Exploring Fictionary’s 38 Story Elements: The Foundation of Exceptional Storytelling

Welcome back to The Pencil’s Edge! In this post, we’ll dive into Fictionary’s 38 Story Elements—the essential building blocks of storytelling that can take your manuscript from good to great. These elements are divided into three supercategories: Character, Plot, and Setting. By analyzing and refining each of these, you’ll ensure your story engages readers on every level.

Let’s summarily explore these elements acknowledging we’ll go much deeper into each story element over the next several weeks.


Character Story Elements

1. Characters per Scene

Identify which characters are present in each scene. Ensure the right characters are getting the appropriate “page time” and contributing meaningfully to the story.

2. Point of View (POV)

Consistency in POV builds trust with readers. Ensure each scene’s POV character provides a unique lens to experience the story.

3. POV Goal

The POV character’s goal drives the scene forward. Ask: What does this character want in this moment?

4. Character Arc

Focus on the protagonist’s external journey. Each scene should impact them positively or negatively, moving them closer to their ultimate goal.

5. POV Goal Internal

This internal goal ties to the character’s personal struggles or weaknesses. How does their internal conflict shape their decisions?

6. Goal Related to Plot

Ensure each goal is relevant to the overarching plot, enhancing believability and cohesion.

7. What if Goal Fails?

High stakes keep readers engaged. Clarify what the character risks if they fail to achieve their goal.

8. Scene Impact on POV Character and Protagonist

Track the emotional arc of your characters. Does the scene positively or negatively impact them?

9. POV Knowledge Gained

Consider what the POV character learns in each scene. Does it influence their decisions and drive the plot forward?

10. Characters in Motion

Characters should be actively engaging with their environment. Movement adds depth and keeps scenes dynamic.


Plot Story Elements

11. Scene Name

Each scene should have a clear purpose. A descriptive scene name helps track its role in the story.

12. Story Arc

Your story’s arc should include five critical points: Inciting Incident, Plot Point 1, Midpoint, Plot Point 2, and Climax. These provide structure without being formulaic.

13. Purpose

Every scene must serve the story. If a scene doesn’t drive the plot or develop characters, consider revising or cutting it.

14. Scene Opening Type

Scenes can open with dialogue, thought, description, or action. Vary your openings to keep readers intrigued.

15. Scene Closing Type

The way you close a scene matters. Dialogue, thought, description, or action can leave a lasting impression.

16. Anchored

Anchor every scene in POV, setting, and time to orient your readers.

17. Entry Hook

Grab attention immediately with a compelling hook. Ask: Does the opening make the reader want to keep going?

18. Exit Hook

End each scene with a question, twist, or revelation that compels readers to continue.

19. Tension

Every scene should include tension to maintain reader engagement.

20. Conflict

Conflict is the action driving the scene, whether it’s a fight, argument, or a battle of wills.

21. Revelation

When a character learns something new, it should prompt a decision or change in action.

22. Backstory

Introduce backstory strategically, avoiding info dumps that slow pacing.

23. Flashback

Use flashbacks sparingly and actively. Ensure they serve the story and enrich the reader’s understanding.

24. Scene Middle

Every scene should have a beginning, middle, and end. The middle is where tension escalates or complications arise.

25. Scene Climax

Each scene’s climax should resolve or intensify the main conflict, keeping the story’s momentum.

26. Action/Sequel

Alternate between action (events happening) and sequel (characters reacting). This balance keeps the pacing dynamic.


Setting Story Elements

27. Location

Choose meaningful settings that enhance the plot, characters, or theme. Ask: Why is this location important?

28. Date/Time

Establishing when scenes take place helps readers follow the timeline.

29. Objects

Objects can anchor a scene and add layers of meaning. Ensure props and details are purposeful.

30. Sights

Use descriptive visuals to bring your setting to life.

31. Smells

Smells can evoke memories or set the mood. Use them strategically.

32. Sounds

Incorporate auditory details to immerse readers.

33. Tastes

Taste is an often-overlooked sense but can add depth to scenes.

34. Touch

Describe textures or sensations to help readers feel connected to the world you’ve built.

35. Emotional Impact

Select locations that amplify the emotional stakes of a scene.

36. Location Split

A location change mid-scene can add tension or shift pacing. Alternatively, merge short scenes in the same location to slow the pace if needed.

37. Weather

Weather isn’t just background; it can set the tone, create obstacles, or heighten tension.


Final Thoughts

Fictionary’s 38 Story Elements provide a robust framework for analyzing and enhancing your story. By considering how each element contributes to your manuscript, you can create a cohesive, engaging, and emotionally resonant narrative.

In our next post, we’ll dive deeper into Character Story Elements, exploring how to create unforgettable characters that resonate with readers. Stay tuned and keep crafting!

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Author: Richard L. Fricks

Writer, observer, and student of presence. After decades as a CPA, attorney, and believer in inherited purpose, I now live a quieter life built around clarity, simplicity, and the freedom to begin again. I write both nonfiction and fiction: The Pencil-Driven Life, a memoir and daily practice of awareness, and the Boaz, Alabama novels—character-driven stories rooted in the complexities of ordinary life. I live on seventy acres we call Oak Hollow, where my wife and I care for seven rescued dogs and build small, intentional spaces that reflect the same philosophy I write about. Oak Hollow Cabins is in the development stage (opening March 1, 2026), and is—now and always—a lived expression of presence: cabins, trails, and quiet places shaped by the land itself. My background as a Fictionary Certified StoryCoach Editor still informs how I understand story, though I no longer offer coaching. Instead, I share reflections through The Pencil’s Edge and @thepencildrivenlife, exploring what it means to live lightly, honestly, and without a script. Whether I’m writing, building, or walking the land, my work is rooted in one simple truth: Life becomes clearer when we stop trying to control the story and start paying attention to the moment we’re in.

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