for her to do.

Less than an hour after arriving home to Cullie asleep on the couch, my phone vibrated.  It was Steve.

“Katie, it’s Cindy.  She’s been in a car wreck.  We’re at the Emergency Room, Marshall Medical Center.”  I could tell he was shaken.  I’d never heard him cry, never heard his voice so low, slow, weak, and desperate.

“Oh my God, how is she?  Tell me she’s going to be okay.”  I was nearly shouting.  Cullie woke up and walked over to me standing by the kitchen bar.

“I haven’t seen her.  She’s being x-rayed.  A nurse said she was banged up pretty bad, but her injuries weren’t life-threatening.”

“Oh, thank you Jesus.”  The words just poured out of my mouth.  For a second, I wondered if Jesus was responsible for protecting Cindy.  If so, why hadn’t he prevented the accident?

“Katie, I hate to ask you, but would you mind going to our house and staying with the kids?”

“I was about to ask about them.  Cullie and I are headed there right now.  Please keep me posted.”  I said while motioning Cullie to follow me out the back door.

It was nearly 7:30 p.m. before Steve led Cindy through the sliding door from their deck.  She looked awful and had a cast on her left arm.  The right side of her face was almost black.  She had a bandage across most of her forehead.

“I look worse than it is.”  Cindy said, clearly in pain.  Her eyelids fluttered as she sat down in her chair in the den while Alysa, Arlon, and Anita all crowded her stealing touches, hugs, and kisses.

She explained in detail how the accident had occurred.  Within ten minutes Steve had dismissed himself and headed to Walgreen’s to pick up a pain pill prescription for Cindy.  For some reason she was hungry for pizza.  Steve promised to pick up her favorite, a large Supreme from Pizza Hut.  After he left, Cullie and Alysa went to her room and Arlon and Anita sat glued to the TV.

Cindy struggled to get out of her chair.  “Follow me.”  she said motioning me back towards her and Steve’s bedroom.    The room was a wreck.  The bed was unmade, and clothes climbed out of open drawers, and clung to the backs of two rocking chairs that faced a balcony overlooking the swimming pool in the backyard.  This didn’t include two laundry baskets of what I hoped were clean clothes awaiting folding.

She sat down in one of the rockers.  “Here, sit.”  I willingly complied with her directions.  “Katie.  It wasn’t an accident.  It was the bitch Paula.  She ran me off the road.  After I left the school I noticed her behind me on Martin Avenue.  I ignored her and kept going.  But, she kept coming.  After I turned left on Highway 431 she got right on my bumper.  I always turn right at Huddle House onto Bruce Road until it intersects with Beulah Road.  She stayed on my tail for a mile or so, until she could see past me enough to pass.  She gave me the middle finger as she drove past and raced ahead.  Right as I was coming around the curve a half mile or so before the vet’s place, Dr. Creel, I saw her barreling back towards me in the center of the road.  She was coming at me head on.  I didn’t have any choice but to hit the ditch.  Unfortunately, it didn’t move.”

“You are lucky she didn’t kill you.  Cindy, you must report this.  I’m calling Wayne.”  I said determined that Cindy wasn’t going to stop me this time from protecting her from herself.

“Wait.  I promise I will after I tell Steve.  Obviously, I haven’t had a chance to tell him the full story.  On the way home from the hospital I subtly indicated that I had something important to tell him.  I think he thought I was a little out of my head from the medications because he didn’t press me.”

The rest of the night, until after the ten o’clock news, the three of us ate pizza.  The kids were full of all the junk I had let them eat while we were waiting this afternoon.  At 9:00 p.m., an hour before the news began, I had wanted for Cullie and me to leave but Cindy had insisted we stay.  It was like she would do anything to avoid being alone with Steve. 

At 10:45, I finally told Cindy I had to get home to bed.  My 4:30 a.m. writing time would come soon enough.  As I walked out onto their deck I whispered to Cindy, “tonight’s the night.  Jump off the high dive.  I know Steve will catch you.”

Defend Democracy: author who interviewed Trump confirms Donny is even more brain-damaged than we knew

Here’s the link to this article.

behind closed doors, Donny is a dilapidated dumpster fire

JEFF TIEDRICH

JUN 19, 2024


Donny Convict’s brain has gone buh-bye. this is glaringly obvious to anyone who isn’t drunk as a skunk on MAGA kool-aid.

watch any of the clips of Donny’s speeches that go around social media and you’ll marvel at the smoking crater where Trump’s cerebral cortex used to be. the verbal tics, the short circuits, the confusions and delusions — the bizarre obsessions with Hannibal Lecter, and sharks and batteries, for fuck’s sake — the version of Donald Trump that the public gets to see is pretty fucking alarming.

but now we’re learning that these are actually Donny’s good moments. behind closed doors, the deteriorating old shitbag is so much worse.Subscribe

journalist Ramin Setoodeh has written a book about Donald Trump, called “Apprentice in Wonderland.” for the book, he interviewed Donny six times — and the things he witnessed were not pretty.

“Donald Trump had severe memory issues. as the journalist who spent the most time with him, I have to say he couldn’t remember things. he couldn’t even remember me. we spent an hour together in 2021, in May, and then a few months later I went back to Trump Tower to talk to him about his time in the White House and he had this vacant look on his face, and I said to him ‘do you remember me?’ and he said no. he had no recollection of our lengthy interview that we had. I think the American public needs to see this portrait of Donald Trump because this shows what he is like and who he is.”

so, Donny had zero memory of a guy he’d recently spent hours with.

let’s compare that to what Robert Hur said to Joe Biden after his interviews with Joe.

“you appear to have a photographic understanding and recall.”

yeah. I’ll take the guy with the photographic memory over the rotting old dipshit who can’t remember five minutes ago.

Donny’s grasp on reality was never that firm, but now what’s left of his brain is in free-fall.

“I’ve interviewed Donald Trump more than any other journalist since he’s left the White House … he goes from one story to the next, he struggles with the chronology of events … there were some cognitive questions … he would from time to time become confused … he confidently told me and declared that Joan Rivers voted for him when he ran for president — and Joan Rivers died in 2014.”

look, it’s just an indication of how popular Trump is — dead people will rise from their graves just for the chance to vote for him.

now check out this fucktangle of batshit. apparently Donny thinks he still runs the world.

“he also seemed to think that he still had some foreign policy powers. there was one day where he told me he needed to go upstairs to deal with Afghanistan, even though he clearly didn’t.”

Kaitlan Collins: “he told you that while you were interviewing him at Trump Tower, he told you he needed to go upstairs and deal with Afghanistan?

“with quote ‘the Afghanistan’ is how he referred to it.”

hey, here’s a fun thing you can try out in your own home: the next time you’re with friends or family, interrupt them mid-sentence and announce that you have to go upstairs and deal with “the Afghanistan.” see how quickly they start googling for a good neurologist.


now let’s check in with the mainstream media. this is a juicy story and I’ll bet they’re all over it. front page news, am I right?

well, the New York Times reviewed the book. does the Times bring up Donny’s cognitive issues? no, they pretty much gloss over it.

The dullest parts of the book are his interviews with Trump, whose incontinent monologues meander from memories of being on set more than a decade ago to flagrant lies about winning the 2020 election.

ok, how about the Washington Post? actually, their review starts out pretty promisingly.

At Trump Tower in August 2021, journalist Ramin Setoodeh was listening to Donald Trump natter on about how much he had helped the late comedian Joan Rivers. Suddenly, pointing to his office, Trump announced, “I have to get back up because, you know, I’m doing the whole thing with the Afghanistan.”

but then they drop it, and never get back to it.

let’s suppose that the shoe were on the other foot. imagine how the press would react, for instance, if someone called Joe Biden an “elderly man with a poor memory” — oh wait, we don’t have to imagine.

we all saw the weeks-long feeding frenzy that exploded after Robert Hur released his report exonerating Joe Biden in the classified document matter.

Hur smeared Biden as broken-down old man with a decaying brain and the press gobbled it right up. the media couldn’t get enough of this story — and it wasn’t even true. the whole thing was a fucking lie invented by a MAGA operative who was just making shit up, because he wanted to damage Joe Biden politically — but that didn’t stop every newspaper and cable channel in America from demanding that Biden drop out of the presidential race.

but if it’s Donald Trump, with a credible journalist making a first-hand observation?

Donny Rottenbrain is out wandering where the buses don’t run, insisting that dead celebrities voted for him and that right now, he’s urgently needed to go deal with “the Afghanistan” — and what do we get from the press?

crickets. fucking crickets.


Donny held a hate-rally last night, and you’ll never guess what subject he couldn’t stop talking about.

“look at that beautiful lake. beautiful, right? what’s better — this, or sitting on the Pacific or the Atlantic, which has sharks. you don’t have sharks, see? that’s a big advantage. I’ll take the one without the sharks.”

jesus, again with the sharks. what the fuck is it with Donny and sharks?

did you know that an irrational fear of sharks is known as galeophobia?

Galeophobia is characterized by an overwhelming and persistent fear of sharks. Those experiencing this condition may lack the ability to rationally perceive the danger sharks pose to them, leading them to participate in behaviors to avoid these animals. This phobia typically results in symptoms including a rapid heart rate, shortness of breath, shaking, hyperventilation, nausea, and dizziness. Feelings of intense anxiety and a loss of control, insomnia, and nightmares may also occur.

There are many methods available for treating galeophobia, several of which involve the help of a mental health professional.

fuck getting Trump professional help — I have a better idea.

do you think that Chevy Chase still has his “land shark” costume from his Saturday Night Live days? could we pay Chevy to dress up as Land Shark and knock on Donny’s door?

Chevy, a grateful nation would owe you a debt of gratitude if you did this.

Novel Excerpts–The Boaz Schoolteacher, Chapter 40

The primary aim of the "Novel Excerpts" blog category is to showcase my creative writing, specifically from the novels I've written. Hopefully, these posts will provide a glimpse into my storytelling style, themes, and narrative skills. It's an opportunity to share my artistic expressions and the worlds I've created through my novels.
The Boaz Schoolteacher, written in 2018, is my fifth novel. I'll post a chapter a day over the next few weeks.

Book Blurb

In the summer of 2017, Katie Sims and her daughter Cullie, moved from New York City to Katie’s hometown of Boaz, Alabama for her to teach English and for Cullie to attend Boaz High School .  Fifteen years earlier, during the Christmas holidays, five men from prominent local families sexually assaulted Katie.  Nine months later, Katie’s only daughter was born.

Almost from the beginning of the new school year, as Katie and fellow-teacher Cindy Barker shared English, Literature, and Creative Writing duties for more than 300 students, they became lifelong friends.  

For weeks, Katie and Cindy endured the almost constant sexual harassment at the hands of the assistant principal.  In mid-October, after Cindy suffered an attack similar to Katie’s from fifteen years earlier, the two teachers designed a unique method to teach the six predators a lesson they would never forget.  Katie and Cindy dubbed their plan, Six Red Apples.

