Do Scientists Pray? Einstein Answers a Little Girl’s Question about Science vs. Religion

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“Everyone who is seriously involved in the pursuit of science becomes convinced that some spirit is manifest in the laws of the universe, one that is vastly superior to that of man.”

BY MARIA POPOVA

Whether in their inadvertently brilliant reflections on gender politics or in their seemingly simple but profound questions about how the world works, kids have a singular way of stripping the most complex of cultural phenomena down to their bare essence, forcing us to reexamine our layers of assumptions. Take, for instance, the age-old tension between science and religion, which has occupied the minds of luminaries from Galileo to Carl Sagan, as well as some of today’s most renowned scientific minds. The enormous cultural baggage of the question didn’t stop a little girl from New York named Phyllis from posing it to none other than the great Albert Einstein (March 14, 1879–April 18, 1955) in a 1936 letter found in Dear Professor Einstein: Albert Einstein’s Letters to and from Children (public library | IndieBound) — the same delightful collection that gave us Einstein’s encouraging words to women in science.

Albert Einstein by Yousuf Karsh

The Riverside Church

January 19, 1936

My dear Dr. Einstein,

We have brought up the question: Do scientists pray? in our Sunday school class. It began by asking whether we could believe in both science and religion. We are writing to scientists and other important men, to try and have our own question answered.

We will feel greatly honored if you will answer our question: Do scientists pray, and what do they pray for?

We are in the sixth grade, Miss Ellis’s class.

Respectfully yours,

Phyllis

Only five days later, Einstein wrote back — isn’t it lovely when cultural giants respond to children’s sincere curiosity? — and his answer speaks to the same spiritual quality of science that Carl Sagan extolled decades later and Ptolemy did millennia earlier. Six years prior, Einstein had explored that very subject, in far more complicated language and mind-bending rhetoric, in his legendary conversation with the Indian philosopher Tagore.

January 24, 1936

Dear Phyllis,

I will attempt to reply to your question as simply as I can. Here is my answer:

Scientists believe that every occurrence, including the affairs of human beings, is due to the laws of nature. Therefore a scientist cannot be inclined to believe that the course of events can be influenced by prayer, that is, by a supernaturally manifested wish.

However, we must concede that our actual knowledge of these forces is imperfect, so that in the end the belief in the existence of a final, ultimate spirit rests on a kind of faith. Such belief remains widespread even with the current achievements in science.

But also, everyone who is seriously involved in the pursuit of science becomes convinced that some spirit is manifest in the laws of the universe, one that is vastly superior to that of man. In this way the pursuit of science leads to a religious feeling of a special sort, which is surely quite different from the religiosity of someone more naive.

With cordial greetings,

your A. Einstein

Complement this with the difference between curiosity and wonder when it comes to science and scripture and Einstein on the secret to learning anything, then treat yourself to Dear Professor Einstein in its heart-warming entirety.

Portrait of Einstein by Yousuf Karsh

Einstein on Why We Are Alive

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The meaning of human existence in five lines.

BY MARIA POPOVA

Given my soft spot for big thinkers’ answers to young people’s questions about life, I was thrilled when reader Dave Anderson shared the story of his mother’s exchange with none other than Albert Einstein. When Marion Block Anderson, an altogether exceptional woman, was a freshman at Oberlin College in 1951, she reached out to “the quintessential modern genius” and asked him, “Why are we alive?” She later told Dave about the impetus for her letter:

We were having one war after another — first we had the First World War, then we had the Second World War and I just couldn’t see any point to the whole thing. So I wrote him a letter and I said, “What’s the point of living with what we’re going through here — having one war after another?”

Lo and behold, Einstein wrote back. While short, his letter extends with exquisite precision both the answer to the question about the meaning of life and his views on religion:

Einstein, in fact, had the admirable habit of actually responding to many of the letters he received from his young admirers, the best of which are collected in Dear Professor Einstein: Albert Einstein’s Letters to and from Children (public library) — the same compendium that gave us Einstein’s heartening response to a little girl who wanted to be a scientist and his timeless answer to a child who wanted to know whether scientists pray.

Also see Einstein’s little-known correspondence with Freud on war and human nature and his remarkable conversation with Indian philosopher Tagore on truth, beauty, science, and spirituality.

A Simple Intervention to Increase Your Well-Being and Lower Depression from the Founding Father of Positive Psychology

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You’ll need pen, paper, and a silencer for cynicism.

BY MARIA POPOVA

A Simple Intervention to Increase Your Well-Being and Lower Depression from the Founding Father of Positive Psychology

“When [a man] has fair health, a fair fortune, a tidy conscience and a complete exemption from embarrassing relatives,” Henry James wrote in his diary“I suppose he is bound, in delicacy, to write himself happy.” More than a mere philosophical contemplation, however, James’s observation presages the findings of modern psychology in the quest to reverse-engineer the art-science of happiness. No one has addressed the eternal question of what begets happiness with more rigor and empirical dedication than Dr. Martin Seligman, founding father of Positive Psychology — a movement premised on countering the traditional “disease model” of psychology, which focuses on how to relieve suffering rather than how to amplify well-being. Seligman, whom I first had the pleasure of encountering at my alma mater, the University of Pennsylvania, and who was once elected President of the American Psychological Association by the largest vote in the organization’s history, remains one of the most influential psychologists in the study of happiness. In his excellent and highly revisitable book Flourish: A Visionary New Understanding of Happiness and Well-being (public library), Seligman offers a simple practice that promises to enhance your well-being and lower your depression — the “Gratitude Visit.” Though to the cynical eye the exercise might appear both old-fashioned and overly self-helpy, it is rooted in decades of Seligman’s acclaimed research and brings to practical life some of modern psychology’s most important findings. Seligman takes us through the practice:

Close your eyes. Call up the face of someone still alive who years ago did something or said something that changed your life for the better. Someone who you never properly thanked; someone you could meet face-to-face next week. Got a face?

Gratitude can make your life happier and more satisfying. When we feel gratitude, we benefit from the pleasant memory of a positive event in our life. Also, when we express our gratitude to others, we strengthen our relationship with them. But sometimes our thank you is said so casually or quickly that it is nearly meaningless. In this exercise … you will have the opportunity to experience what it is like to express your gratitude in a thoughtful, purposeful manner.

Your task is to write a letter of gratitude to this individual and deliver it in person. The letter should be concrete and about three hundred words: be specific about what she did for you and how it affected your life. Let her know what you are doing now, and mention how you often remember what she did. Make it sing! Once you have written the testimonial, call the person and tell her you’d like to visit her, but be vague about the purpose of the meeting; this exercise is much more fun when it is a surprise. When you meet her, take your time reading your letter.

This somewhat self-consciousness-inducing exercise, Seligman promises, will make you happier and less depressed a mere month from now.

He then suggests a complementary second practice — the “What-Went-Well Exercise,” also known as “Three Blessings” — based on the interventions he and his team at the Positive Psychology Center and the University of Pennsylvania have validated in the random-assignment, placebo-controlled experiments they have been conducting since 2001 to study changes in life-satisfaction and depression levels. He contextualizes the value of this exercise amidst our worry-culture and age of anxiety:

We think too much about what goes wrong and not enough about what goes right in our lives. Of course, sometimes it makes sense to analyze bad events so that we can learn from them and avoid them in the future. However, people tend to spend more time thinking about what is bad in life than is helpful. Worse, this focus on negative events sets us up for anxiety and depression. One way to keep this from happening is to get better at thinking about and savoring what went well.

For sound evolutionary reasons, most of us are not nearly as good at dwelling on good events as we are at analyzing bad events. Those of our ancestors who spent a lot of time basking in the sunshine of good events, when they should have been preparing for disaster, did not survive the Ice Age. So to overcome our brains’ natural catastrophic bent, we need to work on and practice this skill of thinking about what went well.

He then offers his empirically tested antidote:

Every night for the next week, set aside ten minutes before you go to sleep. Write down three things that went well today and why they went well. You may use a journal or your computer to write about the events, but it is important that you have a physical record of what you wrote. The three things need not be earthshaking in importance (“My husband picked up my favorite ice cream for dessert on the way home from work today”), but they can be important (“My sister just gave birth to a healthy baby boy”).

Next to each positive event, answer the question “Why did this happen?” For example, if you wrote that your husband picked up ice cream, write “because my husband is really thoughtful sometimes” or “because I remembered to call him from work and remind him to stop by the grocery store.” Or if you wrote, “My sister just gave birth to a healthy baby boy,” you might pick as the cause … “She did everything right during her pregnancy.”

