Write to Life blog

06/16/23 Biking & Listening to The Dictionary of Lost Words

Biking is something else I both love and hate. It takes a lot of effort but does provide good exercise and most days over an hour to listen to a good book or podcast. I especially like having ridden.

Here’s my bike, a Rockhopper by Specialized. I purchased it November 2021 from Venture Out in Guntersville; Mike is top notch! So is the bike, and the ‘old’ man seat I salvaged from an old Walmart bike.

Here’s a link to today’s bike ride.


Something to consider if you’re not already cycling.

I encourage you to start riding a bike, no matter your age. Check out these groups:

Cycling for those aged 70+(opens in a new tab)

Solitary Cycling(opens in a new tab)

Remember,

Photo by Suzy Hazelwood on Pexels.com

Here’s what I’m listening to: The Dictionary of Lost Words, by Pip Williams

Amazon abstract:

NEW YORK TIMES BESTSELLER • REESE’S BOOK CLUB PICK • “Delightful . . . [a] captivating and slyly subversive fictional paean to the real women whose work on the Oxford English Dictionary went largely unheralded.”—The New York Times Book Review

“A marvelous fiction about the power of language to elevate or repress.”—Geraldine Brooks, 
New York Times bestselling author of People of the Book

Esme is born into a world of words. Motherless and irrepressibly curious, she spends her childhood in the Scriptorium, an Oxford garden shed in which her father and a team of dedicated lexicographers are collecting words for the very first Oxford English Dictionary. Young Esme’s place is beneath the sorting table, unseen and unheard. One day a slip of paper containing the word bondmaid flutters beneath the table. She rescues the slip and, learning that the word means “slave girl,” begins to collect other words that have been discarded or neglected by the dictionary men.

As she grows up, Esme realizes that words and meanings relating to women’s and common folks’ experiences often go unrecorded. And so she begins in earnest to search out words for her own dictionary: the Dictionary of Lost Words. To do so she must leave the sheltered world of the university and venture out to meet the people whose words will fill those pages.

Set during the height of the women’s suffrage movement and with the Great War looming, The Dictionary of Lost Words reveals a lost narrative, hidden between the lines of a history written by men. Inspired by actual events, author Pip Williams has delved into the archives of the Oxford English Dictionary to tell this highly original story. The Dictionary of Lost Words is a delightful, lyrical, and deeply thought-provoking celebration of words and the power of language to shape the world.

WINNER OF THE AUSTRALIAN BOOK INDUSTRY AWARD


Here’s a few photos from along my pistol route:

A Hugely Defective Gospel Sequel

Here’s the link to this article.

By David Madison at 5/19/2023

A high quotient of fake news

The red flags in scripture are all over the place, and easy to spot. By this I mean story elements that alert readers to be suspicious. If we came across these in a Disney fantasy or in Harry Potter story, we’d say, “Very entertaining, but not to be taken seriously.” There are so many red flags in the gospels, and they show up in the first chapters of each. In Mark, a voice from the sky tells Jesus, “You are my beloved son”—right after his baptism for the forgiveness of sins. Jesus had sins? A god yelling from the sky doesn’t sound at all like a real-world event.

The first thing we find in Matthew’s gospel is a genealogy that is supposed to prove that Jesus was descended from King David, but then Matthew reports that Jesus didn’t have a human father—nullifying the value of the genealogy. It was in a dream that an angel told Joseph that Mary got pregnant by a holy spirit. Red flag: Today if anyone tells us that they get messages from a god through angels in dreams, our reaction is likely to be, yah, sure. In Luke’s first chapter as well, angels have speaking roles, revealing the destiny of John the Baptist and Jesus to their parents. Red flag: this isn’t history, it’s fantasy literature. The author of John’s gospel claims in his opening chapter that Jesus, the Galilean peasant preacher—as portrayed in the first three gospels—was present at creation. Huge red flag: here’s a theologian presenting his speculations as fact. Any curious reader should want to know how he knows this: show us the reliable, verifiable, objective evidence. 

Surely the champion red flag winner is the author of the Book of Acts. He reports in his first chapter that newly alive Jesus left earth by ascending to heaven—he disappeared through the clouds. And in chapter 7, Stephen, about to be martyred, sees Jesus in heaven: “…filled with the Holy Spirit, he gazed into heaven and saw the glory of God and Jesus standing at the right hand of God. “Look,” he said, “I see the heavens opened and the Son of Man standing at the right hand of God!” (Acts 7:55-56) Christian doctrine would have us believe that this holy spirit that “filled him” is part of god—so couldn’t this ghost have done a better job helping separate fact from fiction? No: Jesus and god are not standing next to each other somewhere miles out in space. Any Christian today who has any understanding of how the Cosmos is built, i.e., that the earth orbits the sun, which orbits the galactic center—in the vacuum of space—can grasp that the Acts 1 story is naïve fiction. Why couldn’t the holy spirit have shared these insights with humans centuries ago?

I have made many posts on this blog about the Book of Acts, but I return to it now to call attention to Richard Carrier’s blog article dated 21 April 2023: How We Know Acts Is a Fake History. This augments his 25-page chapter on Acts in On the Historicity of Jesus: Why We Might Have Reason for Doubt, pp. 359-385. He wrote this new article in response to apologist Greg Boyd’s position that Acts in basically trustworthy. 