Read this mystery-thriller to experience the dilemma the two teachers created for themselves, and to learn the true meaning of real justice.  And, eternal friendship. 

Chapter 40

Five sealed envelopes were taped to the outside door to Warren’s basement Wednesday night when Fulton Billingsley arrived.  He had walked over from the church after Prayer Meeting and, as he walked down the stairs onto the patio, noticed them, thinking they were arranged in the shape of a heart.  None of the five envelopes contained a return address.  The names were handwritten.  His was on the top right, opposite Justin Adams’.  Then, on the right side was Danny Ericson.  At the bottom tip was another canary-colored envelope with the name Ryan Radford, written, this time, in blood-red ink.  On the left side, was an envelope addressed to Warren Tillman.  Five canary-colored envelopes, five arranged in a heart shape.  Fulton removed his envelope, noticing for the first time the faint outline of an arrow, drawn with what appeared to be pencil, with the arrow’s imaginary feathers splayed on the top left side of the door, running downward, and from behind the heart, bursting through and continuing on across, ending on the lower right side of the door in an sharply-accentuated arrowhead.  He walked inside Warren’s man-cave, leaving the other four envelopes alone.

Within ten minutes, while pondering the contents of his letter, Fulton saw Warren, Ryan, Danny, and Justin descend the stairs and react to the decorated door.  They didn’t linger.  Warren removed all four envelopes, semi-shouted, “this can’t be good,” and herded the other three through the glass door.

“I bet each of you a thousand bucks your letter is the same as mine.”  Fulton said, gulping the last sip of a Bud Lite.

“What the fuck?”  Ryan said, jerking all four of the envelopes from Warren’s hand while Justin and Danny were grabbing at Ryan as though he was withholding their candy.

“Calm it and sit down.  No need to get flustered. Everyone gets a prize.  Fulton said.  His best attempt at humor, reeling from the bomb that had exploded when he had opened his envelope.

In less than a minute, four similar bombs ignited.

“So, Katie Sims wants $250,000 from me for child support.”  Danny said.

“She wants that from me and another $2,000 per month until Cullie is twenty-one.”  Ryan said, throwing his wadded envelope into the glass window towards the patio.

Warren and Justin repeated Danny’s statement.

“That’s $1,250,000 in cash.  Warren said, finally sitting down at the round table with the other four.

“Mine says I’m Cullie’s father.  How the hell does she know that?”  Ryan said.

“Read on Brother Radford.  In mine, towards the bottom, she says, ‘even though the paternity tests reveal Ryan Radford as Cullie’s father, each of you engaged in the same criminal conduct.  Then, all chose to play.  Now, all will pay.  You don’t get to choose.’”  Fulton said.

“Listen to this, ‘your little fire didn’t destroy the videotape revealing you gang-raping me in 2002.  It also didn’t destroy another rather-revealing videotape.  This one recorded at 5583 Bruce Road, at the home of Beverly Sims.  Don’t worry, both tapes are safe and secure and under the control of an out-of-town attorney.’”  Warren said. 

“She can’t prove that.  There’s no way she has any evidence we torched that old shit-hole place.”  Ryan added, sitting up straighter as though gaining confidence in his ability to handle the wily Katie.

“Read the second paragraph on the second page.  ‘I guess you didn’t plan on Nanny and me having a state-of-the-art motion-activated camera while you were pouring gasoline.’  Looks like she has more videos.  Our asses are grass my friends.”  Fulton said opening his second beer.

Warren stood again and walked to the glass windows.  “The audacity of Katie coming down here and taping these envelopes.  Who does she think she is?” 

“She answers that in her letter.  Look at the P.S.  ‘You bastards killed my mother, my grandmother, and our dear friend, Sammie.  Just think of me as the avenger.  You five are going to pay.  The child support money is just the beginning unless you pay by November 15, 2017.’  Damn that woman.”  Justin said looking at Ryan.  “It’s your damn fault.”

“What the hell are you talking about?  You raped her just like I did.”  Ryan said, slamming a fist on the table.

“I’m not talking about the rape.  I’m talking about letting Darla find that damn videotape and then the stupid way you got rid of her.”  Justin said to Ryan as though he was a prosecuting attorney.

“Gentlemen, enough of that.  We are in this spot, together, and we will get out of it, together.  Question, Ryan, tell us what Sheriff Waldrup had to say after you finally got to talk with him?”  Fulton asked.

“He was just fishing.  He obviously doesn’t have any real evidence.  All he has is circumstantial.  Even that points just as much to Cynthia as it does to me.  He thinks because she and I both had a motive to get rid of Darla that that’s what we did.  The bad blood between Darla and Cynthia puts her more in the dock than me, especially when you bring in Cliff Thomas and now the murder of Nathan Johnson.  I think we’re okay.”  Ryan said, not convincing anyone but maybe himself.

“I think we’ve got bigger problems than Sheriff Waldrup.”  Fulton added.  “You can bet your last dollar that Katie Sims and Cindy Barker are cross-pollinating.  They’re sharing everything.  Thus, Katie knows about Cindy’s pregnancy.  By the way, good work Justin on verifying this news.  As for Cindy, if my theory is correct, she knows about Katie, what we did to her in 2002, the paternity testing, and no doubt, these money demands.  I say we can’t take a chance any longer that Cindy, that Cindy and Katie, won’t spill the beans to dear old Steve.  Katie is right, money isn’t our biggest problem.  Steve is the type to make us bleed, slowly bleed out until we’re all dead.”  Fulton, next to Warren, was always able to put things in proper perspective.

“Money may not be the biggest issue, but sweet Katie has given us a deadline.  What do we do?”  Danny asked.

“What if we negotiated a little?”  Warren asked.  What if we offered a little extra money in exchange for the videotapes and her confidential agreement promising to end her vendetta?”

“I think you may be forgetting Steve and the problem I suspect he has with his wife carrying Wilkin’s baby.  Don’t forget, no doubt Cindy saw you pastor and you didn’t do anything to help her when our dearly departed Patrick was kidnapping her.”  Fulton said, keeping clarity from getting ignored.

“This is getting expensive but that just means we have to reach an agreement with the Barker’s also.”  Warren said.

“We better be doing something pretty quick.  I have a bad feeling about leaving the blood-thirsty Steve on the loose.”  Danny said.

“Just say the word and I’ll deal with him just like I dealt with the Texas idiot.”  Ryan added.

“Enough for the night.  We all need to go do a little soul searching.”  Warren said, folding his two-page letter and stuffing it into his pants pocket.

Saturday night, it finally happened.  Wayne and I spent almost six hours on our long-delayed Huntsville trip.  It was a date.  I will never forget what he said when he picked me up, “Katie, you are the most gorgeous woman I have ever seen.”  Even though he was stretching the truth quite a bit, I was still, even in my mid-forties, a head-turner.  An hour-glass figure tends to do that.

We ate at The Bottle on Washington Street.  We shared a chicken and mushroom curried soup, followed by an arugula, pear, and candied walnut salad, and finally: sea scallops and grouper main dishes. It was the most romantic meal I’ve ever experienced.  We had one of the best tables in the house, in the far back corner, the furthest from the lights of the kitchen.  Our single candle was just enough for us to make out our food and for me to see the rugged beauty of Wayne Waldrup.

After a leisurely ninety-minutes at The Bottle, we went to see November at the Touchstar Cinemas at Madison Square.  I guess it was fitting since it was now the month of November.  Thirty minutes into the movie neither Wayne or I could figure out why we had chosen such a weird show.  I suspect it was the word romance plastered along the bottom of the marquee outside the theater as we were pondering.  Werewolves have never interested me.  The two main characters, a young farm girl named Liina, and Hans, a village boy she is hopelessly and forlornly in love with, did do for us one thing I thoroughly enjoyed.  Wayne held my hand after the two lovers exchanged their first kiss.  I was afraid he would release my hand when Liina turned into a werewolf from her longing for Hans.  I’m glad he ignored his best chance to pull away when Liina jumped into an ice-cold pond.  I was impressed.  The kind, gentle, and respectful Sheriff remained handily engaged, which gave me hope he would later have the desire and the skill to move his hands over every inch of my body.  The two glasses of wine from The Bottle were no doubt loosening up all my remaining inhibitions.

During the return trip home Wayne updated me on his investigations.  I hoped they wouldn’t distract us from what I was wanting.

“I’m sorry I don’t have any good news to share concerning either of your cases.  If I had to guess, and I don’t like guessing and you can’t repeat me, I’d say Cynthia Radford is responsible for Darla’s death.  Concerning the fire and the deaths of Beverly Sims, your grandmother and her caretaker, Sammie, I’d have to say it has something to do with the two recent arsons over in Cherokee County.  Of course, that’s a big leap.  I don’t have a single shred of evidence to support my guess.”  Wayne said reaching for my left hand as he drove us over the big river bridge in Guntersville.

“Changing the subject, but have you learned anything new about my assistant principal, Patrick Wilkins?”  I said, thinking it would be appropriate to show my concern over a missing co-worker.

“Actually, I do.  Again, Katie, you must promise you will not divulge this to anyone.  We’re withholding this information for now.”  Wayne said.  I hoped he didn’t sense the sweat popping out on my left palm.

“I promise.  I hope you know you can trust me.”  I said.

“Absolutely.  Yesterday, I received a call.  At first, the woman tried to remain anonymous, but finally, after I relayed her name from the caller ID, she confessed fear of getting involved.  Terri Logan said her two boys and a friend of theirs saw a tan-colored van.  Since it was Fall Break, the boys had camped out Sunday night in a tent across the road.  Terri’s house is on Tanner Road, about a half-mile from the stop sign where it intersects with Aurora Road.  According to Paula, Wilkins’ wife, Tanner Road is part of Patrick’s early morning running route.

Terri said the boys had walked across the road back towards the house when they saw a van stop a few hundred feet from them, back towards the stop sign.  Apparently, they didn’t linger and had walked on to the house.  That’s not much but it’s given us a lead on a certain area to search for additional clues.  That’s all I know but will keep you posted.  I know this doesn’t involve you directly, but you did work with the man.”

“Thanks.  I appreciate it.”  By the time Wayne pulled up at my back door my romantic feelings and my sexual desires had transformed into a fear-generating sickness that had my stomach predicting a near-certain eruption.  Wayne clearly wanted to come in, but I had to beg-off, telling him that it wasn’t the first time that seafood had made me sick.  I apologized profusely and hopefully made him realize that I was truly disappointed.  I forced myself to kiss him semi-passionately but promised him that we would have time soon to cuddle on my couch.

After he left, and with Cullie at Cindy and Steve’s, I spent the next two hours with the TV blaring and me trying my best to ignore the thoughts of doom that were dancing around in my head.