Writing about why the positive events in your life happened may seem awkward at first, but please stick with it for one week. It will get easier.

For those of us able to quiet our inner culturally-conditioned cynic who judges and dismisses such practices, Seligman promises that we’ll be “less depressed, happier, and addicted to this exercise six months from now.”

Flourish offers an invaluable existential boost in its entirety. Complement it with Seligman on happiness, depression, and the meaningful life, then revisit these seven superb reads on the art-science of happiness.

Mood Science and the Evolutionary Origins of Depression

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What language and symbolism have to do with mood and how light exposure and sleep shape our mental health.

BY MARIA POPOVA

“Depression is a disorder of the ‘I,’ failing in your own eyes relative to your goals,” legendary psychologist Martin Seligman observed in his essential treatise on learned optimism. But such a definition of depression, while true, appears somehow insufficient, overlooking the multitude of excruciating physical and psychological realities of the disease beyond the sense of personal failure. Perhaps William Styron came closer in his haunting memoir of depression, Darkness Visible, where he wrote of “depression’s dark wood,” “its inexplicable agony,” and the grueling struggle of those afflicted by it who spend their lives trying to trudge “upward and outward out of hell’s black depths.” And yet for all their insight into its manifestations, both the poets and the psychologists have tussled rather futilely to understand depression’s complex causes and, perhaps most importantly in terms both scientific and humanistic, its cures.

That’s precisely what psychologist Jonathan Rottenberg sets out to do in The Depths: The Evolutionary Origins of the Depression Epidemic (public library) — an ambitious, rigorously researched, and illuminating journey into the abyss of the soul and back out, emerging with insights both practical and conceptual, personal and universal, that shed light on one of the least understood, most pervasive, and most crippling pandemics humanity has ever grappled with. (A sobering note to the hyperbole-wary: At any given point, 22% of the population exhibit at least one symptom of depression and the World Health Organization projects that by 2030, depression will have led to more worldwide disability and lives lost than any other affliction, including cancer, stroke, heart disease, accidents, and even war.)

Rottenberg takes a radical approach to depression based not on a disease model of the mind but on the evolutionary science of mood — a proposition that flies in the face of our cultural assumptions that have rendered the very subject of depression a taboo. He puts this bind in perspective:

Because depression is so unpleasant and so impairing, it may be difficult to imagine that there might be another way of thinking about it; something this bad must be a disease. Yet the defect model causes problems of its own. Some sufferers avoid getting help because they are leery of being branded as defective. Others get help and come to believe what they are repeatedly told in our system of mental health: that they are deficient.

[…]

People still feel inclined to whisper when they talk about depression. Depression has no “Race for the Cure”; this condition rarely spawns dance marathons, car washes, or golf tournaments. Consequently, the lacerating pain of depression remains uncomfortably private.

Illustration by artist Bobby Baker from Diary Drawings: Mental Illness and Me

Rather than subscribing to this broken deficiency model of depression, Rottenberg argues that affective science — the empirical study of mood — lies at the heart of understanding the condition. Defining moods as “internal signals that motivate behavior and move it in the right direction,” he argues that our bodies are “a collection of adaptations, evolutionary legacies that have helped us survive and reproduce in the face of uncertainty and risk” and paints the backdrop of understanding depression:

The mood system … is the great integrator. It takes in information about the external and internal worlds and summarizes what is favorable or unfavorable in terms of accomplishing key goals related to survival and reproduction.

[…]

Once a goal is embarked upon, the mood system monitors progress toward its attainment. It will redouble effort when minor obstacles arise. If progress stops entirely because of an insuperable obstacle, the mood system puts the brakes on effort.

Under this model, mood has an evolutionary function as a mediator of survival strategies. Rottenberg cites a number of experiments, which have indicated that negative mood incites one’s psychoemotional arsenal when a task becomes too challenging. For instance, when study participants are deliberately put in a negative mood and asked to perform a difficult task, their blood pressure spikes — a sign that the body is being mobilized for extra alertness and effort. But if the task is made insurmountably difficult, so much so that success stops being possible, the spike no longer occurs and the mood system dials down the effort. In that sense, mood — the seedbed of depression — isn’t an arbitrary state that washes over us in a whim, but a sieve that separates the goals worth pursuing from those guaranteed to end in disappointment.

Rottenberg argues that our relationship to the mood system is shaped by the way we talk about it and is mired in toxic cultural constructs that bleed into our language:

One of the amazing things about the mood system is how much of it operates outside of conscious awareness. Moods, like most adaptations, developed in species that had neither language nor culture. Yet words are the first things that come to mind when most people think about moods. We are “mad,” we are “sad,” we are “glad.” So infatuated are we with language that both laypeople and scientists find it tempting to equate the language we use to describe mood with mood itself.

This is a big mistake. We need to shed this languagecentric view of mood, even if it threatens our pride to accept that we share a fundamental element of our mental toolkit with rabbits and roadrunners. Holding to a myth of human uniqueness puts us in an untenable position. For one thing, it would mean that we deny mood to those humans who have not yet acquired mood language (babies) or have lost mood language (Alzheimer’s patients). Toddlers, goats, and chimps all lack the words to describe the internal signals that track their efforts to find a mate, food, or a new ally; their moods can shape behavior without being named. Language is not required for moods. All that is needed is some capability for wakeful alertness and conscious perception, including the perception of pain and pleasure, which is certainly present in all mammals.

Still, Rottenberg cautions, “what we say about our feelings is only one window on mood” — we need, instead, to examine a variety of evidence in the mind, brain, and behavior to paint a dimensional picture of mood and depression. In fact, part of the puzzle lies in the crucial difference between feelings, or emotions, and moods — emotions are more instantaneous and short-lived responses compared to moods, which take longer to germinate and longer to wither out. Moods, Rottenberg explains, “are an overall summary of the various cues around us [and usually] are harder to sort out.” Our deeper reliance on moods rather than feelings is one of the things that make us human and different from other species, a difference empowered by our use of language and symbolism:

Our heavy reliance on symbolic representation also makes the precipitants of low mood more idiosyncratic in our species than in others. We become sad because Bambi’s mother dies, because there are starving people a continent away, because of a factory closing, because of a World Series defeat in extra innings. Though there is a core theme of loss that cuts across species, humans’ capacity for language enables a larger number of objects to enter, and alter, the mood system.

Illustration by artist Bobby Baker from Diary Drawings: Mental Illness and Me

And yet for all our emotional sophistication, we remain strikingly blind to many of the real triggers and causes of moods, instead falling back on our penchant for psychological storytelling. Rottenberg ties this back to depression:

Despite our deep yearning to explicate moods, the average person cannot see many of the most important influences on mood. As the great integrator, the mood system is acted on by many potential objects, and many of the forces that act on mood are hidden from conscious awareness (such as stress hormones or the state of our immune system). Left to our own devices, the stories we tell ourselves about our moods often end up being just that. Stories.

[…]

We must understand the ultimate sources of depression if we are ever to get it under control. To do so, we need to step back and replace the defunct defect model with a completely different approach. The mood science approach will be both historical and integrative: historical because we cannot understand why depressed mood is so prevalent until we understand why we have the capacity for low mood in the first place, and integrative because a host of different forces (many hidden) simultaneously act on people to impel them into the kinds of low moods that breed serious depression.

But before we are tempted to file away low moods as an affliction to be treated, Rottenberg offers a necessary neutrality disclaimer, pointing out that both high and low moods have their advantages and disadvantages:

We are born with the capacity for both high and low moods because each has, on average, presented more fitness benefits than costs. Just as being warm blooded can be a liability, high moods are increasingly understood as having a “dark side,” sometimes enabling rash, impulsive, and even destructive behavior. Likewise the capacity for low mood is accompanied by a bundle of benefits and costs. Seen this way, depression follows our adaptation for low mood like a shadow — it’s an inevitable outcome of a natural process, neither wholly good nor entirely bad.

So what might be the evolutionary advantages of low moods? Several theories exist. One proposes that low moods help dampen agitation in confrontation, thus de-escalating conflicts — when a loser yields rather than fighting to the death, he or she is able to survive rather than perish. Another paints low mood as a “stop mechanism” that, just like the task studies suggested, prevent the person from exerting effort towards a goal that is either unattainable or dangerous. A different theory conceptualizes low mood as a tool for making better decisions, putting us in more contemplative mindsets better suited for analyzing our environment and solving particularly hard problems.