How can that be? The red flag pop-up frequently in the first few chapters of Acts. In Acts 5, people are healed when Peter’s shadow falls on them, and an angel helps the apostles escape from prison (this also happens in Acts 12). In Acts 10, an angel instructs a centurion named Cornelius to summon Peter. In Acts 18, the Lord in a vision tells Paul to preach—and he will be protected. The naïve, gullible first readers of Acts may have been impressed, but informed adults today, not so much: “Very entertaining, but not to be taken seriously.” Angels, healings, visions are markers of fantasy literature. 

These are surface details that should provoke skepticism about Acts, but Carrier draws attention to issues that demonstrate just how phony this book is. It is fake history. The author of Acts seemingly wasn’t aware that his story is undermined by what we find in the letters of Paul, as Carrier notes:

“If one needs Acts to be a reliable history, and not revisionist history (a.k.a. “bullshit”), one needs to ‘leave out’ all the evidence that it repeatedly contradicts the eyewitness testimony of Paul, and in precisely the ways that suit its author’s agendas, and that it mimics known tropes and features distinctive of fiction and propaganda…”

In Acts 9:26-28, we read this account of Paul’s return from Damascus—after his famous conversion experience:

“When he had come to Jerusalem, he attempted to join the disciples, and they were all afraid of him, for they did not believe that he was a disciple. But Barnabas took him, brought him to the apostles, and described for them how on the road he had seen the Lord, who had spoken to him, and how in Damascus he had spoken boldly in the name of Jesus. So he went in and out among them in Jerusalem, speaking boldly in the name of the Lord.”   

In Galatians 1:16-20, however, we find what Paul himself says:

“…I did not confer with any human, nor did I go up to Jerusalem to those who were already apostles before me, but I went away at once into Arabia, and afterward I returned to Damascus. Then after three years I did go up to Jerusalem to visit Cephas [Peter} and stayed with him fifteen days, but I did not see any other apostle except James the Lord’s brother. In what I am writing to you, before God, I do not lie!”

Then there was the contentious issue of circumcision. In Galatians 2:1-3, Paul reports:

“Then after fourteen years I went up again to Jerusalem with Barnabas, taking Titus along with me. I went up in response to a revelation. Then I laid before them (though only in a private meeting with the acknowledged leaders) the gospel that I proclaim among the gentiles, in order to make sure that I was not running, or had not run, in vain. But even Titus, who was with me, was not compelled to be circumcised, though he was a Greek.”

Yet this is what we read in Acts 16:3: “Paul wanted Timothy to accompany him, and he took him and had him circumcised because of the Jews who were in those places, for they all knew that his father was a Greek.”

Carrier calls the fake historian to account: 

“Acts gets the guy wrong (it was Titus, not Timothy, who was under pressure to circumcise), as well as the place and time (Acts has this happen after the event Paul himself relates, and far from Judea where it makes even less sense for any such pressure to exist)…”

“The author of Acts is inventing a story contrary to events as related by Paul. Moreover, this invented story completely contradicts Paul’s entire mission statement: Paul explicitly says he was not flexible about this, that this was his line in the sand, such that had he caved ‘the truth of the gospel’ would not ‘be preserved.’ In other words, resisting this pressure was of dire existential importance to Paul and his entire mission.”

“Acts thus gets history totally wrong here, contradicting Paul’s own eyewitness testimony, blatantly and in multiple ways. Its author was clearly uninterested in recounting anything true about Paul and his companions, actions, and mission; but to the contrary, only in ‘rewriting’ history to make Paul conform to the author’s own agenda to unify the factions of Christendom, by depicting its Jewish and Gentile wings as always in harmony and willing to cooperate.”

Late in the Book of Acts, Paul is arrested, and preparations are made to have him sent to Felix the governor (Acts 23:23): “Get ready to leave by nine o’clock tonight for Caesarea with two hundred soldiers, seventy horsemen, and two hundred spearmen.” How can that possibly have been true: an escort of this size for a crazy cult preacher? The author of Acts wanted to impress his readers: look how important Paul was!

Carrier notes that this is an “outrageous number of troops removed from their duties to protect one man.” But just as unbelievable is the text of the letter—quoted in Acts 23:26-30—that Claudius Lysias supposedly wrote to Felix. Carrier notes that it “conspicuously lacks all the details a real one would contain…”, and he provides several examples of the mistakes made by the author: “It seems far more certain Luke just made this letter up—and he didn’t know what a real one looked like so as to even produce a plausible fraud.” 

This Carrier article is rich in details that illustrate just how fake Acts is. Near the beginning of the article he lists more than twenty other books of acts that didn’t make it into the canon, 

“… all of which even most fundamentalists (and all actual experts) agree are bogus—making ‘bogus’ by far the normal status of any Christian ‘Acts’…Our Acts contains no indication of being any more honest or reliable; to the contrary, it’s rife with indications of being no better. Indeed, we have two entire versions of it, one some ten percent longer—and scholars cannot honestly tell which is actually the original. That is how freely Christians were willing to doctor it to suit their wishes. In actual fact, faking histories was the norm for Christians; even beyond the damning example of the entire Acts genre, the religion was always awash with forgery and lies.”

Forgery and lies—and extremism. On 5 May 2023, here on this blog, I argued that core Christian beliefs qualify it as a cult. There is one story especially in Acts that offers a perfect snapshot of a cult. In Acts 5 we find the story of Ananias and Sapphira, a couple who sold a field, but didn’t give all the money to the church: Ananias “brought only a part and laid it at the apostles’ feet” (Acts 5:2). Peter flew into a rage, scolding Ananias for lying to the holy spirit, because Satan was in his heart. Ananias dropped dead on the spot, and was buried immediately. A few hours later Sapphira showed up and received the same scolding—and she dropped dead too, and right away was buried beside her husband. The story closes with verse 11: “And great fear seized the whole church and all who heard of these things.” There is not a hint here that Peter—yes, that Peter, the rock upon which the church was built—had been too severe. I’m sure not many laypeople today who read this story would say, “Well, how cool is that, it’s okay with me.”