Novel Excerpts–The Boaz Schoolteacher, Chapter 39

The primary aim of the "Novel Excerpts" blog category is to showcase my creative writing, specifically from the novels I've written. Hopefully, these posts will provide a glimpse into my storytelling style, themes, and narrative skills. It's an opportunity to share my artistic expressions and the worlds I've created through my novels.
The Boaz Schoolteacher, written in 2018, is my fifth novel. I'll post a chapter a day over the next few weeks.

Book Blurb

In the summer of 2017, Katie Sims and her daughter Cullie, moved from New York City to Katie’s hometown of Boaz, Alabama for her to teach English and for Cullie to attend Boaz High School .  Fifteen years earlier, during the Christmas holidays, five men from prominent local families sexually assaulted Katie.  Nine months later, Katie’s only daughter was born.

Almost from the beginning of the new school year, as Katie and fellow-teacher Cindy Barker shared English, Literature, and Creative Writing duties for more than 300 students, they became lifelong friends.  

For weeks, Katie and Cindy endured the almost constant sexual harassment at the hands of the assistant principal.  In mid-October, after Cindy suffered an attack similar to Katie’s from fifteen years earlier, the two teachers designed a unique method to teach the six predators a lesson they would never forget.  Katie and Cindy dubbed their plan, Six Red Apples.

Read this mystery-thriller to experience the dilemma the two teachers created for themselves, and to learn the true meaning of real justice.  And, eternal friendship. 

Chapter 39

“It’s Ryan Radford.”  I said as Cindy walked into my office. 

“Smells more like Tuna.”  She was nearly an hour later than normal.  Another trip to the dentist I suppose, although two weeks ago ‘dentist’ had been code word for doctor.

“Not my lunch.  Cullie’s father.”  I said, expecting her to stare at me in disbelief.  Instead, she sat across from me and started unloading her lunch box.  “Did you hear me?”

“I did.  Katie, I suspect this has you rocking and reeling.  After almost fifteen years you finally learn what will be life-changing news for Cullie.  Are you okay?”  Cindy was such a mix of things.  My favorite side was how caring and compassionate she could be. 

“I’m adjusting.  Cullie is too.  I told her last night.”

“The results came yesterday?”  Cindy asked.

“Yes.  When I got home there was a notice in my mailbox from the Post Office that I had a certified letter.  I knew what it was, at least that’s what my gut was saying.  I went for it immediately.  After I signed for the letter I walked outside and stood with it by my car.  I almost didn’t open it.”

“Can I ask you who you thought it was.  You did have a favorite, didn’t you?”  Cindy asked, returning from my refrigerator with a bottle of Italian dressing for her salad.

“I wouldn’t use the word favorite, but I had somehow decided it was Pastor Warren.  Funny thing is, ever since our conversation Tuesday, I had been subconsciously plotting a way to both embarrass the preacher man while at the same time forcing him to pay a million dollars in past-due child support.” 

Cindy had pulled a little notepad from her book bag and started flipping pages like my statement had reminded her of something.  She said, “Good thinking, you just have to substitute Ryan for Warren.  It’ll work the same.”

“I need to ask you something.  It’s a question that woke me up during the night.  “Do you think God is trying to tell me something?”

“Probably so, but I’m not following you.”  Cindy said, pouring out two dozen Wheat Thins from a box she kept inside my credenza under the window behind where she was sitting.

“You know I’ve told you how Darla never knew who my father was.  She didn’t want to know for some strange reason.  It was May 25, 1972 at her high school graduation party.  The Flaming Five had sex with her and three other Boaz cheerleaders that night.  One of them, as you know, was Randall Radford, Raymond’s son.”

Cindy interrupted me.  “I know, I know.  Now I know what you are talking about.  You are wondering whether Raymond some way found out that Randall was your father.  He felt guilty and responsible.  Therefore, he helped Darla and Nanny all these years?  It’s almost as though God made this happen.”

“It’s difficult for me to see the wisdom in that.  It’s easier to see humor, wicked humor.  Surely, God is not wicked.”  I said.

“God works in mysterious ways.  Question, if Randall Radford was your father, is Cullie your sister?  Sorry, I had to ask.”  Cindy said.  I couldn’t decide if she was continuing to pursue our wicked humor discussion or was serious.  It had to be the former.

“She’s my daughter.  Her father would be my step-brother, you idiot.” I said but felt a tingling up my spine as though incestuous lice were crawling from my cells as though they had been locked up and hidden away all my life.

“You mentioned it, but I assume you are going to ask for child support?”  Cindy asked, pulling a paper sack from her book bag and lining up five red apples in front of her along the edge of my desk.

“I have to guess your apples are symbolic and they have something to do with the timeliness of your question?”  Cindy’s mind was always working.

“Earth to Katie.  Can’t you see the opportunity my sweet hunk of a man has given us?”

“Steve’s sleuthing skills produced the perfect segue into your extortion plan?”  I knew what she was thinking.

“Yes, but it’s even better than pure criminal.  You have a legal right to ask for child support from Ryan.  Oh, my crazy thought just arrived.  What if we took a little liberty with your newly discovered news?”  Cindy’s care and compassion had been folded away nice and tidy in the paper sack she had nearly collapsed inside her book bag.

“Tell each of them, separately I assume, they are Cullie’s father?”  I asked.

“Why not?”

“I don’t like it at all.  It seems to be insulting Cullie.  I’m unsure how to describe the feeling.”  I said.

“Okay, forget that.  But, so far, the best idea we have for punishing the Faking Five is through their pocketbooks.”  Cindy no doubt was not going to keep those five apples at the forefront.

“Other than their breathing those five guys love nothing more than their money, their power, and their stellar reputations.”  I said, thinking how throughout history what men (and women for that matter) valued the most therein lay their weakness.  I wasn’t interested in interfering with their breathing, but I was fully committed to gutting them with words, words that would scare the holy hell out of all five of the bastards.

“I agree.  Let’s change the subject, between the smell of your Tuna, and stench of the five assholes, my stomach is turning somersaults.”  I was surprised Cindy wanted to talk about something other than getting revenge.

“What did the dentist say?”  I could play with words just as good as Cindy.

“Smart ass, you don’t miss a thing.  Dr. Ireland is troubled.  He’s saying that I’m at much greater risk of complications from my pregnancy since I’m approaching 40.  He is concerned about peripartum cardiomyopathy.  It’s a very serious condition that occurs when there’s damage to the heart.  It affects its ability to properly pump blood.  My lungs could fill up with fluid.”

“Does he think you have this condition?”  I asked, thinking what on earth would happen to Steve and the kids if Cindy died.  I was overreacting and would never have voiced this thought.

“No.  Not really.  I think he’s just trying to scare me into following his orders.  Which consists mainly of laying around all day.”  Cindy said, raising her eyebrows and closing her eyes like she was falling asleep.  “I’ll submit to bed rest if I have to, but surely to God that’s way down the road, a week or two before delivery.”

“Cindy, please take Dr. Ireland seriously.  We all need you to be happy and healthy.” 

Without responding, she stood, closed her lunch box, and headed through the doorway into my classroom.  Halfway to the incoherent student rumblings from the hallway, she turned and said, “If something were to happen to me, would you marry Steve and take care of my kids?”  I almost fainted.  I did cry.  But not until I had run over to her and held her in my arms.

“Oh Cindy, you can be so funny and serious at the same time.  You’re going to be fine.  But, you must put your health first.  Your family needs you.  You’re the only one for Steve.”

“Second thought.  You couldn’t satisfy my man.  You’re not a redhead.”  Cindy said turning away.  She was no doubt the most beautiful redhead I had ever seen.  I suspected no one, redhead or not, could replace the unflappable Cindy.

“No doubt she’s pregnant.  This is the second time in less than three weeks.”  Justin Adams said, sitting in his car in the parking lot of Top Dollar Pawn looking across Patterson Street toward the office of Dr. Malcolm Ireland, Obstetrician.

“Interesting she’s using an out-of-town doctor.”  Warren said, pushing back his chair from his open Bible and the round table in his hidden study on the third floor of the Church’s Administration Building.

“No doubt trying to keep it quiet as long as possible.  It’s not Steve’s.  You know he had a vasectomy.  He reminded us of that at the last Sunday School social.” Justin said.

“We’ve got to find out if my hunch is right.  I would bet it’s Wilkin’s.  I just don’t see Cindy having an affair.  Warren said looking down at the Church’s side parking lot as two boys rode bicycles.  He wondered why they weren’t in school.

“Warren, this situation is giving me a very bad feeling.  If Steve Barker finds out, and he most likely will, we are in deep shit.”  Justin said turning down the air-conditioning on his new Suburban even though it was the coolest Fall day so far.

“I agree.  Steve can be a badass.  He’s killed before.”  Warren said.

Justin had driven left on Patterson and was sitting at the red light at Gunter Avenue.  “That’s probably true but it was never proved.”   

“Losing your father and your sister to a drunk driver would bring out the worst in all of us.  It sure was convenient for Steve and his mother that the drunk turned-up dead.”  Warren said, still looking at the two teenagers on bikes, wishing he was a kid again and thinking how he would just take his own bike and leave town.

“The drunk wasn’t an old helpless man.  It was a football coach from Albertville, Watkins, Walters, something like that.  Man was beaten half to death before he had his throat slit.”  Justin said turning right headed to Burger King.

“I wish to God Cindy hadn’t seen me the night Wilkins raped her.”  Warren added.

“You fucked up for sure that night.  Man, she saw you.  You’ve admitted that.  You know you should have rescued her.  No doubt she believes you condoned what Wilkins was doing.”  Justin said feeling like the ceiling of his big vehicle was pushing down on his head.

“I know I know.  Something else I’m thinking and feeling right now.  His disappearance.  Steve has something to do with Patrick’s disappearance.  I feel it in my bones.  Cindy has told Steve everything.  The rape.  Her pregnancy.  Steve has abducted and disposed of Wilkins.  Probably did to him what he did to that coach.”  Warren said returning to his chair and his Bible.  Something drew him to the last verse he had read before answering Justin’s call, ‘The fear of the Lord is the beginning of knowledge; Fools despise wisdom and instruction.’  Proverbs 1:7. He told himself, “if I were a kid again I would fear God and avoid becoming such a fool.”

“I’ve got to run.  We need to deal with this next Wednesday night.  Wilkins may have disappeared, but he’s left a shit-pot full of trouble in our lap.”  Justin said walking into Burger King.

Write to Life: How to Start a Story in 6 Easy Steps

Here’s the link to this article.

Shane Miller

Shane Miller

Fictionary Certified StoryCoach Author

June 17, 2024

how to start a story

Ah, starting a story.

The stage of the process that stirs all the feels within your writerly brain. You’ve sparked your initial idea. You’ve penned your perfect, pristine outline. Now, you’re finally sitting down to start your story, fingers poised over your expectant keyboard, and nothing happens.

Where are the flowing words, pouring onto the page like warm custard drizzled over a sticky toffee pudding (other desserts are available)? Where’s all that witty dialogue you’ve spent days thinking (and laughing) about? And why aren’t your characters jumping into action and doing something?