In fact, the latter is something repeatedly confirmed by experiments, most notably in the pioneering work of psychologists Lyn Abramson and Lauren Alloy, who termed this role of low mood depressive realism. Their work has inspired multiple other experiments, including this 2007 study:

Australian psychologist Joseph Forgas found that a brief mood induction changed how well people were able to argue. Compared to subjects in a positive mood, subjects who were put in a negative mood (by watching a ten-minute film about death from cancer) produced more effective persuasive messages on a standardized topic such as raising student fees or aboriginal land rights. Follow-up analyses found that the key reason the sadder people were more persuasive was that their arguments were richer in concrete detail [suggesting that] sad mood, at least of the garden variety, makes people more deliberate, skeptical, and careful in how they process information from their environment.

These positive uses of negative moods may seem at first counterintuitive, but Rottenberg reminds us that “multiple utilities are the hallmark of an adaptation.” He puts things in perspective:

One way to appreciate why these states have enduring value is to ponder what would happen if we had no capacity for them. Just as animals with no capacity for anxiety were gobbled up by predators long ago, without the capacity for sadness, we and other animals would probably commit rash acts and repeat costly mistakes.

In support of this conception, Rottenberg cites a wonderfully poetic passage by Lee Stringer from his essay “Fading to Gray,” found in the altogether fantastic 2001 volume Unholy Ghost: Writers on Depression:

Perhaps what we call depression isn’t really a disorder at all but, like physical pain, an alarm of sorts, alerting us that something is undoubtedly wrong; that perhaps it is time to stop, take a time-out, take as long as it takes, and attend to the unaddressed business of filling our souls.

(What gorgeous language, “the unaddressed business of filling our souls” — rather than an affliction, isn’t that the ever-flowing lifeblood of human existence?)

One of Edward Gorey’s book covers for literary classics

Still, Rottenberg is careful to point out that severe depression, far from being evolutionarily beneficial, is absolutely crippling, marked by “distorted thinking that appears to be the polar opposite of depressive realism.” In fact, what is perhaps most perplexing about the condition is that scientists don’t yet have a litmus test for when low mood tips over from beneficial to perilous, no point on the mood spectrum that clearly delineates the normal from the diseased. Rottenberg proposes that mood science is the key to honoring the nuance of that spectrum. He differentiates between milder periods of low mood, which he terms shallow depression, and periods wherein the low mood is both long-lasting and severe, which he calls deep depression, and writes:

Shallow depression is adaptive, whereas deep depression is a maladaptive disease.

The strongest evidence for this spectrum model, rather than a binary division between wellness and disease, comes from the fact that shallow and deep depression share a set of risk factors, suggesting that mood, which varies along a continuum of intensity, is the common denominator. Rottenberg puts it elegantly:

Ignoring this would be like a weather forecaster using separate models to predict warm days and very hot days rather than considering general factors that predict temperature.

So what, exactly, seeds low mood? Rottenberg points to three distinct but interconnected triggers: explainability, evolutionary significance, and timing. He writes:

Modern psychological theories postulate that we recover more quickly from a bad event if we can readily explain it. We would expect, then, that events that generate mixed feelings and/or confusing thoughts would be a powerful impetus toward persistent low mood.

[…]

Events that present irresolvable dilemmas on themes that have evolutionary significance — like mate choice — are fertile seeds for low mood.

When the bad things happen also matters. Extensive research demonstrates that early life traumas, such as physical or sexual abuse, lay the groundwork for a slow creep of depression and anxiety.

He cites the example of a middle-aged woman suffering from lifelong “low-grade depression” and anxiety, who grew up with an alcoholic father in a household that vetoed any discussion of feelings. When a neighbor molested her at the age of thirteen, she kept the trauma to herself, believing that her mother would blame her and her father would explode in a rage. Rottenberg explains how these early experiences provide the psychoemotional backdrop for our adult lives:

Jan’s chronic feelings of anxiety and sadness are natural, the product of an intact mood system. In a world in which a child’s primary attachment figures — parents — are emotionally unavailable and unable to help when a trusted neighbor turns into an attacker, the mood system is ever forward looking. It assumes that, if the worst has already happened, it can and will happen again. Best to be prepared. Anxious moods scanning for danger (especially in relationships) and sad moods analyzing what was lost and why serve as the last lines of defense against further ruin.

Illustration by Edward Gorey from Donald and the…

Triggers notwithstanding, Rottenberg points out that individual temperament is an essential component in people’s mood responses to the same events. He cites a study conducted after the 9/11 attacks which found that a month later Lower Manhattan residents who had been there on September 11 experienced wildly different degrees of depressive symptoms, ranging from crippling major depression to hardly any symptoms compared to their respective state on September 10.

This variation, once more, can be traced back to early childhood. Rottenberg cites the work of psychologist Jerome Kagan who has spent decades studying infants and found that temperament can be detected as early as in nine-month-olds, who exhibit “reasonably consistent and strong fear reactions to a variety of potentially threatening situations.” These early differences in temperament, Rottenberg argues, are likely to be heavily influenced by genes.

And yet, just like the mood spectrum, temperament isn’t a black-and-white game but an evolutionarily wise strategy:

Experiments by evolutionary biologist David Sloan Wilson also demonstrate that there is no “single best temperament.” In one condition, Wilson dropped metal traps into a pond containing pumpkinseed sunfish. A subset of the fish showed boldness and interest in investigating a novel object. This was a really bad move, as they were immediately caught, and had Dr. Wilson been a real predator, it would have meant the end of their genes. Another group of fish were wary and stayed back from the traps; they were not caught. This situation favored the wary fish.

In a subsequent condition, all the fish were scooped up, brought into a new environment, and then carefully observed. Here the previously wary fish had great difficulty adapting to novelty. They were slower than their bold compatriots to begin feeding, taking five more days to start eating. In this situation the survival of the bold fish was favored.

Noting that the single most indicative depression-prone personality trait is neuroticism, Rottenberg adds:

Like depression itself, temperaments that seed depression are neither wholly good nor wholly bad.

Pointing to two distinct sets of influences on mood — forces that make us vulnerable to long periods of shallow depression and ones that deepen existing shallow depression — Rottenberg makes a poignant observation about our culture’s growing fetishism of happiness:

Our expectations about happiness have changed dramatically, and as they rise, ironically, are making low moods harder to bear than ever before.

Illustration by Edward Gorey from The Green Beads

In fact, a number of our modern fixations have taken a toll on our vulnerability to depression, including our cult of productivity, which accelerated after the invention of artificial light. But while routines may be the key to creative discipline, they may also put us at hazard for depression:

Mood is about the mundane. Day-to-day routines — how we spend our time, how we care for our bodies and minds — continually shape our moods and can have a strong influence on whether low mood persists. Routines that build up physical and mental resources can raise mood. Other routines, woven into the fabric of modern life, are grossly misaligned with evolutionary imperatives and have the potential to seed low mood. Many of our most familiar routines seem almost perversely designed to wreak havoc on the mood system.

We already know that REM sleep is intimately linked with depression and that insufficient exposure to natural light is perilous to our well-being. Rottenberg sheds light on the scale and intensity of the problem:

One mundane influence on mood is daily light exposure. After all, mood evolved in the context of a rotating earth, with its recurrent twenty-four-hour cycle of light and dark phases. Our species is diurnal, and the best chance of finding sustenance and other rewards was in the light phase (think about the challenge of identifying edible berries or stalking a mammoth). Consequently, we are configured to be more alert during the day than at night. Consistent with the link between light and mood, some clinically serious low mood is triggered by the seasonal change of shorter daylight hours. The onset of seasonal affective disorder, a subtype of mood disorder, is usually in winter.

Our newfound reliance on indoor light has effectively turned most people into cave dwellers. Artificial light is much fainter and provides fewer mood benefits than sunlight. When small devices that measure light exposure and duration were attached to adults in San Diego, one of the sunniest cities in the United States, it was discovered that the average person received only fifty-eight minutes of sunlight a day. What’s more, those San Diegans who received less light exposure during their daily routines reported more symptoms of depression.

(My reliance on this light-therapy device, which has gotten me through many dreary New York winters, suddenly seems less trivial and less of a placebo effect.)