Cults thrive because they encourage “great fear” among their devotees, which means undivided loyalties. It’s no surprise if Acts and Luke were written by the same guy: the Jesus-script in Luke 14:26 stipulates that hatred of family and even life itself is required of those who follow their cult hero.

Serious Bible study requires in-depth homework, as is provided by this Carrier article. He includes dozens of links to other sources, and thoroughly exposes the cheap tricks of apologists who desperately want Acts to be reliable history. What a pity that it’s hard enough to get laypeople to even read the gospels and Acts, let alone do any penetrating study of these documents. 

Carrier tells it like it is:

“The evidence stacks quite high that the author of Acts is fabricating a mythological history for his religion, and didn’t have any personal knowledge of what he relates, but is relying on old sources that he deliberately alters, reference books that he uses only for local color, and his imagination. There is simply no way a companion of Paul wrote this, or anyone of his generation. Indeed he conspicuously never claims he was—and since he would have claimed any authority he actually had, his silence proves he couldn’t claim this.” 

David Madison was a pastor in the Methodist Church for nine years, and has a PhD in Biblical Studies from Boston University. He is the author of two books, Ten Tough Problems in Christian Thought and Belief: a Minister-Turned-Atheist Shows Why You Should Ditch the Faith (2016; 2018 Foreword by John Loftus) and Ten Things Christians Wish Jesus Hadn’t Taught: And Other Reasons to Question His Words (2021). The Spanish translation of this book is also now available. 

His YouTube channel is here. He has written for the Debunking Christianity Blog since 2016.

The Cure-for-Christianity Library©, now with more than 500 titles, is here. A brief video explanation of the Library is here. 

Love of Life: Albert Camus on Happiness, Despair, the Art of Awareness, and Why We Travel

Here’s the link to this article.

“There is no love of life without despair of life.”

BY MARIA POPOVA

Love of Life: Albert Camus on Happiness, Despair, the Art of Awareness, and Why We Travel

“Those who prefer their principles over their happiness,” Albert Camus (November 7, 1913–January 4, 1960) wrote in his notebook toward the end of his life, “they refuse to be happy outside the conditions they seem to have attached to their happiness.” Indeed, our principles tend to harden into habits and although habits give shape to our inner lives, they can mutate into the rigidity of routine and create a kind of momentum that, rather than expanding our capacity for happiness, contracts it. In the trance of routine and principled productivity, we end up showing up for our daily lives while being absent from them.

Few things things break us out of our routines and awaken us to the living substance of happiness more powerfully than travel. Camus knew this. Decades earlier, when he was only twenty-two and still a long way from becoming the second-youngest recipient of the Nobel Prize in Literature, he explored this human perplexity with unparalleled intellectual elegance and spiritual grace in a gorgeous essay titled “Love of Life,” eventually included in his posthumously published collection Lyrical and Critical Essays (public library).

albertcamus

Recounting the sight of a young woman dancing deliriously in a Spanish cabaret, Camus — whose entire life was undergirded by the ethos that happiness is our moral obligation — writes:

Without cafés and newspapers, it would be difficult to travel. A paper printed in our own language, a place to rub shoulders with others in the evenings enable us to imitate the familiar gestures of the man we were at home, who, seen from a distance, seems so much a stranger. For what gives value to travel is fear. It breaks down a kind of inner structure we have. One can no longer cheat — hide behind the hours spent at the office or at the plant (those hours we protest so loudly, which protect us so well from the pain of being alone). I have always wanted to write novels in which my heroes would say: “What would I do without the office?” or again: “My wife has died, but fortunately I have all these orders to fill for tomorrow.” Travel robs us of such refuge. Far from our own people, our own language, stripped of all our props, deprived of our masks (one doesn’t know the fare on the streetcars, or anything else), we are completely on the surface of ourselves. But also, soul-sick, we restore to every being and every object its miraculous value. A woman dancing without a thought in her head, a bottle on a table, glimpsed behind a curtain: each image becomes a symbol. The whole of life seems reflected in it, insofar as it summarizes our own life at the moment. When we are aware of every gift, the contradictory intoxications we can enjoy (including that of lucidity) are indescribable.

But this contact with absolute bliss, Camus cautions, necessitates an equal capacity for contact with absolute despair:

There lay all my love of life: a silent passion for what would perhaps escape me, a bitterness beneath a flame. Each day I would leave this cloister like a man lifted from himself, inscribed for a brief moment in the continuance of the world… There is no love of life without despair of life.

Echoing Kierkegaard’s unforgettable admonition — “Of all ridiculous things the most ridiculous seems to me, to be busy,” the Danish philosopher wrote in contemplating our greatest source of unhappiness — Camus considers how the trance of productivity robs us of the very presence necessary for happiness:

Life is short, and it is sinful to waste one’s time. They say I’m active. But being active is still wasting one’s time, if in doing one loses oneself. Today is a resting time, and my heart goes off in search of itself. If an anguish still clutches me, it’s when I feel this impalpable moment slip through my fingers like quicksilver… At the moment, my whole kingdom is of this world. This sun and these shadows, this warmth and this cold rising from the depths of the air: why wonder if something is dying or if men suffer, since everything is written on this window where the sun sheds its plenty as a greeting to my pity? I can say and in a moment I shall say that what counts is to be human and simple. No, what counts is to be true, and then everything fits in, humanity and simplicity. When am I truer than when I am the world? My cup brims over before I have time to desire. Eternity is there and I was hoping for it. What I wish for now is no longer happiness but simply awareness.