You stare at the blinking cursor, unable to type a single thing, worried you’ll never write another word again.

The problem isn’t you, your idea, or your novel. Chances are, if you find yourself in this situation, just like I did when I first started writing books, it’s because you don’t know how to start a novel in a way that’s going to hook readers in and make them read past page one.

Don’t feel bad about it. We’ve all been there, and it’s a really common problem. After all, there’s so much content out there about how to plot novels (no writer can walk ten paces without tripping over a story outlining template), how to write sparkling dialogue, and how to write emotion that feels real, it’s no wonder you feel you’ve got those things down.

And, while all these guides are a fantastic addition to your storytelling arsenal, very few of them teach you how to actually start writing your novel, or how to write the beginning of your novel well.

If you’ve ever suffered from the dreaded blinking cursor syndrome, then fear not, because this article is for you. By the time you’ve finished reading, I’ll have armed you with so many tools and tips for how to write a brilliant beginning, you’ll never stress out over that blinking cursor again.

But, before we get to that, I guess we should talk about when to write the start of your story.

When to Write the Start of Your Story

The answer to this question very much depends on whether you’re a plotter, or a discovery writer. If you’re an extreme plotter (like me), then you won’t feel ready to start your novel until you’ve:

  • Worked out what your key plot points are (inciting incident, plot point 1, midpoint, plot point 2, climax)
  • Got to know your characters by writing an in-depth profile for each one
  • Sorted out all your settings by working out which locations you need to include in your novel, thought about how those locations resonate emotionally, and written out the sensory information you’ll include
  • Named each scene in three words or fewer so you know where the story is going
  • Outlined each scene by jotting down a few notes about what’s going to happen as the story progresses

If outlining a novel in this much detail energizes you, chances are you’re an extreme plotter too. If, however, you’re getting hives at the mere thought of the words character profile, then it’s likely you’re an extreme discovery writer, meaning you like to launch straight into writing the story and let everything unfold naturally.

The important thing is, neither of these approaches is wrong. As authors, we need to do whatever works for us so we can get those first words on the page. And, don’t forget, this whole plotter/discovery writer thing is a spectrum.

Maybe you like to plan characters, but you don’t want to plot. Or perhaps you need to see your settings in your mind before you write, but characters jump out at you as the story unfolds.That’s fine too.

There are so many ways to prepare for writing a novel, but for putting pen to paper and opening your story in a way that’s going to delight readers, there are some hard and fast tips. And, if you get the start of your novel right, readers will keep flipping pages until the very end.

How to Start a Book in 6 Steps

Now we’ve covered the plotting vs. discovery writing debate, let’s get to the main event and explore how we open novels in ways readers love.

You’re about to discover how to start your novel, and I’m so excited for you. As an overview, here’s what we’re going to cover:

  • The Opening Line: How to write an opening line that hooks readers
  • Character Creation: How to create characters readers can relate to
  • World Building: How to build a world that feels real
  • Starting with the End in Mind: How to set up your protagonist’s journey in the opening pages
  • Setting the Right Tone: How to hit the right evocative notes at the start of your book
  • Using the Five Senses: How to immerse readers in your story from the first page

Let’s jump right in and talk about one of my favorite things. How to make your novel’s opening line hooky.

How to Write an Opening Line

If you want to convince readers to carry on reading once they pick your book (hint: you do), then you need to get their attention. And don’t forget, we’re not only competing with other authors for our reader’s attention. We’re also competing with social media, Netflix, Spotify, and pretty much every other entertainment medium that’s vying for our reader’s attention.

And the best way to get (and keep) your readers’ attention is to write a hooky opening line that’s guaranteed to make them sit up and take notice.

Coming up a little later, I’ll share some of the most popular ways to kick off your story with a great opening line and some killer examples from popular books that do it brilliantly. First though, I want to share my go to method for writing an opening line that will stick in your readers’ minds long after they close your novel.

There’s this little trick I like to call the invisible question.

When you ask your readers an implicit question, or a question that doesn’t have a question mark, in your opening line, they psychologically need to answer it. The key is, readers can only answer the invisible question you ask them by reading on. And, if you can include a hint about the characters, plot, and/or setting in your opening line, so much the better, because readers will connect to the story that much more.

So, the structure for the invisible question is a statement that pulls triple duty by doing all three of these things:

  • Makes the reader ask themselves a question
  • Makes the reader want to read on to find out the answer
  • Hints at the characters, plot, or setting

This isn’t the only way to open a story, and we’ll cover some others a little later, but so you really get to grips with my favorite method, let’s look at some examples from bestselling books, so you can see how the masters do it.

Examples of the Invisible Question from Bestselling Books

Endgame: The Calling by James Frey (YA Dystopian Sci-fi)

Endgame’s opening line is:

“Endgame has begun.”

Using three simple words, James Frey has created a fantastic invisible question. Let’s break it down and analyze why it works:

  • Endgame is an unfamiliar word in this context, so readers will immediately ask themselves, “What is Endgame?”
  • This unfamiliar concept drives readers to read on and find out what Endgame actually is.
  • Frey tells us that whatever the plot is, it’s going to take place within the confines of Endgame, and Endgame is going to be the major source of conflict.

The Hating Game by Sally Throne (Contemporary Enemies to Lovers Romance)

The Hating Game’s opening line is:

I have a theory. Hating someone feels disturbingly similar to being in love with them.”

Here’s why this one is a winner:

  • The opening line is a jarring comparison, which makes the reader ask themselves, “How  can love and hate be similar?”
  • Again, they can only find out the answer by reading on, so Thorne is playing on our psychological need for answers.
  • The opening line tells us the protagonist, Lucy Hutton, is a woman with strong opinions.

The Da Vinci Code by Dan Brown (Action Thriller)

Lastly, the opening line of The Da Vinci Code is:

“Renowned curator Jacques Sauniere staggered through the vaulted archway of the museum’s grand gallery.”

Now this one is a work of pure genius because the invisible question stems from the use of one word staggered. Brown could’ve chosen the word walked, but it wouldn’t have had the same effect. Anyone can walk through an archway, but if someone’s staggering, readers ask themselves:

  • “Why is Jacques staggering?” (i.e. Is he wounded? Is he ill? Is something else wrong?)
  • You guessed it, readers will only find out if they keep flipping pages.
  • We get information about the character (Jacques) and the setting (the museum).

See how using an invisible question to open your novel is a surefire way to grab your readers’ attention?

Next up, let’s look at one of the most critical aspects of starting your novels well, character creation.

How to Write Memorable Characters

A novel without relatable characters is like toast without peanut butter. Bland.

But, if you can get readers to relate to your characters when they first meet them (and combine this with a cracker of an opening line), then you’re winning.

Did you just groan? I don’t blame you. As soon as I say the words character creation, most people give me that reaction, and I know why. Character creation is synonymous with those long-winded character questionnaires filled with questions designed to make you run, screaming for the hills.

I might be a heavy plotter, but I don’t need to know the name of my protagonist’s third grade teacher’s dog.

Instead, we’re going to stick to the five foundations of a relatable character and how they make readers connect with the people you put on your pages.

The Five Foundations of a Relatable Character

When creating your cast of characters, give every single major character these five things:

  • A Wound: A past event that’s injured them physically, mentally, emotionally, or all three
  • A Flaw: All deep wounds leave scars, and a character’s scar is the flaw, or the way the wound negatively affects their behavior when the novel opens
  • A Goal: The major external goal they’re chasing throughout the novel (e.g., in a heist thriller, this could be to steal a famous painting)
  • A Need: This is your character’s internal goal, or the life lesson they need to learn to fix their flaw
  • A Uniqueness: An object, symbol, ability, catchphrase, or attitude belonging to this character alone, which makes them stand out from all the other characters in your novel

If you give each major character in your novel these five things, you’ve created a cast readers will resonate with. These five things are vital to create well-rounded protagonists.

Let’s look at a relatable protagonist readers love, Katniss Everdeen from The Hunger Games. Notice here that I didn’t say likable. Katniss is ‌unlikable, but she is relatable, and you’ll see why in a moment.

Katniss Everdeen from The Hunger Games by Suzanne Collins (YA Dystopian)

  • Wound: Katniss’s father died in a mine explosion when she was twelve, which led to her mother neglecting Katniss and her little sister, Prim
  • Flaw: Katniss feels betrayed by her mother so finds it hard to trust, and she certainly doesn’t want to get romantically involved with anyone because it only leads to loss.
  • Goal: Her goal is to win The Hunger Games so she and her family can survive.
  • Need: She needs to learn to rely on other people and let them in, which she gradually does through her romance subplot with Peeta.
  • Uniqueness: Katniss’s uniqueness is her skill with a bow and arrow and, while other characters use the same weapon, she is the most skilled.

Because Suzanne Collins got Katniss’s five foundations in place, she created a character readers still talk about to this day and one we will remember for many years to come.

How to Build Your Story World

Seeing as you’ve just created well-rounded, relatable characters, it’s only fair we give them a shiny new world to play in.

Now, I won’t tell you what your cafè needs to look like if you’re writing a small town romance or what levers and gears your spaceship needs if you’re writing sci-fi. What I am going to do is remind you that every setting in your world should be influenced by your point of view character.

If your novel opens on a hot day, and your point of view character is grumpy by nature, they might bemoan the inferno-like heat of the sun and complain about how much they’re sweating. If, however, it’s a hot day, and your point of view character has a positive outlook, they might talk about how much they love to see the sun and how it makes everything seem more cheerful.

It’s the same setting with different characters and two unique interpretations because setting should inform character and character should inform setting.

It’s what I like to call a character driven world, and it’s a great way to invest readers in your books because they’ll connect to your world (and your point of view character) on a deeper level when they view your story world through that character’s unique lens.

The best example I’ve seen of a character driven world come from The Anatomy of a Scandal by Sarah Vaughn, so let’s take a sneak peek at how the author pulls it off so well in her opening paragraph.

“My wig slumps on my desk where I have tossed it. A beached jellyfish. Out of court, I am careless with this crucial part of my wardrobe, showing it the opposite of what it should command: respect. Hand made from horsehair and worth nearly six hundred pounds, I want it to accrue the gravitas I sometimes fear I lack. For the hairline to yellow with perspiration, the tight, cream curls to relax. Nineteen years since being called to the Bar, my wig is still that of a conscientious new girl – not a barrister who has inherited it from her, or more usually his, father. That’s the sort of wig I want: one dulled with the patina of tradition, entitlement and age.”

Although the entire paragraph sets up the courtroom setting, we also experience everything through the eyes of Kate Woodcroft. And her view of the world colors how it’s presented.

We know that if Kate’s wig cost six hundred pounds, she’s wealthy. We know she’s well educated because she uses words like “accrue,” “gravitas,” “conscientious.” and “patina.” You can tell that Kate’s upbringing was nothing like that of her colleagues and that it was likely working class because she didn’t inherit her wig.

