It’s worth the work to find the precise word that will create a feeling or describe a situation. Use a thesaurus, use your imagination, scratch your head until it comes to you, but find the right word.
When you feel the story is beginning to pick up rhythm—the characters are shaping up, you can see them, you can hear their voices, and they do things that you haven’t planned, things you couldn’t have imagined—then you know the book is somewhere, and you just have to find it, and bring it, word by word, into this world.
When you tell a story in the kitchen to a friend, it’s full of mistakes and repetitions. It’s good to avoid that in literature, but still, a story should feel like a conversation. It’s not a lecture.
The Pencil-Driven Life 