[…]

The great courage is still to gaze as squarely at the light as at death. Besides, how can I define the link that leads from this all-consuming love of life to this secret despair? If I listen to the voice of irony, crouching underneath things, slowly it reveals itself. Winking its small, clear eye, it says: “Live as if …” In spite of much searching, this is all I know.

Complement the altogether beautiful Lyrical and Critical Essays with Camus on happiness, unhappiness, and our self-imposed prisons, his illustrated wisdom on love, and the beautiful letter of gratitude he wrote to his childhood teacher after receiving the Nobel Prize.

06/15/23 Biking & Listening to The Dictionary of Lost Words

Biking is something else I both love and hate. It takes a lot of effort but does provide good exercise and most days over an hour to listen to a good book or podcast. I especially like having ridden.

Here’s my bike, a Rockhopper by Specialized. I purchased it November 2021 from Venture Out in Guntersville; Mike is top notch! So is the bike, and the ‘old’ man seat I salvaged from an old Walmart bike.

Here’s a link to today’s bike ride.


Something to consider if you’re not already cycling.

I encourage you to start riding a bike, no matter your age. Check out these groups:

Cycling for those aged 70+(opens in a new tab)

Solitary Cycling(opens in a new tab)

Remember,

Photo by Suzy Hazelwood on Pexels.com

Here’s what I’m listening to: The Dictionary of Lost Words, by Pip Williams

Amazon abstract:

NEW YORK TIMES BESTSELLER • REESE’S BOOK CLUB PICK • “Delightful . . . [a] captivating and slyly subversive fictional paean to the real women whose work on the Oxford English Dictionary went largely unheralded.”—The New York Times Book Review

“A marvelous fiction about the power of language to elevate or repress.”—Geraldine Brooks, 
New York Times bestselling author of People of the Book

Esme is born into a world of words. Motherless and irrepressibly curious, she spends her childhood in the Scriptorium, an Oxford garden shed in which her father and a team of dedicated lexicographers are collecting words for the very first Oxford English Dictionary. Young Esme’s place is beneath the sorting table, unseen and unheard. One day a slip of paper containing the word bondmaid flutters beneath the table. She rescues the slip and, learning that the word means “slave girl,” begins to collect other words that have been discarded or neglected by the dictionary men.

As she grows up, Esme realizes that words and meanings relating to women’s and common folks’ experiences often go unrecorded. And so she begins in earnest to search out words for her own dictionary: the Dictionary of Lost Words. To do so she must leave the sheltered world of the university and venture out to meet the people whose words will fill those pages.

Set during the height of the women’s suffrage movement and with the Great War looming, The Dictionary of Lost Words reveals a lost narrative, hidden between the lines of a history written by men. Inspired by actual events, author Pip Williams has delved into the archives of the Oxford English Dictionary to tell this highly original story. The Dictionary of Lost Words is a delightful, lyrical, and deeply thought-provoking celebration of words and the power of language to shape the world.

WINNER OF THE AUSTRALIAN BOOK INDUSTRY AWARD


Here’s a few photos from along my pistol route:

Southern Baptist Convention Votes to Oust All 47,000 of its member churches

Because every one of these churches allows and supports adultery.

Ninety percent of the 12,700 SBC delegates were heard chanting: “we must obey scripture.”

[Jesus] said to them, “Whoever divorces his wife and marries another commits adultery against her; and if she divorces her husband and marries another, she commits adultery.” (Mark 10:11-12, NRSV)

“In a review of both religious and general population data, researchers concluded that divorce rates among Christians are similar to those of the general population, indicating that marital dissolution is not necessarily due to a particular faith commitment.” From Google search: comparison of rate of divorce between Christians and non-christians.

Conclusion: it’s reasonable to conclude every one of these 47,000 churches has at least one man or woman member who has committed adultery.

From the Baptist Faith and Message:

I. The Scriptures

The Holy Bible was written by men divinely inspired and is God’s revelation of Himself to man. It is a perfect treasure of divine instruction. It has God for its author, salvation for its end, and truth, without any mixture of error, for its matter. Therefore, all Scripture is totally true and trustworthy. It reveals the principles by which God judges us, and therefore is, and will remain to the end of the world, the true center of Christian union, and the supreme standard by which all human conduct, creeds, and religious opinions should be tried. All Scripture is a testimony to Christ, who is Himself the focus of divine revelation.


Disclaimer–This is satire; there was no such vote. But, it seems, there should have been based on the SBC’s scriptural premise of ousting churches with female pastors.

When science goes south

Here’s the link to this article by Dale McGowan.

Photo by KokoColey | Pixabay

I’m sometimes asked by religious friends why I make such a big deal over evolution in particular. Some suggest that secular types beat the drum for evolution only because it’s a sharp stick in the religious eyeball.

The question itself is a good one. The answer is even better.

It’s not just because evolution is true. That’s never enough. It’s also true that George Washington had no middle name, but I’m unlikely to devote much of my life force to opposing someone who insists that yes he did, and it was Steve, and that only Martha called him George, and only when she was drunk. Even if this hypothetical Stevist insisted on teaching the middle name in American History classes, I might think it was bananas, but I have other fish to fry.