We get all that from one paragraph. See why I believe Vaughan is a master of the character driven world?

Why You Should Start with the End in Mind

This next step builds on the character driven world.

When I say starting with the end in mind, I’m not talking about the last scene in your novel, although it’s helpful to have that endpoint in mind. I’m talking about knowing how your protagonist needs to grow by the end of the novel so they can finally beat that internal flaw and become the well-rounded person they deserve to be.

Why is it so important to know where your character ends up emotionally by the end of the novel? Because this makes readers care about your story. I like to think of it like this.

External Conflict = What Happens = Plot

Internal Conflict = Character Transformation = Story

Pretty much all the internal conflict in your novel stems from the internal journey your character takes throughout your story.

Readers don’t really care about the plot. Sure, they love the car chases, magic fights, and mad dashes to the airport to declare undying love. Who doesn’t? But they only become invested in the plot because these things are happening to a character they care about.

Remember when we discussed the five foundations of a character? You already know your protagonist’s wound and their flaw, so you know where they’re starting from emotionally, and you know how that flaw will be negatively affecting their behavior at the start of the novel.

You also know their need or the lesson they need to learn by the end of the novel to fix their flaw. The need is the opposite of the flaw.

So, if your protagonist starts off being afraid of conflict, you know that by the end of the novel they need to lean into conflict. If they start their story closed off to the possibility of finding love, then they need to have found, or be open to finding, love at the end of the novel.

By starting with the end in mind, you’ll be able to set up the protagonist’s character arc from page one. If you can show your protagonist’s flaw through the “wrong” actions they take at the start of the novel, readers will not only bond with your protagonist and feel empathy for them, they’ll also know—on a subconscious level—they’re going on a transformative journey with that character.

How to Set the Right Tone

If you’re writing a romance and you start with a murder, you’re probably striking the wrong tone. Similarly, if you’re writing a thriller and you open with a comedic scene, your book is going to feel tone deaf. 

Your tone should match genre expectations. And if you get this wrong, you’ll disappoint readers who go into your book expecting one thing and end up getting something completely different.

Here’s how to set the right tone in five steps.  

Tip 1: Point of View and Tense

Certain genres have expectations with POV and tense.

If you’re writing YA dystopian, go to your bookshelf and pull out some of the most popular books in that genre. You’ll find 99% of them are written in first person, present tense. Pull out an epic fantasy tome, however, and you’ll likely find a third person, past tense book.

Check out Divergent by Veronica Roth (YA Dystopian) and The Elfstones of Shannara by Terry Brooks (Epic Fantasy) if you want two examples.

Tip 2: Character Voice

If you get a character’s voice wrong, and your characters don’t sound like they belong in your world, you’ll be waving a red flag at readers that the tone is off.

Say you’re writing an urban fantasy novel. You’ll want your characters to sound snarky and modern. Compare this to a cozy mystery protagonist from the 1950s, and they’re going to sound completely different.

What you wouldn’t do is place that 1950s style character voice in an urban fantasy novel, and vice versa because it would sound wrong.

Check out Dead Witch Walking by Kim Harrison for an example of an urban fantasy character voice and Murder on the Riviera Express by TP Fielden for an example of a cozy mystery character voice.

Tip 3: Weather/Time of Day/Season

Ever notice how gritty thrillers open on dark and rainy nights and upbeat beach reads feature a lot of sunshine and daytime activities, or start at New Year’s Eve when there’s a fresh start just around the corner? The authors haven’t done that by accident. They’ve done it because it sets the right tone for their genre.

Take these two examples:

The Business of Dying by Simon Kernick (Thriller)

“09:01 p.m. We were sitting in the rear car park of The Traveller’s Rest Hotel. It was a typical English November night; dark, cold, and wet.”

It’s Not You, It’s Him by Sophie Ranald (Romantic Comedy)

“New Year’s Eve. If you ask me, it needs to take a long, hard look at itself. I mean, seriously. It has to be the most overrated night of the year, right?”

See how both authors set the right tone for their novels by opening with the expected weather/time of day/season?

Tip 4: Chapter Length

I’ll keep this brief, because it’s self explanatory, but authors like James Patterson, who write fast paced thrillers, favor shorter chapters. One of Patterson’s full-length novels might contain 100+ chapters. Contrast this with epic fantasy author, Peter S. Beagle, who wrote The Last Unicorn. The longest chapter in that book was over 20,000 words.

Pay attention to chapter lengths in your genre to hit the right tone,

Tip 5: Character Archetypes

The last thing to consider when setting the right tone is character archetypes. Certain kinds of characters always appear in certain genres. For example, the reluctant chosen one is a common character in epic fantasy, whereas the loner detective pops up again and again in crime thrillers.

Why You Should Use the Five Senses

Let’s talk about my favorite thing now. Using the five senses to fully immerse your readers in your story world when you open your novel.

The five senses are exactly what you’d expect:

  • Sight: What you see
  • Sound: What you hear
  • Smell: What you smell
  • Taste: What you taste
  • Touch: What you feel

By using the five senses you can create a vivid experience of your settings for readers. A setting without sensory depth can’t exist like a 4D walkthrough experience in the reader’s mind, and that’s exactly what we need to create.

When we watch a movie, all the visuals and sounds are on screen for us to see, hear, and experience. Our readers don’t have that, so we need to help them out.

Without sight, readers won’t know what a new character looks like when they first appear on the page. Without sound, you can’t create a sense of atmosphere in your work. Smell is perfect if you want to trigger a flashback because the centers of our brains that control memory are linked to our olfactory glands. Using taste in unconventional ways (e.g., to describe the taste of magic in fantasy novels) can create unique sensory experiences for readers. And touch is great for describing temperature.

If you don’t want your novel to feel as flat as a steamrollered pancake, use the five senses and use them well.

Most Popular Ways to Start a Story

There are several popular ways to start a story and, I’m talking about the first line or paragraph of your novel. We’ve already covered one of them, which was the invisible question, but there are several other valid options as well.

Starting In Medias Res

Don’t let the fancy Latin scare you, my friend. Starting in medias res just means starting in the middle of the action. Think back to the last action thriller you read. Nine times out of ten, I’ll bet it started with a car chase, fight scene, or foot chase. This genre is where you need to go if you want a masterclass on starting your story in medias res.

Foreshadowing Trouble

Another popular technique. Foreshadowing trouble really means starting at a moment of tension that foreshadows conflict. This is the staple of the horror genre, whose books often open at a moment where something bad is about to happen and the reader needs to read on to discover whether the bad thing actually happens.

Using a Strong Line of Dialogue

Using a shocking, or strong, line of dialogue to open your novel is another way you can really make readers sit up and take notice. My advice, even if it’s not your thing, is to check out the opening line to Stephen King’s The Shining if you want to see how it’s done. I won’t repeat it here because it’s NSFW.

Raising an Actual Question

This is like the invisible question, but the line actually has a question mark at the end. It’s less subtle but serves the same purpose, to make the reader discover the answer to the question by reading on.

Not Wasting Words On Extraneous Description

Description slows down pacing, which is great for some areas of your novel where you want readers to sit and wallow in an emotional mess. The start of your novel isn’t the place for that. Your opening line needs to be hooky, punchy, and attention grabbing, so save descriptive passages until the reader is fully hooked in.

How to Start Off a Story Examples

See if you can spot which techniques these five outstanding authors used to create their hooky first lines.

The Fortune Men by Nafida Mohamed (Historical Fiction)

“‘The King is dead. Long live the Queen.’ The announcer’s voice crackles from the wireless and winds around the rapt patrons of Berlin’s Milk Bar as sinuously as the fog curls around the mournful street lamps, their wan glow barely illuminating the cobblestones.”

The Outsider by Albert Camus (Philosophical Fiction)

“Mother died today. Or maybe, yesterday; I can’t be sure.”

The Maze Runner by James Dashner (YA Dystopian)

“He began his new life standing up, surrounded by cold darkness, and stale, dusty air.”

A Discovery of Witches by Deborah Harkness (Paranormal Romance)

“The leather bound volume was nothing remarkable. To an ordinary historian, it would’ve looked no different from hundreds of other manuscripts in Oxford’s Bodleian Library, ancient and worn. But I knew there was something odd about it from the moment I collected it.”

The Restaurant at the End of the Universe by Douglas Adams (Sci-fi Comedy)

“The story so far: in the beginning, the universe was created. This has made a lot of people very angry and been widely regarded as a bad move.”

Tips for How to Start a Novel

Now you know everything you need to know to start your novel with a bang.

Let’s do a quick rundown of my six tips for starting a novel so they really bed themselves in:

  • Make sure your opening line catches your readers’ attention.
  • Create characters readers can relate to using the five foundations of a relatable protagonist.
  • Build a character driven world by showing us how your POV characters view the world through their unique lens.
  • Focus on your protagonist’s internal character arc so you can introduce their flaw in your novel’s opening pages.
  • Set the right tone for your genre using POV and tense, character voice, weather/time of day/season, chapter length, and character archetypes.
  • Use the five senses to immerse your readers in your world from the get go.

Do all this in your opening pages, and readers won’t be able to put your book down.

Want to supercharge those opening pages? Look no further than Fictionary, which can help you:

  • Create engaging characters
  • Pen interesting plots
  • Structure solid settings

A tool like Fictionary helps you turn your opening pages into an interesting story readers love.

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Novel Excerpts–The Boaz Schoolteacher, Chapter 38

The primary aim of the "Novel Excerpts" blog category is to showcase my creative writing, specifically from the novels I've written. Hopefully, these posts will provide a glimpse into my storytelling style, themes, and narrative skills. It's an opportunity to share my artistic expressions and the worlds I've created through my novels.
The Boaz Schoolteacher, written in 2018, is my fifth novel. I'll post a chapter a day over the next few weeks.

Book Blurb

In the summer of 2017, Katie Sims and her daughter Cullie, moved from New York City to Katie’s hometown of Boaz, Alabama for her to teach English and for Cullie to attend Boaz High School .  Fifteen years earlier, during the Christmas holidays, five men from prominent local families sexually assaulted Katie.  Nine months later, Katie’s only daughter was born.

Almost from the beginning of the new school year, as Katie and fellow-teacher Cindy Barker shared English, Literature, and Creative Writing duties for more than 300 students, they became lifelong friends.  

For weeks, Katie and Cindy endured the almost constant sexual harassment at the hands of the assistant principal.  In mid-October, after Cindy suffered an attack similar to Katie’s from fifteen years earlier, the two teachers designed a unique method to teach the six predators a lesson they would never forget.  Katie and Cindy dubbed their plan, Six Red Apples.

Read this mystery-thriller to experience the dilemma the two teachers created for themselves, and to learn the true meaning of real justice.  And, eternal friendship. 

