Monday. Broke right elbow. Unable to do much for now.
Stay safe.
Post again when I can.
Richard
Monday. Broke right elbow. Unable to do much for now.
Stay safe.
Post again when I can.
Richard
Fictionary’s Story Elements Series
If your story were a train, every scene ending would be a station—offering your reader a choice: Do I stay on this ride, or step off for the night?
The right scene exit hook makes that choice effortless. The reader stays onboard, turning the page, chasing the tension. Because something is unresolved… and they have to know what happens next.
Scene exit hooks are the last impression your reader gets before a transition—whether that’s a new scene, a new chapter, or a new point of view.
If the ending falls flat, so might the reader’s interest.
Fictionary’s Scene Exit Hook element helps you (or your editor) evaluate whether you’re closing each scene with enough suspense, momentum, or emotional tension to compel continued reading.
Great scene endings don’t just resolve—they propel.
When evaluating your scenes in Fictionary’s StoryCoach software:
💡 Use the Story Map (Visualize page) and select:
Seeing these side-by-side helps you visualize how each scene opens and closes—and whether they flow or falter.
Think of a scene exit hook as a magnetic pull. It keeps your reader from turning out the light, from scrolling away, from moving on.
A great exit hook doesn’t need to be flashy—it needs to ask a question, raise the stakes, or shift the ground beneath your characters.
Some of the most effective scene endings include:
“He said he forgave me. But why did he still have the gun?”
“Then she opened the letter—and saw her own handwriting.”
“He didn’t make the call. And now it was too late.”
“Everything she believed about her father was a lie.”
“The floorboards groaned. Someone else was in the house.”
“He knew where the bodies were buried. But not all of them.”
The key? Vary them. If every scene ends with a dramatic cliffhanger, readers will catch on—and lose interest. But mixing in moments of tension, mystery, or emotional surprise keeps the journey unpredictable.
Remember: every POV character in every scene has a goal. Use the exit hook to show whether they’ve achieved it—or failed spectacularly.
Failure, in particular, creates stakes and forward motion.
If your character’s goal is to escape unseen, and the final line is “A flashlight beam found the back of her jacket,” you’ve built a hook and introduced conflict—all in one.
Scene exit hooks are your novel’s lifeline. When they’re strong, readers don’t pause. They don’t sleep. They don’t stop.
So ask yourself:
❓Does this final line make the reader need to know what happens next?
If the answer is no—it’s time to rewrite.
Welcome back to The Pencil’s Edge.
Grab Attention or Risk Losing Your Reader
When a reader flips the page to a new scene, you’re standing at a crossroads. One direction pulls them deeper into the story. The other leads them to set your book aside. What makes the difference? A strong scene entry hook.
Every scene is a fresh opportunity to engage your reader—or lose them. The beginning of a scene is one of the most vulnerable moments in your novel. If there’s no compelling reason to keep reading, many readers won’t.
Fictionary’s Scene Entry Hook element helps editors and writers evaluate whether a scene’s opening grabs attention, raises questions, and drives momentum. Without that spark, even the most well-structured story risks feeling flat.
As an editor, your job is twofold:
Here’s how to mark it in Fictionary:
The Reading Room is an especially helpful tool here—read several scene openings in sequence and look for sameness or lulls.
A great hook doesn’t need to be loud or shocking. It just needs to pull the reader forward. Think of it like a whisper that makes them lean in, not a shout that pushes them back.
When revising your own scenes, ask:
Here’s an example from The Silent Patient by Alex Michaelides:
“Alicia Berenson was thirty-three years old when she killed her husband.”
This opening raises immediate questions. Why did she kill him? What happened? Readers turn the page to find out.
You don’t need a murder to create a hook. Consider:
Whatever you choose, make sure the opening does something—emotionally, narratively, or psychologically.
Readers are always deciding whether to keep reading. Every scene opening is a promise: This will be worth your time. The Scene Entry Hook is your chance to make good on that promise. Master it, and your story becomes harder and harder to put down.