Evolution, on the other hand—that’s a fish I choose to fry. It’s an idea that I want my kids and as many others as possible to know and care about. Because the story I’m about to tell is centered on evolution in schools, I want to start with a quick list of why it’s important:

First, it is an everything-changer. If knowing about evolution hasn’t changed almost everything about the way you see almost everything, dig in deeper with the help of people like Stephen Jay Gould (Wonderful Life and Full House), Richard Dawkins (Blind Watchmaker, River out of Eden, The Selfish Gene, Climbing Mount Improbable) and Daniel Dennett (Darwin’s Dangerous Idea).

Second, it inspires immense, transcendent awe and wonder to grasp that you are a cousin not just to apes, but to sponges and sequoias and butterflies and blue whales.

Third, it annihilates the artificial boundaries between us and the rest of life on Earth.

Fourth, it puts racial difference in proper perspective as utter trivia.

Fifth, when taken as directed, it constitutes one of the four grandest-ever swats of humility to the pompous human tookus.

Sixth, it contributes enormously to our understanding of how and why things work the way they do.

Seventh, that understanding has led in turn to incredible advances in medical science, agriculture, environmental stewardship, and more.

The list goes on.

When my older daughter Erin was in eighth grade, she came home from school one day and sat in front of me with evident drama.

“Guess what.”

“Uh, Norway fell into the sea. You can burp the alphabet. Am I close?”

“Dad, stop.” She leaned forward. “We started evolution in science today.”

A tickle of dread went down my spine. I’m a busy boy. No jonesing for a fracas.

“And?”

“And it’s awesome. He’s teaching all about it, just like you would. He explained what theory really means, and said that the evidence is incredibly strong for evolution, and when kids started saying, ‘But the Bible says blah blah blah,’ he just put his hand up and said, ‘You can talk about that with your minister. In this class, we are learning about science, about what we know.”

I had never seen her so jazzed about a class experience. She knows what a crapshoot it is, knows that she has less than a 50-50 chance of learning about evolution in any depth in the classroom. She lucked out.

So what’s a parent to do? Most, including me, will do a nice cartoon wipe of the brow and go back to the next thing on the plate. That’s a mistake. It’s also simply wrong.

We’re happy to fire off a blistering corrective to the teachers who fall down on the job and take our kids with them. But we’ve got to get just as good and consistent at complimenting the good.

It’s not just a question of good manners. If we really care about quality in the classroom, it’s imperative.

Praise the good

Imagine you’re a biology teacher. The evolution unit is approaching, again, and you know for certain you will get a half dozen scolding emails from angry parents the moment the word crosses your lips. Again. If you’ve never received a note of thanks for tackling the topic honestly, it’s easy to feel isolated and beleaguered. Who could blame you for gradually de-emphasizing the topic until it disappears completely? Even a teacher with the best of intentions can be worn to a nub from years of self-righteous tirades.

And those of us who sit silently, never lifting a finger to reinforce good teaching when we see it, deserve what we get.

I finally woke up to this when Erin was in sixth grade, and I started making a point of shooting off a message of thanks to teachers who rocked my kids’ worlds. This is especially important for middle and high school teachers, who are much less likely to hear any positive feedback through parent conferences and the other frequent contacts elementary teachers get.

When Erin was working her way through a much better-than-average comparative religion unit in social studies, I dashed off a note of appreciation to the teacher, who nearly passed out from the shock. When Connor told me his high school science teacher spent some time explaining what “theory” really means in science, I shot him some kudos. And when Erin came home with this story of courage and integrity, I sent a message expressing my deep and detailed appreciation…and cc’ed the principal.

The teacher replied, telling me how gratifying it was to hear the support. “It’s a passion of mine,” he said. Even passion can be pummeled out of someone. But now, the next time he approaches that unit, he’ll hear not only angry shouts ringing in his ears, but a little bit of encouragement from someone who took the time to make it known.

I’m better at this than I once was, but I’m still about three times as likely to pipe up when I’m pissed as when I’m impressed.

When she was in elementary school, my youngest daughter Delaney wanted to be a scientist.

When Charlie’s Playhouse, a company that made evolution toys and games, announced an Evolution & Art Contest that fall, she was all over it. Imagine an island with a unique environment. Choose an existing animal to put on the island. Fast forward a million years or so and imagine how the animal would evolve as a result of that environment. Draw a picture of the evolved animal. Awesome.

Soon the sketches were flying. Finally, with just days to go before the deadline, Laney showed me her entry.

when science goes south
Used by permission of Delaney McGowan

“The island has purple polka-dotted trees and bushes and quiet predators,” she explained. “And the only food is hard nuts. So after a long, long time, the monkeys evolve to have purple polka dots, huge ears to hear the predators, and sharp teeth to crack the nuts.”

She might not know an allele if it jumped up and mutated all over her, but her grasp of natural selection outstrips that of most adults. And she got this grasp not through lectures but by observing the results of natural selection all around us, and caring enough to think about it.

I described our approach a few episodes back:

If I’m out on a walk in the woods with my own daughter and we see a deer with protective coloration, I’ll often say, “Look—you can barely see it. What if I was an animal trying to find a deer to eat? That one wouldn’t be very easy to find. And its babies would have the same coloring, so I’ll bet they’d be hard to find, too.”

[Then] imagine a poor adaptation. “Hey, what if it was bright pink? I think I’d have a pink one for supper every night, they’d be so easy to catch.” I step on a twig and the deer bolts away. “Ooh, fast too! I’ll bet I’d have to eat slow pink ones every night. Soon there wouldn’t be any slow pink ones left because I’d have eaten them all!”