Illustration by Alessandro Sanna from The River

As a champion of sleep, I especially appreciate the sobering evidence Rottenberg cites from a number of sleep studies:

Mood is lower after even one night of sleep deprivation. Moreover, brief experimental sleep restriction induces bodily changes that mimic some aspects of depression. It’s important to ponder the consequences of sleep deprivation now happening on a mass scale: more than 40 percent of Americans between the ages of thirteen and sixty-four say they rarely or never get a good night’s sleep on weeknights, and a third of young adults probably have long periods of at least partial sleep deprivation on an ongoing basis. Over the last century average nightly sleep duration has fallen. In 1910 Americans slept an average of approximately nine hours; that average had dropped to seven hours by 2002.

Part of the answer to the riddle of low mood, then, lies in contemporary routines that increasingly feature less light, less rest, and more activities that are out of kilter with the body’s natural rhythm.

In the rest of The Depths, Rottenberg, who has battled depression himself for much of his life, goes on to explore how the multiple seeds of the condition cross-pollinate each other, why other species may hold the key to understanding human depression, and what we can do, both as a culture and as individuals, to loosen the grip of this unrelenting oppressor. Complement it with this simple and effective exercise to increase your well-being and lower depression from Martin Seligman, founding father of Positive Psychology, then revisit this provocative read on how antidepressants affect identity-formation.

An Antidote to the Age of Anxiety: Alan Watts on Happiness and How to Live with Presence

Here’s the link to this article.

Wisdom on overcoming the greatest human frustration from the pioneer of Eastern philosophy in the West.

BY MARIA POPOVA

“How we spend our days is, of course, how we spend our lives,” Annie Dillard wrote in her timeless reflection on presence over productivity — a timely antidote to the central anxiety of our productivity-obsessed age. Indeed, my own New Year’s resolution has been to stop measuring my days by degree of productivity and start experiencing them by degree of presence. But what, exactly, makes that possible?

This concept of presence is rooted in Eastern notions of mindfulness — the ability to go through life with crystalline awareness and fully inhabit our experience — largely popularized in the West by British philosopher and writer Alan Watts (January 6, 1915–November 16, 1973), who also gave us this fantastic meditation on the life of purpose. In the altogether excellent 1951 volume The Wisdom of Insecurity: A Message for an Age of Anxiety (public library), Watts argues that the root of our human frustration and daily anxiety is our tendency to live for the future, which is an abstraction. He writes:

If to enjoy even an enjoyable present we must have the assurance of a happy future, we are “crying for the moon.” We have no such assurance. The best predictions are still matters of probability rather than certainty, and to the best of our knowledge every one of us is going to suffer and die. If, then, we cannot live happily without an assured future, we are certainly not adapted to living in a finite world where, despite the best plans, accidents will happen, and where death comes at the end.

Alan Watts, early 1970s (Image courtesy of Everett Collection)

What keeps us from happiness, Watts argues, is our inability to fully inhabit the present:

The “primary consciousness,” the basic mind which knows reality rather than ideas about it, does not know the future. It lives completely in the present, and perceives nothing more than what is at this moment. The ingenious brain, however, looks at that part of present experience called memory, and by studying it is able to make predictions. These predictions are, relatively, so accurate and reliable (e.g., “everyone will die”) that the future assumes a high degree of reality — so high that the present loses its value.

But the future is still not here, and cannot become a part of experienced reality until it is present. Since what we know of the future is made up of purely abstract and logical elements — inferences, guesses, deductions — it cannot be eaten, felt, smelled, seen, heard, or otherwise enjoyed. To pursue it is to pursue a constantly retreating phantom, and the faster you chase it, the faster it runs ahead. This is why all the affairs of civilization are rushed, why hardly anyone enjoys what he has, and is forever seeking more and more. Happiness, then, will consist, not of solid and substantial realities, but of such abstract and superficial things as promises, hopes, and assurances.

Watts argues that our primary mode of relinquishing presence is by leaving the body and retreating into the mind — that ever-calculating, self-evaluating, seething cauldron of thoughts, predictions, anxieties, judgments, and incessant meta-experiences about experience itself. Writing more than half a century before our age of computers, touch-screens, and the quantified self, Watts admonishes:

The brainy modern loves not matter but measures, no solids but surfaces.

[…]

The working inhabitants of a modern city are people who live inside a machine to be batted around by its wheels. They spend their days in activities which largely boil down to counting and measuring, living in a world of rationalized abstraction which has little relation to or harmony with the great biological rhythms and processes. As a matter of fact, mental activities of this kind can now be done far more efficiently by machines than by men — so much so that in a not too distant future the human brain may be an obsolete mechanism for logical calculation. Already the human computer is widely displaced by mechanical and electrical computers of far greater speed and efficiency. If, then, man’s principal asset and value is his brain and his ability to calculate, he will become an unsaleable commodity in an era when the mechanical operation of reasoning can be done more effectively by machines.

[…]

If we are to continue to live for the future, and to make the chief work of the mind prediction and calculation, man must eventually become a parasitic appendage to a mass of clockwork.

To be sure, Watts doesn’t dismiss the mind as a worthless or fundamentally perilous human faculty. Rather, he insists that it if we let its unconscious wisdom unfold unhampered — like, for instance, what takes place during the “incubation” stage of unconscious processing in the creative process — it is our ally rather than our despot. It is only when we try to control it and turn it against itself that problems arise:

Working rightly, the brain is the highest form of “instinctual wisdom.” Thus it should work like the homing instinct of pigeons and the formation of the fetus in the womb — without verbalizing the process or knowing “how” it does it. The self-conscious brain, like the self-conscious heart, is a disorder, and manifests itself in the acute feeling of separation between “I” and my experience. The brain can only assume its proper behavior when consciousness is doing what it is designed for: not writhing and whirling to get out of present experience, but being effortlessly aware of it.

And yet the brain does writhe and whirl, producing our great human insecurity and existential anxiety amidst a universe of constant flux. (For, as Henry Miller memorably put it, “It is almost banal to say so yet it needs to be stressed continually: all is creation, all is change, all is flux, all is metamorphosis.”) Paradoxically, recognizing that the experience of presence is the only experience is also a reminder that our “I” doesn’t exist beyond this present moment, that there is no permanent, static, and immutable “self” which can grant us any degree of security and certainty for the future — and yet we continue to grasp for precisely that assurance of the future, which remains an abstraction. Our only chance for awakening from this vicious cycle, Watts argues, is bringing full awareness to our present experience — something very different from judging it, evaluating it, or measuring it up against some arbitrary or abstract ideal. He writes:

There is a contradiction in wanting to be perfectly secure in a universe whose very nature is momentariness and fluidity. But the contradiction lies a little deeper than the mere conflict between the desire for security and the fact of change. If I want to be secure, that is, protected from the flux of life, I am wanting to be separate from life. Yet it is this very sense of separateness which makes me feel insecure. To be secure means to isolate and fortify the “I,” but it is just the feeling of being an isolated “I” which makes me feel lonely and afraid. In other words, the more security I can get, the more I shall want.

To put it still more plainly: the desire for security and the feeling of insecurity are the same thing. To hold your breath is to lose your breath. A society based on the quest for security is nothing but a breath-retention contest in which everyone is as taut as a drum and as purple as a beet.

He takes especial issue with the very notion of self-improvement — something particularly prominent in the season of New Year’s resolutions — and admonishes against the implication at its root:

I can only think seriously of trying to live up to an ideal, to improve myself, if I am split in two pieces. There must be a good “I” who is going to improve the bad “me.” “I,” who has the best intentions, will go to work on wayward “me,” and the tussle between the two will very much stress the difference between them. Consequently “I” will feel more separate than ever, and so merely increase the lonely and cut-off feelings which make “me” behave so badly.

Happiness, he argues, isn’t a matter of improving our experience, or even merely confronting it, but remaining present with it in the fullest possible sense:

To stand face to face with insecurity is still not to understand it. To understand it, you must not face it but be it. It is like the Persian story of the sage who came to the door of Heaven and knocked. From within the voice of God asked, “Who is there” and the sage answered, “It is I.” “In this House,” replied the voice, “there is no room for thee and me.” So the sage went away, and spent many years pondering over this answer in deep meditation. Returning a second time, the voice asked the same question, and again the sage answered, “It is I.” The door remained closed. After some years he returned for the third time, and, at his knocking, the voice once more demanded, “Who is there?” And the sage cried, “It is thyself!” The door was opened.