Chapter 38

I had never had an English class be so proactive.  And, I had never allowed any class to create and execute a lesson plan.  Until now.  It was two classes.  My tenth and eleventh grade English classes persuaded me, Monday and Tuesday, to play only a secondary role in class instruction.

Tenth graders, Ben Gilbert, Joanie Kittle, and Clara Ellington, did an excellent job in describing the interrelationships between plot and character.  “Plot is the events of a story, just what happens along the way.  Plot-driven stories can be interesting and keep your mind wondering what will happen next.  But, if you want a real story, one that provides a deeply emotional experience, you have to have one or more characters who trigger a reaction in your heart.”  Joanie had said right off the bat Monday morning.  It wasn’t an inaccurate statement at all.  I only added, “a good story includes both.  Plot drives character and character drives plot.”  Ben and Clara next presented a lesson and the class interacted with their young teachers for nearly thirty minutes.

It was not until almost 8:15 that I learned what they were up to.  After Ben said, now let’s talk about how Judge Taylor’s true character is revealed, it hit me that the three class leaders and likely the entire class, had read and pondered the final drafts of the outlines my five Creative Writing teams had prepared.  I initially resisted an attempt to regain control, but Ben did a good job of persuading me to “sit back and trust them” for the rest of the class.  I really didn’t have much choice.  The whole class was engaged, and the three instructors were relaying critical elements of story structure.

During the final fifteen minutes of class I learned their plan, what these outliers had up their sleeves, at least concerning the relationship between Stella Gibson and Chief Judge Daniel Taylor.  These want-to-be writers intended to follow Team Five’s outline.  With one exception.  They were creating a character who, behind the scenes, was like a puppeteer to the Judge.  He was a real estate tycoon of sorts, one who was prone to use extortion and blackmail to get what he wanted, whether it was money, an abandoned but potentially valuable property, or an invitation to an exclusive private party.  The still-unnamed tycoon had also contributed heavily to Judge Taylor’s campaigns.  It seemed Georgia, like Alabama, elected their judges.  Right before the bell rang I learned from Clara, that Stella Gibson had discovered that Judge Taylor had issued a ruling in a hotly-contested case that would benefit the tycoon.  Stella smelled a rat. 

My eleventh-grade class pulled the same trick.  I again submitted.  This time, Travis Bryant, Brandi Skylar, and Renee Preston did an excellent job teaching.  It was like they had spent all of Fall Break refining the trio wave as they called it.  They, like the tenth-grade class, had been smart enough to know they had to provide something substantive.  They, likewise, stuck with story structure.  I was surprised they had chosen mood and theme.  Of all components that make a good story these were often the most difficult.  “Think of Miss Katie when you hear the word mood.”  Brandi had said.  This certainly had gotten my attention.  “She seems always happy, is often serious, and is rarely bitchy.  If your protagonist, let’s say Stella Gibson, our story version, is as sexy as she is in the The Fall, the TV series, then we might want to add that mood.  That’s a side of Miss Katie we don’t know.  Not to say she’s not gorgeous.”  The class burst into laughter and I sat silent pondering the disjointed statement I had just heard about mood.  Brandi had used improper reasoning.  The character’s physical characteristics and personality normally are not what sets the mood of a story, although they can accentuate it.  Mood comes more from setting and plot.  It took me ten minutes to gain control of the class but only to again succumb to their pleas for the trio wave to continue.  Unlike the tenth-grade class, it seemed the eleventh graders were dead set on following Team 4’s outline.  Jackson Burke, the founder and president of Burke Manufacturing, would attempt to control Stella Gibson via his manipulation of her teenage daughter.  As the class ended, it seemed the trio wave was headed toward revealing their story’s midpoint.  However, they stopped short and spent the remaining few minutes of class describing how fiction readers expect a major directional change around the middle of the story, something that is both surprising but expected.  When the bell rang I don’t think there was any agreement among the seventy-five students exactly what that meant.

After school Tuesday, Cindy and Alysa met Cullie and me at our house.  The teenagers had been wanting to prepare a complete meal for both families.  Two girls in Cullie and Alysa’s English class had sisters in the eleventh grade.  Both were taking a culinary class.  Someway this had inspired our girls.  The new stove that Wayne had delivered last week seemed to be the trigger for today’s request. At 7:00 p.m., all seven of the Sims and Barkers would assemble in the dining room around Wayne’s antique table for a meal of made-from-scratch tacos, enchiladas, burritos, and for dessert, a German-Chocolate cake, also fully-constructed by the creative chefs.

While Cullie and Alysa were knee-deep in flour, Cindy and I ran an errand.  We were moving the 2005 Nissan Quest from Nanny’s barn to an old logging road like the one that led to Patrick Wilkins and his decaying body.  But, this one was in Dekalb County.  I had found it Sunday afternoon after Cindy and I left Boaz High School and she had returned home.  Google Maps helped a lot.  I had returned home to my iPad and WiFi.  Google’s satellite feature saved me hours, maybe days.  I first picked out two remote areas within a thirty or forty-minute drive.  I could see that the second area was the least populated, having only one house within what I calculated to be nearly a mile.  The second feature that convinced me this was the better spot was this multi-hundred-acre area bordered DeSoto State Park.  To me, this would provide an extra barrier for potential visitors since the best access to the logging road was across the southern edge of the Park.

Everything went like clockwork.  Cindy had dropped me off at Nanny’s driveway and drove on to our designated meeting spot.  I was able to walk to the barn and drive away from the sad and lonely burned-out home on Bruce Road without seeing a single car pass in either direction.  Cindy had pulled in behind me at Aroney and we had driven without incident to the State Park.  By 4:20 p.m., the van was nestled in a grove of trees on a rough and rugged trail, one hundred feet beyond the end of the old logging road.  After turning left off State Highway 89 we had not seen a single car, at least not one operable.  At the entrance to the logging road, we had seen two old rusted-out pickups, both Fords, sitting quietly as though taking detailed notes on who was coming and going.  The thought left me almost as soon as it had come.  The eerie feeling it produced lingered until we returned home.

During the return trip in Cindy’s car, she had asked, “one apple down and five to go.  What’s your thoughts?”

I didn’t have any thoughts.  I was still reeling from the past week’s activities.  It seemed the debilitating stress from killing Patrick and confronting Paula would be enough to put Cindy and me both in bed for a month.  Surprisingly, she was eager to march forward with our Six Red Apples plan.  “I don’t have any.  But, if I did, I can assure you they wouldn’t be centered on kidnapping and killing the Faking Five.”  I wanted Cindy to know I didn’t have it in me to become a serial killer.

“I agree.  In part.  Our plan for Wilkins was a near disaster.  There’s no way he suffered the way he deserved.”  I speculated that Cindy could easily become not only a cold-blooded killer but a monster who thrived on watching her victim suffer.  I was overstating her evil, but I wasn’t the one who was carrying a baby I hadn’t chosen to have.

“Okay, you’re scaring me some but please share.”  I said, stretching the word ‘you’re’ for emphasis.

“You have, we have, enough evidence on those five bastards to cause them to dance to our music.  I say we drain them dry financially before watching them die a slow death by their own hands.”  I had to give it to Cindy.  She had a vivid imagination.  My creative partner in crime continued.  “You have one videotape of them committing a horrible crime.  Why not give them another one?  Not actually give them a tape but make them think another one exists.  This one from our make-believe camera showing an arson being committed.”

“You’re recommending we squeeze their balls until they cry for mercy, mercy enough to pay us a tidy sum.  Correct?”  I said, a little surprised that I wasn’t as eager as Cindy for real revenge.  It wasn’t that I didn’t want to see them burn, I just was too scared to light the fire.

“Why not?  Two struggling school teachers should get paid for making the world a better place.”  Cindy had a point.  The Faking Five were far better off than me and Cindy, although Steve made a wonderful salary at Marshall-Dekalb they likely spent everything they made with three kids and a sizable mortgage according to prior comments by Cindy.

From Collinsville, through Rodentown, and all the way back to Smith’s Chapel, Cindy and I brainstormed multiple ways of extorting cash from the Faking Five.

After a surprisingly delicious meal from Cullie and Alysa’s skilled hands, Wayne called.  I guess Cindy had seen the excitement in my face and motioned me to enjoy myself.  As I walked away from the kitchen sink where Cindy was finishing up washing the final dirty pan, she whispered, “we’re about to leave. Cullie can go with us.  Ask him to come kiss and caress you.”  I thought she would die laughing.  She had tried to be funny and carefree.  To me, it was the best idea she had all day.

The Marginalian: A Spell Against Stagnation: John O’Donohue on Beginnings

Here’s the link to this article.

BY MARIA POPOVA

A Spell Against Stagnation: John O’Donohue on Beginnings

There are moments in life when we are reminded that we are unfinished, that the story we have been telling ourselves about who we are and where our life leads is yet unwritten. Such moments come most readily at the beginning of something new.

To begin anything — a new practice, a new project, a new love — is to cast upon yourself a spell against stagnation. Beginnings are notation for the symphony of the possible in us. They ask us to break the pattern of our lives and reconfigure it afresh — something that can only be done with great courage and great tenderness, for no territory of life exposes both our power and our vulnerability more brightly than a beginning.

One of English artist Margaret C. Cook’s illustrations for a rare 1913 edition of Walt Whitman’s of Leaves of Grass. (Available as a print.)

How to leap into the thrilling and terrifying unknowns of the possible is what the Irish poet and philosopher John O’Donohue (January 1, 1956–January 4, 2008) explores in a chapter of his parting gift to the world, To Bless the Space Between Us: A Book of Blessings (public library), which also gave us his luminous meditation on kindling the light between us and within us.

He begins by telescoping into deep time, reminding us that we are but a small and new part of something ancient and immense — a vast totality that holds us in our incompleteness, in our existential loneliness, in the vulnerability of our self-creation:

There are days when Conamara is wreathed in blue Tuscan light. The mountains seem to waver as though they were huge dark ships on a distant voyage. I love to climb up into the silence of these vast autonomous structures. What seems like a pinnacled summit from beneath becomes a level plateau when you arrive there. Born in a red explosion of ascending fire, the granite lies cold, barely marked by the millions of years of rain and wind. On this primeval ground I feel I have entered into a pristine permanence, a continuity here that knew the wind hundreds of millions of years before a human face ever felt it.

When we arrive into the world, we enter this ancient sequence. All our beginnings happen within this continuity. Beginnings often frighten us because they seem like lonely voyages into the unknown. Yet, in truth, no beginning is empty or isolated. We seem to think that beginning is setting out from a lonely point along some line of direction into the unknown. This is not the case. Shelter and energy come alive when a beginning is embraced… We are never as alone in our beginnings as it might seem at the time. A beginning is ultimately an invitation to open toward the gifts and growth that are stored up for us. To refuse to begin can be an act of great self-neglect.

[…]

Our very life here depends directly on continuous acts of beginning.