When she did eventually encounter allele frequencies, cladistics, the modern synthesis and all the rest in high school, it glided (glode?) into place on the foundation she had laid for it. The key when she was young was to keep her engaged.

Winning the national contest for her age group didn’t hurt that one bit. She nearly passed out in excitement. We let her teacher know about it, and he showered her with kudos, then forwarded the news to the front office.

The call

The next week we received a call. It was Ms. Warner, an assistant administrator at the school. Becca answered. I didn’t know who she was talking to, but it was obviously good news of some sort.

Until it wasn’t.

When she hung up, she was clearly upset.

“Laney’s going to be interviewed by the principal on the Eagle News” — that’s a closed-circuit TV program that starts each school day — “about winning the Charlie’s Playhouse contest.”

I waited.

“But Ms. Warner said they’re not going to call it an ‘Evolution & Art’ contest — just an ‘Art’ contest. When I asked why, she said, ‘Because evolution is not in the curriculum.’ I said yes it is, it’s in the high school curriculum, and she said, ‘But it’s not in the elementary curriculum, so it’ll just be described as an ‘Art’ contest.’”

The heat started in my neck and spread to my ears, then into my face. Becca began swearing a blue streak. I sat down and wrote the most fabulously profane email of my life to a friend. Venting is good. Not sure if I was madder about the ignorance or the cowardice or the dishonesty — or the fact that this educator was dismissing the truly exceptional nature of what Laney did.

It wasn’t an art contest, you see. Delaney’s accomplishment had been scientific, not artistic. The drawing is lovely, but it’s just a way of expressing her grasp of the science. To have her school — savor that for a moment, her school — not only disregard her achievement, but send her the message that it’s something to be hidden, to be ashamed of…

I know what you’re thinking. Yes, this is Georgia. But as I’ve said before, in the four years we’ve been here, I’ve had far more opportunity to be pleasantly surprised than not. In addition to living in an area even more culturally and religiously diverse than the one we left in Minneapolis, our kids are getting an incredible education in top-ranked schools.

After many years in the national basement, Georgia’s latest science standards are excellent. And when it comes to the teaching of evolution itself, it ranks in the top tier of the Fordham study (see maps) — above Oregon, New Hampshire, Minnesota, Wisconsin, Connecticut, and 24 other states.

Science standards don’t have to be in the South to go south. As Lawrence Lerner put it in the NCSE Journal,

Although there is a disproportionate concentration of ill-treatment of evolution in the Bible Belt, geography is neither a necessary nor a sufficient condition for such treatment. Georgia and South Carolina, for instance, treated evolution very well while New Hampshire and Wisconsin did not.Lawrence Lerner, “Good, Bad, and Lots of Indifferent: State K-12 Science Standards,” Reports of the National Center for Science Education, vol. 28 no. 3

The most relevant anti-science spectrum in the US (and elsewhere) is not North-South, but urban-suburban-rural. The suburbs of Atlanta have more in common with the suburbs of Philadelphia than either has in common with the small towns in its own state. The quality of science education tends to drop in sync with population density.

But that’s on paper. As Ms. Warner and Mr. Taylor clearly show, individuals in the system will do their level best to undercut even the best standards.

A deeply depressing Penn State study found that only 28 percent of high school biology teachers consistently implement National Research Council recommendations calling for introduction of evidence that evolution occurred. About 13 percent of biology teachers explicitly advocate creationism in the classroom, while 60 percent use at least one of three strategies to avoid controversy: (1) pretending that evolution applies only on the molecular level; (2) telling students it does not matter if they really ‘believe’ in evolution, only that they know it for the test; and/or (3) “teaching the controversy,” which one researcher noted “tells students that well-established concepts can be debated in the same way we debate personal opinions.”

According to the researchers, these conflict-avoiders “may play a far more important role in hindering scientific literacy in the United States than the smaller number of explicit creationists.”

There was no way I was letting this one go.

Rebecca Solnit on Hope in Dark Times, Resisting the Defeatism of Easy Despair, and What Victory Really Means for Movements of Social Change

Here’s the link to this article.

“This is an extraordinary time full of vital, transformative movements that could not be foreseen. It’s also a nightmarish time. Full engagement requires the ability to perceive both.”

BY MARIA POPOVA

Rebecca Solnit on Hope in Dark Times, Resisting the Defeatism of Easy Despair, and What Victory Really Means for Movements of Social Change

“There is no love of life without despair of life,” wrote Albert Camus — a man who in the midst of World War II, perhaps the darkest period in human history, saw grounds for luminous hope and issued a remarkable clarion call for humanity to rise to its highest potential on those grounds. It was his way of honoring the same duality that artist Maira Kalman would capture nearly a century later in her marvelous meditation on the pursuit of happiness, where she observed: “We hope. We despair. We hope. We despair. That is what governs us. We have a bipolar system.”

In my own reflections on hope, cynicism, and the stories we tell ourselves, I’ve considered the necessity of these two poles working in concert. Indeed, the stories we tell ourselves about these poles matter. The stories we tell ourselves about our public past shape how we interpret and respond to and show up for the present. The stories we tell ourselves about our private pasts shape how we come to see our personhood and who we ultimately become. The thin line between agency and victimhood is drawn in how we tell those stories.

The language in which we tell ourselves these stories matters tremendously, too, and no writer has weighed the complexities of sustaining hope in our times of readily available despair more thoughtfully and beautifully, nor with greater nuance, than Rebecca Solnit does in Hope in the Dark: Untold Histories, Wild Possibilities (public library).