We don’t actually realize that there is no security, Watts asserts, until we confront the myth of fixed selfhood and recognize that the solid “I” doesn’t exist — something modern psychology has termed “the self illusion.” And yet that is incredibly hard to do, for in the very act of this realization there is a realizing self. Watts illustrates this paradox beautifully:

While you are watching this present experience, are you aware of someone watching it? Can you find, in addition to the experience itself, an experiencer? Can you, at the same time, read this sentence and think about yourself reading it? You will find that, to think about yourself reading it, you must for a brief second stop reading. The first experience is reading. The second experience is the thought, “I am reading.” Can you find any thinker, who is thinking the thought, I am reading?” In other words, when present experience is the thought, “I am reading,” can you think about yourself thinking this thought?

Once again, you must stop thinking just, “I am reading.” You pass to a third experience, which is the thought, “I am thinking that I am reading.” Do not let the rapidity with which these thoughts can change deceive you into the feeling that you think them all at once.

[…]

In each present experience you were only aware of that experience. You were never aware of being aware. You were never able to separate the thinker from the thought, the knower from the known. All you ever found was a new thought, a new experience.

What makes us unable to live with pure awareness, Watts points out, is the ball and chain of our memory and our warped relationship with time:

The notion of a separate thinker, of an “I” distinct from the experience, comes from memory and from the rapidity with which thought changes. It is like whirling a burning stick to give the illusion of a continuous circle of fire. If you imagine that memory is a direct knowledge of the past rather than a present experience, you get the illusion of knowing the past and the present at the same time. This suggests that there is something in you distinct from both the past and the present experiences. You reason, “I know this present experience, and it is different from that past experience. If I can compare the two, and notice that experience has changed, I must be something constant and apart.”

But, as a matter of fact, you cannot compare this present experience with a past experience. You can only compare it with a memory of the past, which is a part of the present experience. When you see clearly that memory is a form of present experience, it will be obvious that trying to separate yourself from this experience is as impossible as trying to make your teeth bite themselves.

[…]

To understand this is to realize that life is entirely momentary, that there is neither permanence nor security, and that there is no “I” which can be protected.

And therein lies the crux of our human struggle:

The real reason why human life can be so utterly exasperating and frustrating is not because there are facts called death, pain, fear, or hunger. The madness of the thing is that when such facts are present, we circle, buzz, writhe, and whirl, trying to get the “I” out of the experience. We pretend that we are amoebas, and try to protect ourselves from life by splitting in two. Sanity, wholeness, and integration lie in the realization that we are not divided, that man and his present experience are one, and that no separate “I” or mind can be found.

To understand music, you must listen to it. But so long as you are thinking, “I am listening to this music,” you are not listening.

The Wisdom of Insecurity is immeasurably wonderful — existentially necessary, even — in its entirety, and one of those books bound to stay with you for a lifetime.

Alan Lightman on Immortality and Our Touching Longing for Permanence in a Universe of Constant Change

Here’s the link to this article.

A heartening perspective on mortality by way of the physics of the cosmos and the poetics of the night-blooming cereus cactus.

BY MARIA POPOVA

“We suffer from a hallucination, from a false and distorted sensation of our own existence as living organisms,” Alan Watts wrote in contemplating how our ego keeps us separate from the universe“It is almost banal to say so,” Henry Miller observed“yet it needs to be stressed continually: all is creation, all is change, all is flux, all is metamorphosis.” But banal as it may be, it is also intolerably discomfiting to accept, which is why we retreat into our hallucination — we resist change, we long for immortality, and we cling to the notion of the self, despite its ever-changing essence, as anxious assurance of our own permanence in an impermanent universe.

Alan Lightman, a cosmic poet of the ages — something at least partially attested to by his position as MIT’s first professor to receive dual appointments in science and the humanities — explores this despairing paradox in “The Temporary Universe,” the third essay in his altogether mind-expanding collection The Accidental Universe: The World You Thought You Knew (public library | IndieBound), which also gave us Lightman on science and spirituality and how dark energy sheds light on why we exist.

Alan Lightman (Photograph courtesy of MIT)

Lightman begins with the bittersweet beauty of a deeply human rite of passage: As he walked his eldest daughter down the aisle, “radiant in her white dress, a white dahlia in her hair,” she asked to hold his hand and something else, something heavy yet inescapable, gripped Lightman’s heart. He writes:

It was a perfect picture of utter joy, and utter tragedy. Because I wanted my daughter back as she was at age ten, or twenty. As we moved together toward that lovely arch that would swallow us all, other scenes flashed through my mind: my daughter in first grade holding a starfish as big as herself, her smile missing a tooth; my daughter on the back of my bicycle as we rode to a river to drop stones in the water; my daughter telling me the day after she had her first period. Now she was thirty. I could see lines in her face.

Aware of both the absurdity and the humanity of his feelings in that moment, Lightman considers the root of that wistfully familiar existential unease:

I don’t know why we long so for permanence, why the fleeting nature of things so disturbs. With futility, we cling to the old wallet long after it has fallen apart. We visit and revisit the old neighborhood where we grew up, searching for the remembered grove of trees and the little fence. We clutch our old photographs. In our churches and synagogues and mosques, we pray to the everlasting and eternal. Yet, in every nook and cranny, nature screams at the top of her lungs that nothing lasts, that it is all passing away. All that we see around us, including our own bodies, is shifting and evaporating and one day will be gone. Where are the one billion people who lived and breathed in the year 1800, only two short centuries ago?

Nature, he argues, is unambiguous in her message — from the mayflies that “drop by the billions within twenty-four hours of birth” to the glaciers that “slowly but surely grind down the land” to our own flesh, just as slowly and surely sagging into agedness, order, with all its comforting familiarity, steadily descends into chaos. It is, after all, one of the laws of the universe:

Physicists call it the second law of thermodynamics. It is also called the arrow of time. Oblivious to our human yearnings for permanence, the universe is relentlessly wearing down, falling apart, driving itself toward a condition of maximum disorder. It is a question of probabilities. You start from a situation of improbable order, like a deck of cards all arranged according to number and suit, or like a solar system with several planets orbiting nicely about a central star. Then you drop the deck of cards on the floor over and over again… Order has yielded to disorder. Repeated patterns to change. In the end, you cannot defeat the odds. You might beat the house for a while, but the universe has an infinite supply of time and can outlast any player.

The Cat’s Eye Nebula, one of the first planetary nebulae discovered, from ‘Hubble: Imaging Space and Time.’ Click image for more.

Lightman offers an example elemental to our embodied existence — our skeletal muscles:

With age, muscles slacken and grow loose, lose mass and strength, can barely support our weight as we toddle across the room. And why must we suffer such indignities? Because our muscles, like all living tissue, must be repaired from time to time due to normal wear and tear. These repairs are made by the mechano growth factor hormone, which in turn is regulated by the IGF1 gene. When that gene inevitably loses some tines … Muscle to flab. Vigor to decrepitude. Dust to dust.

And yet something about the human experience — the human condition, with its implied pathology of consciousness — causes us to tense against this natural progression with anguishing anxiety rather than resting into it with calm acceptance:

We continue to strive for youth and immortality, we continue to cling to the old photographs, we continue to wish that our grown daughters were children again.

This resistance to change, which takes on the proportions of agonizing aversion, isn’t reserved just for our physical bodies — we loathe the redesign of our favorite sites, the reorganization of our companies, the disposal of our childhood toys. This is also, perhaps, why a gobsmacking percentage of people refuse to believe Earth is more than 6,000 years old — something about the notion of all that has been and no longer is feels unbearable in its implicit testament to our own impending non-existence. And yet change is in the fundamental building block of Earth’s DNA. Lightman traces this back to the stars:

Over its 4.5-billion-year history, our own planet has gone through continuous upheavals and change. The primitive Earth had no oxygen in its atmosphere. Due to its molten interior, our planet was much hotter than it is now, and volcanoes spewed forth in large numbers. Driven by heat flow from the core of the Earth, the terrestrial crust shifted and moved. Huge landmasses splintered and glided about on deep tectonic plates. Then plants and photosynthesis leaked oxygen into the atmosphere. At certain periods, the changing gases in the air caused the planet to cool, ice covered the Earth, entire oceans may have frozen. Today, the Earth continues to change. Something like ten billion tons of carbon are cycled through plants and the atmosphere every few years — first absorbed by plants from the air in the form of carbon dioxide, then converted into sugars by photosynthesis, then released again into soil or air when the plant dies or is eaten. Wait around a hundred million years or so, and carbon atoms are recycled through rocks, soil, and oceans as well as plants.