Wanderer above the Sea of Fog (Der Wanderer über dem Nebelmeer) by Caspar David Friedrich, circa 1817. (Available as a print and as stationery cards.)

Just as our lives are shaped by those necessary endings — by what we choose to let go — they are shaped by what we choose to begin, however precarious the precipice of the new.

A century after Van Gogh exulted in risk as the crucible of the creative life and a decade after David Bowie urged young artists to “always go a little further into the water than you feel you’re capable of being in,” O’Donohue adds:

Perhaps the art of harvesting the secret riches of our lives is best achieved when we place profound trust in the act of beginning. Risk might be our greatest ally. To live a truly creative life, we always need to cast a critical look at where we presently are, attempting always to discern where we have become stagnant and where new beginning might be ripening. There can be no growth if we do not remain open and vulnerable to what is new and different. I have never seen anyone take a risk for growth that was not rewarded a thousand times over.

Art by Dorothy Lathrop, 1922. (Available as a print and as stationery cards.)

And yet we are homeostasis machines, our very organism oriented toward maintaining the status quo of comfort and predictability, which every beginning inevitably disrupts with its fulcrum of change and its brunt of uncertainty. O’Donohue considers what it takes to override our creaturely reflex for habituation:

Sometimes the greatest challenge is to actually begin; there is something deep in us that conspires with what wants to remain within safe boundaries and stay the same… Sometimes a period of preparation is necessary, where the idea of the beginning can gestate and refine itself; yet quite often we unnecessarily postpone and equivocate when we should simply take the risk and leap into a new beginning.

He renders the vulnerability and redemption of that leap in a poem — a kind of self-blessing to consecrate the courage of beginning:

FOR A NEW BEGINNING
by John O’Donohue

In out-of-the-way places of the heart,
Where your thoughts never think to wander,
This beginning has been quietly forming,
Waiting until you were ready to emerge.

For a long time it has watched your desire,
Feeling the emptiness growing inside you,
Noticing how you willed yourself on,
Still unable to leave what you had outgrown.

It watched you play with the seduction of safety
And the gray promises that sameness whispered,
Heard the waves of turmoil rise and relent,
Wondered would you always live like this.

Then the delight, when your courage kindled,
And out you stepped onto new ground,
Your eyes young again with energy and dream,
A path of plenitude opening before you.

Though your destination is not yet clear
You can trust the promise of this opening;
Unfurl yourself into the grace of beginning
That is at one with your life’s desire.

Awaken your spirit to adventure;
Hold nothing back, learn to find ease in risk;
Soon you will be home in a new rhythm,
For your soul senses the world that awaits you.

Art by Sophie Blackall from Things to Look Forward to — an illustrated celebration of living with presence in uncertain times.

Sometimes — in fact, often — beginnings are tucked into endings. In consonance with his philosopher-poet friend David Whyte’s poignant reflection on ending love and beginning love, O’Donohue writes:

Often when something is ending we discover within it the spore of new beginning, and a whole new train of possibility is in motion before we even realize it. When the heart is ready for a fresh beginning, unforeseen things can emerge. And in a sense, this is exactly what a beginning does. It is an opening for surprises. Surrounding the intention and the act of beginning, there are always exciting possibilities.

Paying attention to those portals of possibility is both an act of self-respect and a reverence of life:

Part of the art of living wisely is to learn to recognize and attend to such profound openings in one’s life.

Complement with poet Pattiann Rogers’s stunning ode to our ongoing self-creation and the poetic psychoanalyst Allen Wheelis on how people change, the revisit John O’Donohue on why we fall in lovethe essence of friendship, and how we bless each other.

Defend Democracy: Painting the Picture of a Rural Progressive

Here’s the link to this article.

An article on activism in rural spaces

JESS PIPER

Back in 2020, while still a high school teacher, I was contacted by Andrew Wegley, the Editor of Northwest Missouri State University’s newspaper. Andrew asked to write a piece that ultimately changed my life.

This is my origin story.

Jess Piper 1
Jess Piper, a Maryville High School American literature teacher and an advocate for social justice, stands in front of her family’s farmhouse. Piper said her husband bought the house and five acres practically on accident three years ago after he “literally went out for milk.” ANDREW WEGLEY | @andrewwegley

MISSOURI. — The path between Maryville and the land on which Jess Piper lives stretches close to 20 miles, cutting through the vast fields of row crop and hoards of windmills that surround Missouri Route 148. There are grain silos and industrial-sized tractors among the rolling hills. There are signs for political candidates, almost none of whom are Democrats. There are more cornfields than houses, it seems. More shipping trucks pass through this stretch of Route 148 each day than there are residents with addresses on the roadway.

Between the “Randy Strong for Sheriff” signs and those promoting Gov. Mike Parson’s election campaign, there aren’t many inklings of liberal views, save for a “YES on Amendment 2” sign along one cornfield, nearly 5 miles away from Hopkins, Missouri. The same scenery persists once in the rural town of 532 residents.

The stretch of road that leads to Piper’s gravel driveway takes drivers by a Baptist church, a profane Trump sign and to a brick-red farmhouse on 5 acres of land, where bypassers might see Piper’s well-maintained flowerbed, the American flag she flies proudly, her overgrown vegetable garden or the two Joe Biden signs stuck firmly in her front lawn.

This is where Piper, an American Literature teacher at Maryville High School and an advocate for social justice, lives: in a picture-eqsue farmhouse near the outskirts of a conservative community where the Biden signs planted in her freshly-trimmed front yard separate her from many of her neighbors, perhaps as much as Piper’s politics do.

“I think I probably stand out because I am rural,” she said, sitting in a wooden chair underneath the shade of a tall Oak tree in her front lawn, steps away from the sidewalk, covered in grass clippings, that leads to her family’s front door. Piper tapped her right foot as she talked, flattening the grass beneath it a little more each time. She wore fashionable sandals and canary yellow toenail polish, a shade that matched her chandelier earrings and her facemask. “I am, you know, not your typical liberal.

Piper, 44, is the card-carrying, door-knocking type of Democrat who hasn’t supported a Republican presidential candidate since George Bush, when she was still stuck to the ideology she was taught growing up. Raised in a conservative household and brought up in Fundamentalist Baptist churches scattered across the South, Piper has emerged as an unlikely voice in an unlikely place.

From Louisiana to Mississippi to Arkansas, Piper has lived in the most conservative corners of some of the country’s reddest states, and now she’s helping man the progressive front of a nationwide culture war in rural Nodaway County, where row crop is king and where conservatives win in landslides and where Piper raises cattle and chickens and children and fights for what she believes in every chance she gets.

“I can’t stand back while people are actually harmed,” said Piper, who has grown increasingly vocal since casting a fruitless vote for Hillary Clinton in the 2016 election. In the 43 months since President Donald Trump took office, Piper has started carrying poster boards and sharpies in the trunk of her Volkswagen Passat, never unprepared for a protest. She’s knocked doors for candidates like Claire McCaskill and Henry Martin — both of whom lost to Republicans in 2018. Her Twitter following has grown from less than 20 to more than 8,000 as Piper speaks up, louder now than ever.

“We’ve seen policies before that could harm people,” she said, critiquing the Trump Administration’s actions and inactions, both in the last four months and the last four years. “But this is a — it’s like purposeful to hurt people. … It’s that weird culture war. It’s just things meant to harm other people — especially people who are already oppressed.”

Born on a military base in Louisiana to conservative parents who would later divorce, Piper grew up dirt-poor while moving across the South — the kind of poor that left Piper and her sister without food often, that left Piper behind on class field trips, that left her searching and voting for causes and candidates that supported people like her. Piper grew up in the kind of poverty that made her different, she said. It made her want to fight.

But if it was poverty and hunger that lit a fire in Piper, it was Trump’s election that fanned the flame, or perhaps more accurately, doused the flame with gasoline. Piper has lived in Hopkins for three years, though the changes she’s seen since 2016 have extended far beyond the city limits of the place she calls home now and far beyond the state of Missouri.

Piper is used to conservative rhetoric, of course. But what she’s seen and heard in the 1,300-something days since Trump took office is different than what she used to see and hear.

“I can’t stand back while people are actually harmed.”

There have been friends and even family members who Piper thought were decent people who have grown into something she doesn’t recognize, touting racist ideology and spreading views Piper isn’t really sure they even believe, she said. She has an uncle who has stopped speaking to her since Election Day 2016. Her stepfather won’t let her into her own mother’s home. She didn’t talk to her dad for much of two years.

And the rhetoric aside — although it never really is — the disconnect between Piper, a self-described moderate and sensible Democrat, and those on the other side of the aisle has only grown in the COVID-19 era. She has watched as elected leaders at the state and federal levels have been slow to action as the COVID-19 pandemic has killed more than 170,000 Americans. She’s watched Parson refuse to issue a mask mandate as cases spike in Missouri. She’s watched officials call for the reopening of schools, putting teachers like her in danger while many officials making those calls nationwide meet via Zoom.

And as she’s listened, over the last four years and the last five months, to the racist rhetoric and the misinformation, and as she’s witnessed the actions and inactions that have harmed or will harm Piper and people like her, she’s grown frustrated, both with the officials and their constituents, with politicians voting for destructive policy changes and the citizens voting for those politicians.

Living in a county that Trump carried by close to 40% in 2016, and in a congressional district he carried by 30, Piper has a question for her rural neighbors, both in a literal and figurative sense, a question that’s been growing louder and more urgent with each passing day since Nov. 8, 2016:

“I look around and think, ‘How in the world could you guys vote for these people again?”

Twenty sixteen changed all of us. It radicalized Jess Piper.

Embracing Her Voice

In his 30 years in education, Dennis Vinzant has seen a vast array of changes come to the field. The English department chair at Maryville High School has watched as classrooms have experienced technology upgrades and as school lunches have weathered a myriad of alterations, and perhaps most importantly, Vinzant has watched as teachers have started to push back against American ideals, confronting those ideals with American realism.

Teachers — particularly in the literature and history fields — have grown from cheerleaders for the Founding Fathers into educators with a more realistic and critical view of the past 250 years or so, Vinzant said, while they’ve received pushback from parents and community members every step of the way. There was a time, Vinzant said, when he was scrutinized for teaching “Of Mice And Men,” the Great Depression-era John Steinbeck novella that landed on the American Library Association’s list of the 10 most challenged books in the 21st Century for its vulgarity.

“It is something that we all face to a certain extent,” Vinzant said. But, he said, Piper has probably experienced it more than any other teacher he’s been around in the last decade or so.

As she navigates how to teach students American literature through a modern-day scope, highlighting the hypocrisy of Founding Fathers like Thomas Jefferson, who wrote the words “all men are created equal” as a slave owner, Piper has received backlash, from parents and from elsewhere. She’s been accused of brainwashing, Vinzant said. She’s been targeted, in essence, for wanting students to think critically, and for wanting those students to back up their opinions with evidence that might support their claims, an idea that has somehow been received as radical at times, Vinzant said.

