Scene Name: Discovering the Purpose of Every Scene

Welcome back to The Pencil’s Edge.

What’s really happening in this scene? That’s the first question we ask when we arrive at the Scene Name element in Fictionary’s StoryCoach—and it’s a powerful one.

Scene names might seem like a minor detail, but in reality, they’re one of the most revealing tools for understanding the flow and structure of a novel.


📌 Why Naming Your Scenes Matters

When you name a scene, you’re distilling its essence. You’re identifying the main action, event, or emotional turning point that defines the scene. If you can’t name it clearly and concisely, that’s often a red flag:

  • The scene may lack focus
  • The scene’s goal may be unclear
  • The scene may not actually belong in the story

Naming a scene is like giving it an identity. It makes it easier to track, organize, and evaluate every moment in your manuscript.


✍️ How to Use the Scene Name Element

Here’s how to approach this story element effectively:

🔹 Keep it short – Limit your scene name to three words or fewer.

🔹 Capture the core – Choose something that immediately tells you what the scene is about.

🔹 Use it as a guide – The collection of scene names becomes an outline you can use to evaluate structure, pacing, and chapter themes.

🔹 Struggling to name it? – That may mean the scene is trying to do too much, lacks purpose, or needs to be broken up.

Pro Tip: Use the Word Cloud in StoryCoach for inspiration. Sometimes the right phrase jumps out when you see the most-used terms in the scene.


🧩 Scene Names = Story Map

When you name each scene, your Story Map becomes even more powerful. You can visually scan the list to:

✔ Spot pacing issues

✔ Evaluate story progression

✔ Find chapter themes

✔ Reorder scenes for maximum tension

This process isn’t just editorial—it’s visionary. You’re stepping back and asking, “Is my story doing what I want it to do?”


💬 When to Reevaluate a Scene

If you find yourself stuck trying to name a scene, here are a few possibilities:

  • The scene is unfocused and needs tightening
  • It contains multiple turning points and should be split
  • It’s not connected to the plot or character arc
  • It might just not belong in the manuscript

Scene names can help you spot these issues early—before you get too deep into revisions.


🧠 Advice for Writers

As you revise, ask yourself:

  • What is this scene really about?
  • What’s the dominant action or emotion?
  • If I skimmed the list of scene names, would I grasp the arc of the story?

If not, consider tweaking the names—or even the scenes themselves.

💡 Remember: The scene name is your headline. If the headline doesn’t mean anything, the content probably isn’t hitting its mark.


✏️ Editor’s Insight

As a story coach or editor, I may suggest:

  • Renaming scenes to clarify their purpose
  • Flagging scenes that feel unfocused or overly complex
  • Recommending scene splits based on tangled events
  • Suggesting chapter reshuffling based on thematic unity revealed through scene names

Scene names give you and your editor a shared vocabulary for discussing your story.


🔄 Final Thought

Think of naming your scenes as reverse-engineering your story’s intention. It’s not just about labeling—it’s about clarity, control, and creativity.

A well-named scene helps you:

  • See your story clearly
  • Edit with purpose
  • And build a stronger connection between your scenes and your reader

So before you move on to the next revision step, ask yourself:

👉 Can I name this scene in three words or less?

If not, it might be time to dig a little deeper.


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Author: Richard L. Fricks

Writer, observer, and student of presence. After decades as a CPA, attorney, and believer in inherited purpose, I now live a quieter life built around clarity, simplicity, and the freedom to begin again. I write both nonfiction and fiction: The Pencil-Driven Life, a memoir and daily practice of awareness, and the Boaz, Alabama novels—character-driven stories rooted in the complexities of ordinary life. I live on seventy acres we call Oak Hollow, where my wife and I care for seven rescued dogs and build small, intentional spaces that reflect the same philosophy I write about. Oak Hollow Cabins is in the development stage (opening March 1, 2026), and is—now and always—a lived expression of presence: cabins, trails, and quiet places shaped by the land itself. My background as a Fictionary Certified StoryCoach Editor still informs how I understand story, though I no longer offer coaching. Instead, I share reflections through The Pencil’s Edge and @thepencildrivenlife, exploring what it means to live lightly, honestly, and without a script. Whether I’m writing, building, or walking the land, my work is rooted in one simple truth: Life becomes clearer when we stop trying to control the story and start paying attention to the moment we’re in.

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