[…]

At some point in the future, new stars will cease being born. Slowly but surely, the stars of our universe are winking out. A day will come when the night sky will be totally black, and the day sky will be totally black as well. Solar systems will become planets orbiting dead stars. According to astrophysical calculations, in about a million billion years, plus or minus, even those dead solar systems will be disrupted from chance gravitational encounters with other stars. In about ten billion billion years, even galaxies will be disrupted, the cold spheres that were once stars flung out to coast solo through empty space.

In his characteristically elegant trapeze act of swinging between science and the humanities, Lightman turns to the Buddhist notion of anicca to make sense of our paradoxical predicament in the face of such cosmic evidence:

In Buddhism, anicca is one of the three signs of existence, the others being dukkha, or suffering, and anatta, or non-selfhood. According to the Mahaparinibbana Sutta, when the Buddha passed away, the king deity Sakka uttered the following: “Impermanent are all component things. They arise and cease, that is their nature: They come into being and pass away.” We should not “attach” to things in this world, say the Buddhists, because all things are temporary and will soon pass away. All suffering, say the Buddhists, arises from attachment.

Wryly adding that if he could “detach” from his daughter, he might feel better, Lightman considers the uncomfortably palpitating heart of the matter — the choice each of us has to make in contemplating change and eternity:

To my mind, it is one of the profound contradictions of human existence that we long for immortality, indeed fervently believe that something must be unchanging and permanent, when all of the evidence in nature argues against us. I certainly have such a longing. Either I am delusional, or nature is incomplete. Either I am being emotional and vain in my wish for eternal life for myself and my daughter (and my wingtips), or there is some realm of immortality that exists outside nature.

The first option only offers one possible course of action — come to terms with it, and move on. It’s an unfair proposition, no doubt, but not a particularly difficult one — for, as Lightman puts it, “the human mind has a famous ability to create its own reality.” The second — the idea of nature’s incompleteness, perhaps even negligence — is the hotbed of many religious explanations. Lightman, who explored the tension between science and spirituality with unparalleled grace in another essay, writes:

Despite all the richness of the physical world — the majestic architecture of atoms, the rhythm of the tides, the luminescence of the galaxies — nature is missing something even more exquisite and grand: some immortal substance, which lies hidden from view. Such exquisite stuff could not be made from matter, because all matter is slave to the second law of thermodynamics. Perhaps this immortal thing that we wish for exists beyond time and space. Perhaps it is God. Perhaps it is what made the universe.

Of these two alternatives, I am inclined to the first. I cannot believe that nature could be so amiss. Although there is much that we do not understand about nature, the possibility that it is hiding a condition or substance so magnificent and utterly unlike everything else seems too preposterous for me to believe. So I am delusional. In my continual cravings for eternal youth and constancy, I am being sentimental. Perhaps with the proper training of my unruly mind and emotions, I could refrain from wanting things that cannot be. Perhaps I could accept the fact that in a few short years, my atoms will be scattered in wind and soil, my mind and thoughts gone, my pleasures and joys vanished, my “I-ness” dissolved in an infinite cavern of nothingness. But I cannot accept that fate even though I believe it to be true. I cannot force my mind to go to that dark place. “A man can do what he wants,” said Schopenhauer, “but not want what he wants.

Night-blooming cereus cactus by Clarissa Munger Badger, who inspired Emily Dickinson. (Available as a print and as stationery cards, benefitting The Nature Conservancy.)

To alleviate the weight of this insurmountable impossibility, Lightman proposes that we should reframe the question rather than lament the answer:

If against our wishes and hopes, we are stuck with mortality, does mortality grant a beauty and grandeur all its own? Even though we struggle and howl against the brief flash of our lives, might we find something majestic in that brevity? Could there be a preciousness and value to existence stemming from the very fact of its temporary duration? And I think of the night-blooming cereus, a plant that looks like a leathery weed most of the year. But for one night each summer its flower opens to reveal silky white petals, which encircle yellow lacelike threads, and another whole flower like a tiny sea anemone within the outer flower. By morning, the flower has shriveled. One night of the year, as delicate and fleeting as a life in the universe.

The Accidental Universe is absolutely spectacular in its entirety, each essay its own poetic whirlwind of physics and philosophy. Complement it with another Alan — Watts — on our illusory reality.

War, Peace, and Listicles: Young Leo Tolstoy on Money, Fame, and Writing for the Wrong Reasons

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A lament on being “self-confident and self-satisfied as only those can be who are quite holy or who do not know what holiness is.”

BY MARIA POPOVA

Celebrated as a titan of literature, Leo Tolstoy (September 9, 1828 – November 20, 1910) wasn’t always a man of timeless wisdom on how to live well and immutable insight on what makes great art. In his 1879 memoir of emotional crisis, A Confession (public library), he recounts with exquisite self-awareness and harrowing remorse his early days of breaking into writing — a time during which he had become blinded to the deeper meaning of life by the lustrous promise of fame and money, embodying Orwell’s cynical assertion that “all writers are vain, selfish, and lazy”:

During that time I began to write from vanity, covetousness, and pride. In my writings I did the same as in my life. To get fame and money, for the sake of which I wrote, it was necessary to hide the good and to display the evil. And I did so. How often in my writings I contrived to hide under the guise of indifference, or even of banter, those strivings of mine towards goodness which gave meaning to my life! And I succeeded in this and was praised.

The pursuit of that praise became a religion at the altar of which Tolstoy began to worship zealously as he came to believe that the artist’s goal was to teach mankind — a proposition at which he winces in hindsight, realizing that to teach requires to know what is meaningful to be taught:

I was considered an admirable artist and poet, and therefore it was very natural for me to adopt this theory. I, artist and poet, wrote and taught without myself knowing what. For this I was paid money; I had excellent food, lodging, women, and society; and I had fame, which showed that what I taught was very good.

This faith in the meaning of poetry and in the development of life was a religion, and I was one of its priests. To be its priest was very pleasant and profitable. And I lived a considerable time in this faith without doubting its validity.

But in a couple of years, he began to doubt this religion of authorship-as-sainthood and to notice its toxic hypocrisies, which both he and his circle of peers — his “personal micro-culture,” as William Gibson might say — embodied. And still, he found himself at once repelled by the duplicity of the acclaim he had worked so hard for and attracted to the status it bestowed upon him:

Having begun to doubt the truth of the authors’ creed itself, I also began to observe its priests more attentively, and I became convinced that almost all the priests of that religion, the writers, were immoral, and for the most part men of bad, worthless character, much inferior to those whom I had met in my former dissipated and military life; but they were self-confident and self-satisfied as only those can be who are quite holy or who do not know what holiness is. These people revolted me, I became revolting to myself, and I realized that that faith was a fraud.

But strange to say, though I understood this fraud and renounced it, yet I did not renounce the rank these people gave me: the rank of artist, poet, and teacher. I naively imagined that I was a poet and artist and could teach everybody without myself knowing what I was teaching, and I acted accordingly.

From my intimacy with these men I acquired a new vice: abnormally developed pride and an insane assurance that it was my vocation to teach men, without knowing what.

Leo Tolstoy at age 20, 1848

His most poignant lament, however, is chillingly prescient of today’s linkbait “journalism” of ceaseless listicles and vacant slideshows published by those who seek easy riches rather than the enrichment of a reader’s soul — or their own souls — with articles like “20 Amazing Things You Didn’t Know about Miley Cyrus’s Cat.” Tolstoy writes:

We were all then convinced that it was necessary for us to speak, write, and print as quickly as possible and as much as possible, and that it was all wanted for the good of humanity. And thousands of us, contradicting and abusing one another, all printed and wrote — teaching others. And without noticing that we knew nothing, and that to the simplest of life’s questions: What is good and what is evil? We did not know how to reply, we all talked at the same time, not listening to one another, sometimes seconding and praising one another in order to be seconded and praised in turn, sometimes getting angry with one another — just as in a lunatic asylum.

[…]

It was terribly strange, but is now quite comprehensible. Our real innermost concern was to get as much money and praise as possible. To gain that end we could do nothing except write books and papers. So we did that. But in order to do such useless work and to feel assured that we were very important people we required a theory justifying our activity. And so among us this theory was devised: “All that exists is reasonable. All that exists develops. And it all develops by means of Culture. And Culture is measured by the circulation of books and newspapers. And we are paid money and are respected because we write books and newspapers, and therefore we are the most useful and the best of men.” This theory would have been all very well if we had been unanimous, but as every thought expressed by one of us was always met by a diametrically opposite thought expressed by another, we ought to have been driven to reflection. But we ignored this; people paid us money and those on our side praised us, so each of us considered himself justified.