For Vinzant, who oversees Piper at Maryville High School and has worked alongside her for a half-decade, the pushback serves as a paradox. Critics equate the type of realism taught in Maryville’s English department with an attack on American values. But Vinzant said American idealism has always been challenged in American literature. It’s not the job of teachers like Piper and Vinzant to paint a rosy picture of what the country is and isn’t, he said. It’s their job to paint America’s portrait as it is.

“Being in a very conservative area here,” Vinzant said over the phone, pausing and sighing, carefully choosing her next words, “they’re uncomfortable with anything that’s not reinforcing what they already believe.”

They’re uncomfortable, of course, with Piper.

She knows it can be difficult to separate her from her politics, but Piper insists her beliefs don’t make their way into her lesson plans, though the subject matter she teaches does lend itself to social justice. And it’s true that Piper teaches the state-mandated curriculum differently than other teachers might, differently than how parents might have learned it, differently than Piper learned it herself.

The way Piper was taught, she said, both in literature and social studies, there were entire groups of people left out by way of whitewashed textbooks and lesson plans that ignore the darkest chapters in American history. Piper doesn’t ignore those chapters, and her refusal to do so is at times at odds with conventional wisdom, and perhaps more tangibly, at odds with some conservative parents and students in the community.

“I have a thick file,” Piper said. “It’s like a binder with tabs now.”

There is an actual file, Piper said, with actual letters in it. Still, the district granted her tenure last year.

Vinzant said parents seem to be used to an era when teachers didn’t have much of a voice, or at least, didn’t use it. Piper has embraced hers, perhaps more now than ever. As both Trump and Parson have called for students in public schools to return to face-to-face classes nationwide, and as the Maryville R-II School District gets set to offer face-to-face classes this fall semester for any student who wishes to learn in person, already prompting the retirement of at least one teacher, Piper has been outspoken on Twitter.

While she hasn’t directly criticized Maryville officials or the district, Piper has been adamant about her position, one she said is based on the advice of health experts and common sense: returning to class in late August, as cases of COVID-19 ebb and flow in Nodaway County, isn’t safe. A tweet she sent Aug. 15 highlights faults in logic of those comparing teachers to nurses garnered more than 20,000 retweets and 130,000 likes.

Piper laughed when thinking back to March, when many ordinary people across the U.S. praised teachers as heroes after having the homeschool their kids for several weeks when lockdowns first started. Now, teachers are labeled as lazy and cowardice for valuing their own health, she said.

“My, how things have changed,” Piper said.

For Piper, the realities of the situation are dual-edged. She understands schools serve as a food source and childcare for many parents and students across the county and the country. She recognizes the equity gaps that already exist in education, further emphasized by the pandemic and the move to online learning, a medium that can leave students in poverty behind. She wants to help those students, she said. But she wants to be safe.

She knows schools are everything, especially in places like Nodaway County. She’s frustrated, but she’ll head into work at Maryville High School later this month, prepared to teach the students who opt to learn in person. She’ll leave her 7-year-old daughter, Charlie, to learn at home.

“I don’t know what we’re going to do, but I know I can’t send her to school,” Piper said. “There’s no mask mandate for third grade.”

Both in person and on Twitter, Piper is careful in what she says, or at least, in how she says it, as she toes the line in critiquing the reopening of schools while not implicating the reopening school that employs her.

The practice of restraint is still something Piper is growing accustomed to. It wasn’t long ago that Piper was just a teacher with 14 followers on Twitter, a platform she used mostly to find lesson plans and to connect with other teachers. Now, she’s a growing voice on the platform. The commentary on social issues amid the pandemic and the protests that swept through the country beginning in late May have come with an increase of more than 3,000 followers for Piper, who helped organize and publicize Marvyille’s Black Lives Matter protest in early June. One tweet she made at the event was retweeted by McCaskill, the former senator Piper volunteered for.

But before more than 300 protestors converged on the Nodaway County Courthouse June 6 and before Piper’s tweet about the event caught fire, the educator was there two days before, protesting alongside a former Maryville High School student, with less than 20 other people.

The former student, Hayden Taylor, a 2016 graduate of Maryville High School, made plans June 4 to go protest by himself outside the courthouse and invited friends on Facebook to join him. Piper said another teacher sent the post to her from Taylor, who was conservative in high school and still identifies as conservative now. Piper dropped what she was doing to join him on the square, she said.

“I told my husband — I threw on a T-shirt and I said, ‘I’ve got to go,’” Piper said. “So I just ran down there and he was there.”

Taylor tells the story differently, though only slightly so. He made the Facebook post, of course, and announced his plans to protest for at least 46 minutes starting at 4:30 p.m. eight days in a row — honoring the eight minutes and 46 seconds it’s believed Minneapolis police officer Derek Chauvin kept his knee pressed against the neck of George Floyd. Piper did show up to support Taylor along Main Street June 4.

And Taylor said Piper showed up every day he protested, in crowds that ranged from less than 10 to a few dozen. But that first day, when Piper said she arrived at the courthouse to join the former student, Taylor said he was still on his way to the courthouse at 4:30 p.m., when he had promised his Facebook friends he’d be protesting.

“She actually beat me there,” Taylor said.

From fighting to running

Piper has a lot of bones to pick with a lot of people, but perhaps none as many as she does with Sam Graves, the U.S. representative from Missouri’s 6th Congressional District, a man many of Piper’s neighbors have voted for every two years for the last 20, and who many of them will vote for again this November.

It seems Piper’s gripes with Graves go beyond that of normal liberal-conservative disputes. She doesn’t agree politically with Allen Andrews, the Republican state representative for District 1, an area that includes Nodaway County, but she called him a “nice guy.” And her problems with state Sen. Dan Hegeman seem to begin and end at his conservative ideals. But with Graves, it feels different. It feels pointed.

Perhaps it’s because Graves, who first got elected in 2000, has taken a more permanent residence in Washington D.C. than he has in the district in the years since, Piper said. Perhaps it’s because he claims to fight for issues that affect rural voters, like infrastructure, she said, while storefronts in Hopkins sit boarded up and empty, watching over roads that range from unpaved to unkempt, in a community where the fire station resembles a steel shed and the post office might be the nicest building in town.

Or perhaps it’s because Graves has abandoned the rural voter while collecting the rural vote and collecting an annual salary that’s grown from $145,000 when he started in 2001 to $174,000 today.

“I know Sam Graves has no idea what it’s like to go hungry,” Piper said.

Piper does. She knows a lot about the rural struggles Graves has done nothing to combat, she said, and perhaps that’s why she’s so critical of him. Perhaps that’s why she might run to replace him in two years, pending the outcome of his November election.

Piper has been approached by several decision-makers and recruiters within the Democratic party to run for office, and while some have urged her to start small and run for a seat like the one Andrews occupies now, others have encouraged the teacher and activist to go big, to go after Graves.

“I make $41,000 a year; I don’t have money to go after someone that big. But then again, I’m like, ‘Why shouldn’t I go after his position?’”

There’s a lot about the inner workings of politics that Piper doesn’t know. She’s not sure how to run a campaign, she said. She’s not sure if she has a chance to win the 6th District, where Martin, the Democrat Piper knocked doors for, lost by more than 100,000 votes in 2018. But she’s not sure how Graves keeps winning, either.

If she does run against Graves, Piper will have to win the rural vote, a group that doesn’t seem to be voting any more liberally than it did when Graves first took office. Amendment 2, a ballot measure that would expand Medicaid in Missouri at no cost to taxpayers, passed statewide earlier this month but lost by more than 700 votes in Nodaway County, despite the fact that many rural Missourians are on Medicaid, Piper said.

Piper faces an uphill battle in any race she may decide to run in northwest Missouri. A Democrat hasn’t won the 6th District since Pat Danner served from 1993 to 2001 when Graves replaced Danner, the only woman to ever serve as the district’s representative, following her retirement. Graves has won at least 59% of the district’s vote in every election since.

“To go after him would be tough because I’m a teacher. 

What could set Piper apart from the candidates that have tried and failed to unseat Graves for the last 20 years, she said, could be her place in the rural community. There are not rural candidates urging rural voters to vote for Democrats, she said. None of her representatives represent her, nor do they really represent Piper’s Republican neighbor’s a few hundred yards down the road, the ones with a Trump sign in their front yard that reads “NO MORE BULL—-.”

Being conservative and rural have become synonymous. Piper doesn’t understand why, but she knows that kind of campaigning won’t win voters in Hopkins.

“You’ll see people from Kansas City or St. Louis talking about the dumb hicks who vote against themselves,” Piper said. “And I’m like, ‘Well, that’s probably not a message that’s gonna resonate well out here.’”

Piper hasn’t decided yet whether she’ll run for Graves’ seat in 2022 or whether she’ll run for office at all. She’s hopeful Gena Ross, this year’s Democratic challenger in the 6th District, will unseat Graves in November. But history suggests Ross’s bid will be unsuccessful. And the last four years suggest Piper will run. She’s lost too much to stop fighting now.

Upgrade to paid

After months of silence between Piper and her father in the aftermath of the 2016 election, there was a break in late 2017, but only briefly, only for a few days, only long enough to say goodbye. Fighting a bevy of health issues, Piper’s dad, a Navy veteran, received the same low-quality healthcare veterans around the country are subjected to, Piper said.

By the time Piper walked into Britt Snodgrass’s hospital room at Kansas Medical Center, where he’d been transferred after doctors at a local hospital botched a treatment that left Snodgrass’s health declining, Piper’s dad was on his deathbed. A man that Piper described as “strong” and bear-like died a “fragile and horrible death” at the hands of malpractice, she said.

In those last waking moments, as doctors at the Medical Center burned a lavender scent in the hospital room to combat the smell of Snodgrass’s decomposing skin, Piper’s dad was apologetic, she said. He didn’t regret the politics that drove a wedge between them, but he regretted the division they caused. He asked her to read a story she wrote about growing up in poverty called “Mississippi Mudpies.” He asked Piper’s uncle to play bluegrass music, the music of his people, Piper said. And Snodgrass, who hadn’t asked his daughter for anything in more than a year, asked for advice, or perhaps for permission.

“‘What should I do? What would you do?’” Piper recounted her dad saying.

“And I said, ‘I don’t know, daddy,’” Piper said, her southern accent more pronounced now than ever, as she recalled one of the last conversations she had with her father. “‘I don’t know what I would do.’ Because I didn’t want him to go, but I didn’t want him to be in pain either.”

The next day, doctors helped him along, Piper said, pumping morphine into Snodgrass’s body every 15 minutes until he lost consciousness. His breathing slowed. He inhaled once every 90 seconds. Religious music played. Piper watched and waited as he slipped away, her father a victim of a failing healthcare system that predated 2016, their relationship very much a casualty of Trump’s America.

“Another reason why I fight,” she said.

The original article was written by Andrew Wegley. You can find him at andrewwegly on X.

~Jess