Rebecca Solnit (Photograph: Sallie Dean Shatz)
Rebecca Solnit (Photograph: Sallie Dean Shatz)

Expanding upon her previous writings on hope, Solnit writes in the foreword to the 2016 edition of this foundational text of modern civic engagement:

Hope is a gift you don’t have to surrender, a power you don’t have to throw away. And though hope can be an act of defiance, defiance isn’t enough reason to hope. But there are good reasons.

Solnit — one of the most singular, civically significant, and poetically potent voices of our time, emanating echoes of Virginia Woolf’s luminous prose and Adrienne Rich’s unflinching political conviction — originally wrote these essays in 2003, six weeks after the start of Iraq war, in an effort to speak “directly to the inner life of the politics of the moment, to the emotions and preconceptions that underlie our political positions and engagements.” Although the specific conditions of the day may have shifted, their undergirding causes and far-reaching consequences have only gained in relevance and urgency in the dozen years since. This slim book of tremendous potency is therefore, today more than ever, an indispensable ally to every thinking, feeling, civically conscious human being.

Solnit looks back on this seemingly distant past as she peers forward into the near future:

The moment passed long ago, but despair, defeatism, cynicism, and the amnesia and assumptions from which they often arise have not dispersed, even as the most wildly, unimaginably magnificent things came to pass. There is a lot of evidence for the defense… Progressive, populist, and grassroots constituencies have had many victories. Popular power has continued to be a profound force for change. And the changes we’ve undergone, both wonderful and terrible, are astonishing.

[…]

This is an extraordinary time full of vital, transformative movements that could not be foreseen. It’s also a nightmarish time. Full engagement requires the ability to perceive both.

Illustration by Charlotte Pardi from Cry, Heart, But Never Break by Glenn Ringtved

With an eye to such disheartening developments as climate change, growing income inequality, and the rise of Silicon Valley as a dehumanizing global superpower of automation, Solnit invites us to be equally present for the counterpoint:

Hope doesn’t mean denying these realities. It means facing them and addressing them by remembering what else the twenty-first century has brought, including the movements, heroes, and shifts in consciousness that address these things now.

Enumerating Edward Snowden, marriage equality, and Black Lives Matter among those, she adds:

This has been a truly remarkable decade for movement-building, social change, and deep, profound shifts in ideas, perspective, and frameworks for broad parts of the population (and, of course, backlashes against all those things).

With great care, Solnit — whose mind remains the sharpest instrument of nuance I’ve encountered — maps the uneven terrain of our grounds for hope:

It’s important to say what hope is not: it is not the belief that everything was, is, or will be fine. The evidence is all around us of tremendous suffering and tremendous destruction. The hope I’m interested in is about broad perspectives with specific possibilities, ones that invite or demand that we act. It’s also not a sunny everything-is-getting-better narrative, though it may be a counter to the everything-is-getting-worse narrative. You could call it an account of complexities and uncertainties, with openings.

Solnit’s conception of hope reminds me of the great existential psychiatrist Irvin D. Yalom’s conception of meaning: “The search for meaning, much like the search for pleasure,” he wrote, “must be conducted obliquely.” That is, it must take place in the thrilling and terrifying terra incognita that lies between where we are and where we wish to go, ultimately shaping where we do go. Solnit herself has written memorably about how we find ourselves by getting lost, and finding hope seems to necessitate a similar surrender to uncertainty. She captures this idea beautifully:

Hope locates itself in the premises that we don’t know what will happen and that in the spaciousness of uncertainty is room to act. When you recognize uncertainty, you recognize that you may be able to influence the outcomes — you alone or you in concert with a few dozen or several million others. Hope is an embrace of the unknown and the unknowable, an alternative to the certainty of both optimists and pessimists. Optimists think it will all be fine without our involvement; pessimists take the opposite position; both excuse themselves from acting. It’s the belief that what we do matters even though how and when it may matter, who and what it may impact, are not things we can know beforehand. We may not, in fact, know them afterward either, but they matter all the same, and history is full of people whose influence was most powerful after they were gone.

Illustration from The Harvey Milk Story, a picture-book biography of the slain LGBT rights pioneer

Amid a 24-hour news cycle that nurses us on the illusion of immediacy, this recognition of incremental progress and the long gestational period of consequences — something at the heart of every major scientific revolution that has changed our world — is perhaps our most essential yet most endangered wellspring of hope. Solnit reminds us, for instance, that women’s struggle for the right to vote took seven decades:

For a time people liked to announce that feminism had failed, as though the project of overturning millennia of social arrangements should achieve its final victories in a few decades, or as though it had stopped. Feminism is just starting, and its manifestations matter in rural Himalayan villages, not just first-world cities.

She considers one particularly prominent example of this cumulative cataclysm — the Arab Spring, “an extraordinary example of how unpredictable change is and how potent popular power can be,” the full meaning of and conclusions from which we are yet to draw. Although our cultural lore traces the spark of the Arab Spring to the moment Mohamed Bouazizi set himself on fire in an act of protest, Solnit traces the unnoticed accretion of tinder across space and time:

You can tell the genesis story of the Arab Spring other ways. The quiet organizing going on in the shadows beforehand matters. So does the comic book about Martin Luther King and civil disobedience that was translated into Arabic and widely distributed in Egypt shortly before the Arab Spring. You can tell of King’s civil disobedience tactics being inspired by Gandhi’s tactics, and Gandhi’s inspired by Tolstoy and the radical acts of noncooperation and sabotage of British women suffragists. So the threads of ideas weave around the world and through the decades and centuries.