A Confession is immeasurably poignant in its entirety, at once timeless and timely whenever it is read. Complement it with this rare recording of Tolstoy reading from his Calendar of Wisdom shortly before his death.

A Calendar of Wisdom: Tolstoy on Knowledge and the Meaning of Life

Here’s the link to this article.

“The most important knowledge is that which guides the way you lead your life.”

BY MARIA POPOVA

On March 15, 1884, Leo Tolstoy (September 9, 1828–November 20, 1910) wrote in his diary:

I have to create a circle of reading for myself: Epictetus, Marcus Aurelius, Lao-Tzu, Buddha, Pascal, The New Testament. This is also necessary for all people.

So he set out to compile “a wise thought for every day of the year, from the greatest philosophers of all times and all people” — a florilegium five centuries after the golden age of florilegia and a Tumblr a century and a half before the golden age of Tumblr, a collection of famous words on the meaning of life long before the concept had become a cultural trope. The following year, he wrote to his assistant, describing the project:

I know that it gives one great inner force, calmness, and happiness to communicate with such great thinkers as Socrates, Epictetus, Arnold, Parker. … They tell us about what is most important for humanity, about the meaning of life and about virtue. … I would like to create a book … in which I could tell a person about his life, and about the Good Way of Life.

Armenian sculptor Sergei Dmitrievich Merkurov (1881-1952) working on his statue of Leo Tolstoy. (Public domain, Library of Congress)

Tolstoy spent the next seventeen years collecting those pieces of wisdom. In 1902, in his late seventies, seriously ill and confronting mortality, he finally sat down to write the book under the working title A Wise Thought for Every Day. Once he sent the manuscript to his publisher, he returned to the diary and exhaled:

I felt that I have been elevated to great spiritual and moral heights by communication with the best and wisest people whose books I read and whose thoughts I selected for my Circle of Reading.

Retitled to Thoughts of Wise Men, the book was first published in 1904, followed closely by an expanded and reorganized edition titled A Calendar of Wisdom, in which the quotes were organized around specific daily themes and which included several hundred of Tolstoy’s own thoughts. It wasn’t until 1997 that the compendium received its first English translation, by Peter Sekirin, titled A Calendar of Wisdom: Daily Thoughts to Nourish the Soul, Written and Selected from the World’s Sacred Texts (public library).

Tolstoy writes in the introduction:

I hope that the readers of this book may experience the same benevolent and elevating feeling which I have experienced when I was working on its creation, and which I experience again and again, when I reread it every day, working on the enlargement and improvement of the previous edition.

Running through the book are several big-picture threads that string together the different quotations. One of them is Tolstoy’s intense preoccupation with the acquisition and architecture of knowledgeignorance, and the meaning of life. Here are several of the insights he culls from other thinkers, along with the respective days of the year to which Tolstoy assigned them:

Better to know a few things which are good and necessary than many things which are useless and mediocre.

What a great treasure can be hidden in a small, selected library! A company of the wisest and the most deserving people from all the civilized countries of the world, for thousands of years, can make the results of their studies and their wisdom available to us. The thought which they might not even reveal to their best friends is written here in clear words for us, people from another century. Yes, we should be grateful for the best books, for the best spiritual achievements in our lives.

(Ralph Waldo Emerson, January 1)

Read the best books first, otherwise you’ll find you do not have time.

(Henry David Thoreau, January 1)

Knowledge is real knowledge only when it is acquired by the efforts of your intellect, not by memory.

Only when we forget what we were taught do we start to have real knowledge.

(Henry David Thoreau, January 9)

A constant flow of thoughts expressed by other people can stop and deaden your own thought and your own initiative…. That is why constant learning softens your brain…. Stopping the creation of your own thoughts to give room for the thoughts from other books reminds me of Shakespeare’s remark about his contemporaries who sold their land in order to see other countries.

(Arthur Schopenhauer, January 9)

Real wisdom is not the knowledge of everything, but the knowledge of which things in life are necessary, which are less necessary, and which are completely unnecessary to know. Among the most necessary knowledge is the knowledge of how to live well, that is, how to produce the least possible evil and the greatest goodness in one’s life. At present, people study useless sciences, but forget to study this, the most important knowledge.

(Jean Jaques Rousseau, March 16)

Science can be divided into an infinite number of disciplines, and the amount of knowledge that can be pursued in each discipline is limitless. The most critical piece of knowledge, then, is the knowledge of what is essential to learn and what isn’t.

A huge amount of knowledge is accumulated at present. Soon our abilities will be too weak, and our lives too short, to study this knowledge. We have vast treasures of knowledge at our disposal but after we study them, we often do not use them at all. It would be better not to have this burden, this unnecessary knowledge, which we do not really need.

(Immanuel Kant, April 1)

What is important is not the quantity of your knowledge, but its quality. You can know many things without knowing that which is most important.

There are two types of ignorance, the pure, natural ignorance into which all people are born, and the ignorance of the so-called wise. You will see that many among those who call themselves scholars do not know real life, and they despise simple people and simple things.

(Blaise Pascal, April 18)

There is only one real knowledge: that which helps us to be free. Every other type of knowledge is mere amusement.

(Vishnu Purana, Indian Wisdom, June 23)

The way to true knowledge does not go through soft grass covered with flowers. To find it, a person must climb steep mountains.

(Josh Ruskin, September 20)

A sage is not afraid of lack of knowledge: he is not afraid of hesitations, or hard work, but he is afraid of only one thing — to pretend to know the things which he does not know.

You should study more to understand that you know little.

(Michel de Montaigne, October 1)

The most important knowledge is that which guides the way you lead your life.

(Seneca, November 14)

Armenian sculptor Sergei Dmitrievich Merkurov (1881-1952) working on his statue of Leo Tolstoy. (Public domain, Library of Congress)

But most poignant of all are Tolstoy’s own thoughts, which appear after the collected quotations on various days. A sampling:

The difference between real material poison and intellectual poison is that most material poison is disgusting to the taste, but intellectual poison, which takes the form of cheap newspapers or bad books, can unfortunately sometimes be attractive. (January 1)

A thought can advance your life in the right direction only when it answers questions which were asked by your soul. A thought which was first borrowed from someone else and then accepted by your mind and memory does not really much influence your life, and sometimes leads you in the wrong direction. Read less, study less, but think more.

Learn, both from your teachers and from the books which you read, only those things which you really need and which you really want to know. (January 9)

A scholar knows many books; a well-educated person has knowledge and skills; an enlightened person understands the meaning and purpose of his life.

There are a limitless number of different sciences, but without one basic science, that is, what is the meaning of life and what is good for the people, all other forms of knowledge and art become idle and harmful entertainment.

We live a senseless life, contrary to the understanding of life by the wisest people of all times. This happens because our young generations are educated in the wrong way—they are taught different sciences but they are not taught the meaning of life.

The only real science is the knowledge of how a person should live his life. And this knowledge is open to everyone. (January 18)

If all knowledge were good, then pursuit of every sort of knowledge would be useful. But many false meditations are disguised as good and useful knowledge; therefore, be strict in selecting the knowledge you want to acquire. (March 16)

If you see that some aspect of your society is bad, and you want to improve it, there is only one way to do so: you have to improve people. And in order to improve people, you begin with only one thing: you can become better yourself. (March 17)

Beware of false knowledge. All evil comes from it.

Knowledge is limitless. Therefore, there is a minuscule difference between those who know a lot and those who know very little. (April 1)

Ignorance in itself is neither shameful nor harmful. Nobody can know everything. But pretending that you know what you actually do not know is both shameful and harmful. (April 18)

Every person has only one purpose: to find perfection in goodness. Therefore, only that knowledge is necessary which leads us to this. (May 3)

There are two very clear indications of real science and real art: the first inner sign is that a scholar or an artist works not for profit, but for sacrifice, for his calling; the second, outer sign is that his works are understandable to all people. Real science studies and makes accessible that knowledge which people at that period of history think important, and real art transfers this truth from the domain of knowledge to the domain of feelings.

Creating art is not as elevated a thing as many people guess, but certainly it is a useful and kind thing to do, especially if it brings people together and arouses kind feelings in them. (July 2)

It is better to know less than necessary than to know more than necessary. Do not fear the lack of knowledge, but truly fear unnecessary knowledge which is acquired only to please vanity. (September 23)

Though much of A Calendar of Wisdom bears the dated religiosity of the era — and of an old man confronting his mortality in that era — many of the collected thoughts resonate with timeless secular sagacity. Complement it with Montaigne on the art of living and the collected wisdom of modern icons on the meaning of life.

