Edge Coach—Scene Structure: A Story Coach’s Guide

EDGE COACH - TUESDAYS
Welcome to Edge Coach, my Tuesday focus on professional story development. As a Fictionary Certified StoryCoach Editor, I share techniques to strengthen your writing and engage your readers. Whether you're revising your first draft or polishing your final one, Edge Coach offers practical guidance for your story.

As a Fictionary Certified StoryCoach Editor, I often find scene structure at the heart of story problems. Let’s explore what makes a scene work with specific examples.

The Core Elements (with Examples)

1. Character Goal

Weak Example:

Sarah goes to the coffee shop to think about her problems.

Strong Example:

Sarah rushes to the coffee shop to confront her brother before he leaves town with her inheritance.

2. Conflict

Weak Example:

The coffee shop is crowded and Sarah has to wait in line.

Strong Example:

Sarah’s brother sits with their mother, who doesn’t know about the stolen money. Any confrontation will shatter their mother’s already fragile health.

3. Outcome

Weak Example:

Sarah decides to leave and try again tomorrow.

Strong Example:

Sarah chooses protecting her mother over confronting her brother, but photographs him meeting his accomplice—evidence she’ll use after their mother’s recovery.

Common Problems and Solutions

1. Missing Goals

Weak Scene:

John walks through the park, noticing flowers and thinking about life.

Revised Scene:

John searches the park for his daughter’s lost medical alert bracelet, knowing her severe allergy could turn deadly any moment.

2. Insufficient Conflict

Weak Scene:

Mary asks her boss for a raise and gets it.

Revised Scene:

Mary asks for a raise, knowing her boss just lost two major clients and is considering layoffs, but her son’s surgery can’t wait.

3. Unimpactful Endings

Weak Scene:

Tom finishes his homework and goes to bed.

Revised Scene:

Tom completes the forged admission essay, torn between his father’s expectations and his own integrity, then sees his father’s proud smile—making tomorrow’s confession even harder.

Today’s Exercise

Take your current scene and map it:

1. Goal: What does your character want RIGHT NOW?

Example: “To get the damning letter before his wife finds it”

2. Conflict: What stands in the way?

Example: “The letter is in his wife’s office, where she’s currently meeting with clients”

3. Outcome: How does it change things?

Example: “He fails to get the letter but discovers his wife already knows—and has evidence of much worse”

Remember: Every scene should raise questions even as it answers others.

Need help strengthening your scenes? Schedule a Story Discovery Session to discuss your novel’s structure.

You’re invited to schedule a consultation.

Note: If this is your first appointment, you do not have to pay. I offer a FREE—initial consultation.

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Author: Richard L. Fricks

Writer, observer, and student of presence. After decades as a CPA, attorney, and believer in inherited purpose, I now live a quieter life built around clarity, simplicity, and the freedom to begin again. I write both nonfiction and fiction: The Pencil-Driven Life, a memoir and daily practice of awareness, and the Boaz, Alabama novels—character-driven stories rooted in the complexities of ordinary life. I live on seventy acres we call Oak Hollow, where my wife and I care for seven rescued dogs and build small, intentional spaces that reflect the same philosophy I write about. Oak Hollow Cabins is in the development stage (opening March 1, 2026), and is—now and always—a lived expression of presence: cabins, trails, and quiet places shaped by the land itself. My background as a Fictionary Certified StoryCoach Editor still informs how I understand story, though I no longer offer coaching. Instead, I share reflections through The Pencil’s Edge and @thepencildrivenlife, exploring what it means to live lightly, honestly, and without a script. Whether I’m writing, building, or walking the land, my work is rooted in one simple truth: Life becomes clearer when we stop trying to control the story and start paying attention to the moment we’re in.

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