In a brilliant counterpoint to Malcolm Gladwell’s notoriously short-sighted view of social change, Solnit sprouts a mycological metaphor for this imperceptible, incremental buildup of influence and momentum:

After a rain mushrooms appear on the surface of the earth as if from nowhere. Many do so from a sometimes vast underground fungus that remains invisible and largely unknown. What we call mushrooms mycologists call the fruiting body of the larger, less visible fungus. Uprisings and revolutions are often considered to be spontaneous, but less visible long-term organizing and groundwork — or underground work — often laid the foundation. Changes in ideas and values also result from work done by writers, scholars, public intellectuals, social activists, and participants in social media. It seems insignificant or peripheral until very different outcomes emerge from transformed assumptions about who and what matters, who should be heard and believed, who has rights.

Ideas at first considered outrageous or ridiculous or extreme gradually become what people think they’ve always believed. How the transformation happened is rarely remembered, in part because it’s compromising: it recalls the mainstream when the mainstream was, say, rabidly homophobic or racist in a way it no longer is; and it recalls that power comes from the shadows and the margins, that our hope is in the dark around the edges, not the limelight of center stage. Our hope and often our power.

[…]

Change is rarely straightforward… Sometimes it’s as complex as chaos theory and as slow as evolution. Even things that seem to happen suddenly arise from deep roots in the past or from long-dormant seeds.

One of Beatrix Potter’s little-known scientific studies and illustrations of mushrooms

And yet Solnit’s most salient point deals with what comes after the revolutionary change — with the notion of victory not as a destination but as a starting point for recommitment and continual nourishment of our fledgling ideals:

A victory doesn’t mean that everything is now going to be nice forever and we can therefore all go lounge around until the end of time. Some activists are afraid that if we acknowledge victory, people will give up the struggle. I’ve long been more afraid that people will give up and go home or never get started in the first place if they think no victory is possible or fail to recognize the victories already achieved. Marriage equality is not the end of homophobia, but it’s something to celebrate. A victory is a milestone on the road, evidence that sometimes we win, and encouragement to keep going, not to stop.

Solnit examines this notion more closely in one of the original essays from the book, titled “Changing the Imagination of Change” — a meditation of even more acute timeliness today, more than a decade later, in which she writes:

Americans are good at responding to crisis and then going home to let another crisis brew both because we imagine that the finality of death can be achieved in life — it’s called happily ever after in personal life, saved in politics — and because we tend to think political engagement is something for emergencies rather than, as people in many other countries (and Americans at other times) have imagined it, as a part and even a pleasure of everyday life. The problem seldom goes home.

[…]

Going home seems to be a way to abandon victories when they’re still delicate, still in need of protection and encouragement. Human babies are helpless at birth, and so perhaps are victories before they’ve been consolidated into the culture’s sense of how things should be. I wonder sometimes what would happen if victory was imagined not just as the elimination of evil but the establishment of good — if, after American slavery had been abolished, Reconstruction’s promises of economic justice had been enforced by the abolitionists, or, similarly, if the end of apartheid had been seen as meaning instituting economic justice as well (or, as some South Africans put it, ending economic apartheid).

It’s always too soon to go home. Most of the great victories continue to unfold, unfinished in the sense that they are not yet fully realized, but also in the sense that they continue to spread influence. A phenomenon like the civil rights movement creates a vocabulary and a toolbox for social change used around the globe, so that its effects far outstrip its goals and specific achievements — and failures.

Invoking James Baldwin’s famous proclamation that “not everything that is faced can be changed, but nothing can be changed until it is faced,” Solnit writes:

It’s important to emphasize that hope is only a beginning; it’s not a substitute for action, only a basis for it.

What often obscures our view of hope, she argues, is a kind of collective amnesia that lets us forget just how far we’ve come as we grow despondent over how far we have yet to go. She writes:

Amnesia leads to despair in many ways. The status quo would like you to believe it is immutable, inevitable, and invulnerable, and lack of memory of a dynamically changing world reinforces this view. In other words, when you don’t know how much things have changed, you don’t see that they are changing or that they can change.

Illustration by Isabelle Arsenault from Mr. Gauguin’s Heart by Marie-Danielle Croteau, the story of how Paul Gauguin used the grief of his childhood as a catalyst for a lifetime of art

This lack of a long view is perpetuated by the media, whose raw material — the very notion of “news” — divorces us from the continuity of life and keeps us fixated on the current moment in artificial isolate. Meanwhile, Solnit argues in a poignant parallel, such amnesia poisons and paralyzes our collective conscience by the same mechanism that depression poisons and paralyzes the private psyche — we come to believe that the acute pain of the present is all that will ever be and cease to believe that things will look up. She writes:

There’s a public equivalent to private depression, a sense that the nation or the society rather than the individual is stuck. Things don’t always change for the better, but they change, and we can play a role in that change if we act. Which is where hope comes in, and memory, the collective memory we call history.

A dedicated rower, Solnit ends with the perfect metaphor:

You row forward looking back, and telling this history is part of helping people navigate toward the future. We need a litany, a rosary, a sutra, a mantra, a war chant for our victories. The past is set in daylight, and it can become a torch we can carry into the night that is the future.

Hope in the Dark is a robust anchor of intelligent idealism amid our tumultuous era of disorienting defeatism — a vitalizing exploration of how we can withstand the marketable temptations of false hope and easy despair. Complement it with Camus on how to ennoble our minds in dark times and Viktor Frankl on why idealism is the best realism, then revisit Solnit on the rewards of walking, what reading does for the human spirit, and how modern noncommunication is changing our experience of time, solitude, and communion.