George Lucas on the Meaning of Life

Here’s the link to this article.

“There is no why. We are. Life is beyond reason.”

BY MARIA POPOVA

When a frustrated young woman asked the most brilliant man in the world why we’re alive, Einstein responded in five poignant lines. This question — at the heart of which is a concern with the meaning of life — has since been answered by many other great minds: For David Foster Wallace, it was about going through life fully conscious; for Carl Sagan, about our significant insignificance in the cosmos; for Annie Dillard, about learning to live with impermanence; for Richard Feynman, about finding the open channel; for Anaïs Nin, about living and relating to others “as if they might not be there tomorrow”; for Henry Miller, about the mesmerism of the unknown; and for Leo Tolstoy, about finding knowledge to guide our lives.

But one of the most profound answers comes from legendary Star Wars director George Lucas. In The Meaning of Life: Reflections in Words and Pictures on Why We Are Here (public library) — that remarkable 1991 anthology that gave us timeless meditations on existence from a number of luminaries — Lucas uses an autobiographical anecdote as the springboard for a larger meditation on the meaning of life and our best chance for reaching its fullest potential:

When I was eighteen I was in an automobile accident and went through a near-death experience. I was actually taken away from the scene, presumed dead, and it wasn’t until I reached the hospital that the doctors revived my heartbeat and brought me back to life. This is the kind of experience that molds people’s beliefs. But I have found that most of my conclusions have evolved from observing life since that time. If I’ve come to know anything, it’s that these questions are as unknowable for us as they would be for a tree or for an ant.

Like John Updike, who argued that “the mystery of being is a permanent mystery”, and like John Cage, who believed that “the world, the real is not an object [but] a process,” Lucas considers the just-is nature of life:

Scholars who have studied myth and religion for many years and have connected all of the theories spawned over the ages about life and consciousness and who have taken away the superficial trappings, have come up with the same sensibility. They call it different things. They try to personify it and deal with it in different ways. But everybody seems to dress down the fact that life cannot be explained. The only reason for life is life. There is no why. We are. Life is beyond reason. One might think of life as a large organism, and we are but a small symbiotic part of it.

Lucas arrives at a conclusion rather similar to Alan Watts’s ideas about the interconnectedness of all life and writes:

It is possible that on a spiritual level we are all connected in a way that continues beyond the comings and goings of various life forms. My best guess is that we share a collective spirit or life force or consciousness that encompasses and goes beyond individual life forms. There’s a part of us that connects to other humans, connects to other animals, connects to plants, connects to the planet, connects to the universe. I don’t think we can understand it through any kind of verbal, written or intellectual means. But I do believe that we all know this, even if it is on a level beyond our normal conscious thoughts.

If we have a meaningful place in this process, it is to try to fit into a healthy, symbiotic relationship with other life force. Everybody, ultimately, is trying to reach a harmony with the other parts of the life force. And in trying to figure out what life is all about, we ultimately come down to expressions of compassion and love, helping the rest of the life force, caring about others without any conditions or expectations, without expecting to get anything in return. This is expressed in every religion, by every prophet.

The Meaning of Life is superb in its entirety. Sample it further with answers from Carl SaganJohn Cage, Annie Dillard, Stephen Jay Gould, Arthur C. Clarke, and Charles Bukowski.

Charles Bukowski, Arthur C. Clarke, Annie Dillard, John Cage, and Others on the Meaning of Life

Here’s the link to this article.

“We are here to laugh at the odds and live our lives so well that Death will tremble to take us.”

BY MARIA POPOVA

The quest to understand the meaning of life has haunted humanity since the dawn of existence. Modern history alone has given us a plethora of attempted answers, including ones from Steve JobsStanley KubrickDavid Foster WallaceAnais NinRay Bradbury, and Jackson Pollock’s dad. In 1988, the editors of LIFE magazine posed this grand question head-on to 300 “wise men and women,” from celebrated authors, actors, and artists to global spiritual leaders to everyday farmers, barbers, and welfare mothers. In 1991, they collected the results, along with a selection of striking black-and-white photographs from the magazine’s archives that answered the question visually and abstractly, in The Meaning of Life: Reflections in Words and Pictures on Why We Are Here (public library). Here is a selection of the answers.

Pulitzer Prize winner Annie Dillard:

We are here to witness the creation and abet it. We are here to notice each thing so each thing gets noticed. Together we notice not only each mountain shadow and each stone on the beach but, especially, we notice the beautiful faces and complex natures of each other. We are here to bring to consciousness the beauty and power that are around us and to praise the people who are here with us. We witness our generation and our times. We watch the weather. Otherwise, creation would be playing to an empty house.

According to the second law of thermodynamics, things fall apart. Structures disintegrate. Buckminster Fuller hinted at a reason we are here: By creating things, by thinking up new combinations, we counteract this flow of entropy. We make new structures, new wholeness, so the universe comes out even. A shepherd on a hilltop who looks at a mess of stars and thinks, ‘There’s a hunter, a plow, a fish,’ is making mental connections that have as much real force in the universe as the very fires in those stars themselves.

Ralph Morse
Albert Einstein’s study shortly after his death, Princeton, New Jersey

Legendary science writer Stephen Jay Gould:

The human species has inhabited this planet for only 250,000 years or so-roughly.0015 percent of the history of life, the last inch of the cosmic mile. The world fared perfectly well without us for all but the last moment of earthly time–and this fact makes our appearance look more like an accidental afterthought than the culmination of a prefigured plan.

Moreover, the pathways that have led to our evolution are quirky, improbable, unrepeatable and utterly unpredictable. Human evolution is not random; it makes sense and can be explained after the fact. But wind back life’s tape to the dawn of time and let it play again–and you will never get humans a second time.

We are here because one odd group of fishes had a peculiar fin anatomy that could transform into legs for terrestrial creatures; because the earth never froze entirely during an ice age; because a small and tenuous species, arising in Africa a quarter of a million years ago, has managed, so far, to survive by hook and by crook. We may yearn for a ‘higher’ answer — but none exists. This explanation, though superficially troubling, if not terrifying, is ultimately liberating and exhilarating. We cannot read the meaning of life passively in the facts of nature. We must construct these answers ourselves — from our own wisdom and ethical sense. There is no other way.

Bill Owens
Graduation dance

Frank Donofrio, a barber:

I have been asking myself why I’m here most of my life. If there’s a purpose I don’t care anymore. I’m seventy-four. I’m on my way out. Let the young people learn the hard way, like I did. No one ever told me anything.

Leonard Freed
Harlem summer day

Science fiction writer Arthur C. Clarke:

A wise man once said that all human activity is a form of play. And the highest form of play is the search for Truth, Beauty and Love. What more is needed? Should there be a ‘meaning’ as well, that will be a bonus?

If we waste time looking for life’s meaning, we may have no time to live — or to play.

Franco Zecchin
Sicily

Literary icon John Updike:

Ancient religion and modern science agree: we are here to give praise. Or, to slightly tip the expression, to pay attention. Without us, the physicists who have espoused the anthropic principle tell us, the universe would be unwitnessed, and in a real sense not there at all. It exists, incredibly, for us. This formulation (knowing what we know of the universe’s ghastly extent) is more incredible, to our sense of things, than the Old Testament hypothesis of a God willing to suffer, coddle, instruct, and even (in the Book of Job) to debate with men, in order to realize the meager benefit of worship, of praise for His Creation. What we beyond doubt do have is our instinctive intellectual curiosity about the universe from the quasars down to the quarks, our wonder at existence itself, and an occasional surge of sheer blind gratitude for being here.

Abbas
Fireman at scene of bomb explosion, Belfast, Northern Ireland

Poet Charles Bukowski:

For those who believe in God, most of the big questions are answered. But for those of us who can’t readily accept the God formula, the big answers don’t remain stone-written. We adjust to new conditions and discoveries. We are pliable. Love need not be a command or faith a dictum. I am my own God.

We are here to unlearn the teachings of the church, state and our educational system.

We are here to drink beer.

We are here to kill war.

We are here to laugh at the odds and live our lives so well that Death will tremble to take us.

We are here to read these words from all these wise men and women who will tell us that we are here for different reasons and the same reason.

Myron Davis
A boy and his dog, Iowa

Avant-garde composer and philosopher John Cage:

No why. Just here.

Duane Michals
The Human Condition

The Meaning of Life is a cultural treasure in its entirety, and the screen does the stunning photographs no justice — do grab yourself an analog copy.